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<span style='display:block;font-size:18px;font-weight:bold;font-family:Courier,Sans;background:#9f78f7;color:#000;'>Notes & Images</span> | <span style='display:block;font-size:18px;font-weight:bold;font-family:Courier,Sans;background:#9f78f7;color:#000;'>Notes & Images</span> | ||
Now, when the question is whether something is beautiful, we do not want to know whether anything depends or can depend on the existence of the thing, either for myself or anyone else, but how we judge it by mere observation (intuition or reflection). … We easily see that, in saying it is beautiful, and in showing that I have taste, I am concerned, not with that in which I depend on the existence of the object, but with that which I make out of this representation in myself. Everyone must admit that a judgement about beauty, in which the least interest mingles, is very partial and is not a pure judgement of taste. (Kant 1790, section 2) | |||
(http://plato.stanford.edu/entries/beauty/) | |||
Reding List: | |||
Jones, Amelia. "Postfeminism, Feminist Pleasures, and Embodied Theories of Art," New Feminist Criticism: Art, Identity, Action, Eds. Joana Frueh, Cassandra L. Langer and Arlene Raven. New York: HarperCollins, 1994. 16–41, 20. | |||
Kahn D. 2013. Earth Sound Earth Signal, Energies and Earth Magnitude in the Arts, University of California Press, USA | |||
Gerds H, 2004, Living Beyond the Gender Trap: Concepts of Gender and Sexual | |||
Revision as of 11:59, 14 November 2016
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Notes & Images
Now, when the question is whether something is beautiful, we do not want to know whether anything depends or can depend on the existence of the thing, either for myself or anyone else, but how we judge it by mere observation (intuition or reflection). … We easily see that, in saying it is beautiful, and in showing that I have taste, I am concerned, not with that in which I depend on the existence of the object, but with that which I make out of this representation in myself. Everyone must admit that a judgement about beauty, in which the least interest mingles, is very partial and is not a pure judgement of taste. (Kant 1790, section 2) (http://plato.stanford.edu/entries/beauty/)
Reding List: Jones, Amelia. "Postfeminism, Feminist Pleasures, and Embodied Theories of Art," New Feminist Criticism: Art, Identity, Action, Eds. Joana Frueh, Cassandra L. Langer and Arlene Raven. New York: HarperCollins, 1994. 16–41, 20.
Kahn D. 2013. Earth Sound Earth Signal, Energies and Earth Magnitude in the Arts, University of California Press, USA
Gerds H, 2004, Living Beyond the Gender Trap: Concepts of Gender and Sexual