User:Emily/20151209: Difference between revisions

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+====Thesis Outline====
+Video assemblage has been my main subject of the practice-based study in Piet Zwart Institute. In this thesis, I will investigate procedural spectatorship through different composition methods implemented in different cases, and lay out the process of my own practice. My research falls on two main components - one is that what artistic approach I can apply to rework with traditional cinema and to provide an open-ended narrative; the other one is I want to investigate how algorithm generated sequence affect the way of viewing when information is gathered, edited. Here the algorithm is the dialog (subtitle file, in stander .srt format) based searching. Both the content and technique will be discussed and also I will try to reflect upon how one affect the other. <br>
+====References====
+*Video Theory: Online Video Aesthetics or the Afterlife of Video
+*Exhibiting Cinema in Contemporary Art
+*Network without a cause [User:Emily/NOTES for Own Research & Resource 10| On Line Video Aesthetics or The Art of Watching Database]
+*Soft Cinema by Lev Manovich and Andreas Kratky
+*Hitchcock&Truffaut
+*'Assemblage' as understood by Gilles Deleuze and Felix Guattari vs Manel Delanda– see: http://www.rhizomes.net/issue5/poke/glossary.html; http://wikis.la.utexas.edu/theory/page/assemblage-theory  from Gilles Deleuze and Félix Guattari, A Thousand Plateaus
+*[https://pzwiki.wdka.nl/mediadesign/User:Emily/NOTES_for_Own_Research_%26_Resource_06| Case studies]
+*[https://pzwiki.wdka.nl/mediadesign/User:Emily/NOTES_for_Own_Research_%26_Resource_04| archive/interface, projects by Robert Ochshorn]
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Revision as of 14:30, 18 January 2016