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== THE WORLD OF ART IN THE AGE OF DIGITAL RECOMBINATION == | == THE WORLD OF ART IN THE AGE OF DIGITAL RECOMBINATION == | ||
Walter Benjamin <em>The Work of Art in the Age of Mechanical Reproduction</em> | |||
<blockquote> | |||
<strong>What is media</strong> | |||
*Designation: us + our world | |||
*Communication: us + our fellow | |||
*Self-understanding: us + ourselves<br /> | |||
<strong>Aura</strong><br /> | |||
As a 'unique phenomenon of a distance however close it may be' represents nothing but the formulation of the cult value of the work of art in categories of space and time perception. | |||
<strong>Auratic work of art</strong><br /> | |||
*Sensible & Supersensible | |||
*Material signifier & Spiritual meaning | |||
</blockquote> | |||
<hr /> | |||
Jos de Mul | |||
<blockquote> | |||
<strong>Transformation mode</strong><br /> | |||
Cult Value ＞ Exhibition Value ＞ Manipulation Value | |||
<strong>Aim</strong><br /> | |||
This reflection by analysing the way the computer interface constitutes and structures aesthetic experience. | |||
<strong>4 Operations of database</strong><br /> | |||
*Insert | |||
*Select | |||
*Update | |||
*Delete | |||
<strong>Theme</strong> | |||
*In the age of digital recombination, the database constitutes the ontological model of the work of art. | |||
*In this transformation, the exhibition value is being replaced by what we might call manipulation value. | |||
</blockquote> | |||
Revision as of 00:48, 9 October 2015
THE WORLD OF ART IN THE AGE OF DIGITAL RECOMBINATION
Walter Benjamin The Work of Art in the Age of Mechanical Reproduction
What is media
- Designation: us + our world
- Communication: us + our fellow
- Self-understanding: us + ourselves
Aura
As a 'unique phenomenon of a distance however close it may be' represents nothing but the formulation of the cult value of the work of art in categories of space and time perception.Auratic work of art
- Sensible & Supersensible
- Material signifier & Spiritual meaning
Jos de Mul
Transformation mode
Cult Value ＞ Exhibition Value ＞ Manipulation ValueAim
This reflection by analysing the way the computer interface constitutes and structures aesthetic experience.4 Operations of database
- Insert
- Select
- Update
- Delete
Theme
- In the age of digital recombination, the database constitutes the ontological model of the work of art.
- In this transformation, the exhibition value is being replaced by what we might call manipulation value.