Talk:Thematic-Making It Public

Page dedicate to brianstorming, planing and preparation of the thematic

Note:

• feel free to change any anything
• if you want use to add a comment use ~~~~ will sign the comment. E.g. Castrobot (talk) 21:04, 27 September 2015 (CEST) is writing a comment here

Topics

Distribution

MONDAY

10:00-11:30 Introduction Annet and Andre

11:30-12:30 Aymeric Mansoux (Monday) - Novel forms of distribution: cultural diffusion of proto free and free culture (undefined notions of access, freedom and public ).

12:30-13:30 Lunch break

13:30-14:30 Amy Wu (Monday) - Fazines and underground networks of publications' distribution.

14:30-15:00 Break

15:00-17:30 Practice

17:30-18:30 Dinner break

18:30-22:30 Films

Introduction / comments by Martino Morandi

Francoise Levie, The Man Who Wanted to Classify the World (2002) - 60 min

Ben Lewis, Google and the World Brain (2012) - 90 min

Bregtje ter Haak, Digital Memory Loss (2014) - 49 min (if needed ?) http://tegenlicht.vpro.nl/afleveringen/2014-2015/digitaal-geheugenverlies.html ( i think there is also a subtitled version)

Pre-reading

Wittgenstein,

Chantal Mouffe

Harvey.

Additional reading (not required, yet recommended)

Aymeric Mansoux, How Deep is Your Source

Writing the Archive

TUESDAY

10:30-11:30 Introduction Annet and Andre

11:30-12:30 Sandra Fauconnier - Writing Wikimedia

12:30-13:30 Lunch break

13:30-14:30 Michael Murtaugh - Active Archives; Erkki Kurenniemi: In 2048 - will be remote from MIT, will do it in afternoon

14:30-15:00 Break

15:00-17:30 Practice

17:30-18:30 Dinner break

Pre-reading

Geoff Cox, Nicolas Malevé, Michael Murtaugh, Archiving the Data-body: human and nonhuman agency in the documents of Kurenniemi

Lori Emmerson, The influence of writing interfaces - typewriter, computer terminal, ipad - on the text works produce with them.

Additional reading (not required, yet recommended)

Michel Foucault, What is an author? http://www.movementresearch.org/classesworkshops/melt/Foucault_WhatIsAnAuthor.pdf

Matthew Kirschenbaum, What Is an @uthor? https://lareviewofbooks.org/essay/uthor

Digital & Hybrid Publishing

WEDNESDAY

10:30-11:30 Introduction Annet and Andre

11:30-12:30 Florian Cramer - Off-line digital reading

12:30-13:30 Lunch break

13:30-14:30 Pia Pool - Digital publishing for publishers

14:30-15:00 Break

15:00-17:30 Practice

17:30-18:30 Dinner break

Pre-reading

Katherine Hayles, Writing Machines (chapters 1,2,3) http://monoskop.org/images/b/bf/Hayles_N_Katherine_Writing_Machines.pdf

Johanna Drucker, A Centruy of Artists Books: artists books as self-reflexive objects

Johanna Drucker, Graphesis http://www.johannadrucker.com/pdf/graphesis_2011.pdf

Additional reading (not required, yet recommended)

Michael Bhaskar, The Content Machine: Towards a Theory of Publishing from the Printing Press to the Digital Network. Anthem Press, 2013.

Examples

Electronic Literature & Its Emerging Forms: http://dtc-wsuv.org/elit/elit-loc/works/

http://collection.eliterature.org/1/ http://collection.eliterature.org/2/

Castrobot (talk) 22:05, 27 September 2015 (CEST) Wonders about this categories: At the moment I see 2 large areas: publishing and archive. Should documentation also be considered?

Structure

Each of the thematic's days could perhaps be organized, according to:

• 10:00 - 11:00 Reading list presentation and discussion. Aiming to prepared the ground for the presentations that will follow. Participants present (organized in groups) 2 or 3 of the titles from the reading list.
• 11:00 - 13:00 Guest presentations
• 14:00 - 17:00 Workshop - how to create the publication? We need to walk together through the material, the aim of the publication, the different necessary tasks:
  • works: storing, describing classifying on the wiki
  • publishing pipeline: getting the content from wiki into a publishable form
  • front-end design: how the publishable output(s) will look like.
  • communication and distribution

Films

• (possible) William Raban - 72-82 (2014) http://www.acme.org.uk/commissions/williamrabanfilm - ask Andre for film. It is interesting use of archive material to portrait a space and time.

Reading list: key arguments

Hayles, Katherine. Writing Machines

Chapters: 1,2,3

• the work being influenced by the materiality of its inscription technologies
• artist's book and concrete poetry reflect upon and expose this influence of the inscription technologies. (22:05, 27 September 2015 (CEST) will also include some web art works - Jodi - or glitch art though the introduction of errors).

elaboration ideas:

• how is the current writing inscription technologies affecting what is being written? Examples of this influence are clear in music the 3' song form that result form the duration of a side from a 78rpm record.
• can the publication of works across multiple media, like in hybrid publishing, inhibit the dialog and reflection between work and inscription technology?

• links to other texts:
  • Lori Emmerson: the influence of writing interfaces - typewriter, computer terminal, ipad - on the text works produce with them.
  • Johanna Drucker "A Centruy of Artists Books": artists books as self-reflexive objects
  • Johanna Drucker "Graphesis": proposals for exploration of writing technologies - footnotes, taes of contents, referencing, etc - in digital and networked environments.