Talk:Thematic-Making It Public: Difference between revisions
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* Florian Cramer - ''Off-line digital reading'' | * Florian Cramer - ''Off-line digital reading'' | ||
* Pia Pool - ''digital publishing for publishers'' | * Pia Pool - ''digital publishing for publishers'' | ||
[[User:Castrobot|Castrobot]] ([[User talk:Castrobot|talk]]) 22:05, 27 September 2015 (CEST) Wonders about this categories: At the moment I see 2 large areas: publishing and archive. Should documentation also be considered? | |||
= Structure = | = Structure = | ||
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** front-end design: how the publishable output(s) will look like. | ** front-end design: how the publishable output(s) will look like. | ||
** communication and distribution | ** communication and distribution | ||
=Films= | |||
* (possible) William Raban - 72-82 (2014) http://www.acme.org.uk/commissions/williamrabanfilm - '''ask Andre for film'''. It is interesting use of archive material to portrait a space and time. | |||
=Reading list: key arguments= | |||
==Hayles, Katherine. Writing Machines== | |||
Chapters: 1,2,3 | |||
* the work being influenced by the ''materiality'' of its ''inscription technologies'' | |||
* artist's book and concrete poetry reflect upon and expose this influence of the inscription technologies. (22:05, 27 September 2015 (CEST) will also include some web art works - Jodi - or glitch art though the introduction of errors). | |||
elaboration ideas: | |||
* how is the current writing inscription technologies affecting what is being written? Examples of this influence are clear in music the 3' song form that result form the duration of a side from a 78rpm record. | |||
* can the publication of works across multiple media, like in hybrid publishing, inhibit the dialog and reflection between work and inscription technology? | |||
* links to other texts: | |||
** Lori Emmerson: the influence of writing interfaces - typewriter, computer terminal, ipad - on the text works produce with them. | |||
** Johanna Drucker "A Centruy of Artists Books": artists books as self-reflexive objects | |||
** Johanna Drucker "Graphesis": proposals for exploration of writing technologies - footnotes, taes of contents, referencing, etc - in digital and networked environments. |
Revision as of 21:05, 27 September 2015
Page dedicate to brianstorming, planing and preparation of the thematic
Note:
- feel free to change any anything
- if you want use to add a comment use ~~~~ will sign the comment. E.g. Castrobot (talk) 21:04, 27 September 2015 (CEST) is writing a comment here
Topics
Publishing (Distribution)
Day: Monday ; Guests:
- Aymeric Mansoux (Monday) - Novel forms of distribution: cultural diffusion of proto free and free culture (undefined notions of access, freedom and public ).
- Amy Wu (Monday) - Fazines and underground networks of publications' distribution.
Archive
Day: Tuesday; Guests:
- Sandra Fauconnier
- Michale Murtaugh - Active Archives; Erkki Kurenniemi: In 2048 - will be remote from MIT, will do it in afternoon
Digital & Hybrid Publishing
Day: Wednesday; Guests: Pia, Florian - Wednesday
- Florian Cramer - Off-line digital reading
- Pia Pool - digital publishing for publishers
Castrobot (talk) 22:05, 27 September 2015 (CEST) Wonders about this categories: At the moment I see 2 large areas: publishing and archive. Should documentation also be considered?
Structure
Each of the thematic's days could perhaps be organized, according to:
- 10:00 - 11:00 Reading list presentation and discussion. Aiming to prepared the ground for the presentations that will follow. Participants present (organized in groups) 2 or 3 of the titles from the reading list.
- 11:00 - 13:00 Guest presentations
- 14:00 - 17:00 Workshop - how to create the publication? We need to walk together through the material, the aim of the publication, the different necessary tasks:
- works: storing, describing classifying on the wiki
- publishing pipeline: getting the content from wiki into a publishable form
- front-end design: how the publishable output(s) will look like.
- communication and distribution
Films
- (possible) William Raban - 72-82 (2014) http://www.acme.org.uk/commissions/williamrabanfilm - ask Andre for film. It is interesting use of archive material to portrait a space and time.
Reading list: key arguments
Hayles, Katherine. Writing Machines
Chapters: 1,2,3
- the work being influenced by the materiality of its inscription technologies
- artist's book and concrete poetry reflect upon and expose this influence of the inscription technologies. (22:05, 27 September 2015 (CEST) will also include some web art works - Jodi - or glitch art though the introduction of errors).
elaboration ideas:
- how is the current writing inscription technologies affecting what is being written? Examples of this influence are clear in music the 3' song form that result form the duration of a side from a 78rpm record.
- can the publication of works across multiple media, like in hybrid publishing, inhibit the dialog and reflection between work and inscription technology?
- links to other texts:
- Lori Emmerson: the influence of writing interfaces - typewriter, computer terminal, ipad - on the text works produce with them.
- Johanna Drucker "A Centruy of Artists Books": artists books as self-reflexive objects
- Johanna Drucker "Graphesis": proposals for exploration of writing technologies - footnotes, taes of contents, referencing, etc - in digital and networked environments.