Proposal-draft: Difference between revisions

From XPUB & Lens-Based wiki
(Created page with "'''Tentative Title''' '''A general introduction laying out your plan for your final project.''' Coexistence of Performativity and Graphic design. / / / / / // / / / / /...")
 
No edit summary
Line 26: Line 26:
SPACE - physical & virtual. Terra incognita, to explore.  
SPACE - physical & virtual. Terra incognita, to explore.  
TIME - different rythms.
TIME - different rythms.
'''''Method'''''
1. First Prototyping Experiments:
1.1 Geometry : coordenation of visual elements - graphics.
1.2 Language - type;
1.3 Moving Images;
1.4 Sound;
1.5 Performance;
1.6 Scenography;
TOOLS:
- web desinginig; programming languages; computational creativity tools; other software.
- also considering: (moving) images - type/graphics; sound; multimedia installation; performance.




Line 66: Line 42:
- Video and installation art from the 70's;
- Video and installation art from the 70's;


Meaning practices or ideas that go beyond the scope of your personal work. Write briefly about other projects or theoretical material which share an affinity with your project. For example, if you are researching urban interventions, you might talk about Situationist approaches to psychogeography, urban tactical media and activist strategies of reclaiming the streets. Or, if you want to explore the way data is tracked, you might touch upon the politics of data mining by referencing concerns laid out by the Electronic Frontier or highlight theoretical questions raised by Wendy Chun or others. (Keep in mind that we are *not* expecting well formulated conclusions or persuasive arguments in the proposal phase. At this juncture, it's simply about showing an awareness of a broader context, which you will later build upon as your research progresses.)


'''Thesis intention'''
'''Thesis intention'''
Line 74: Line 48:
'''Practical steps'''
'''Practical steps'''


Describe how you will go about conducting your research through reading, writing and practice. In other words, through a combination of these approaches, you will explore questions or interests you have laid out in your general introduction. In this section you can help us understand how your project will come together on a practical level and talk about possible outcome(s). Of course, the outcome(s) may change as your research evolves, but it's important to have some idea of how your project might come together as a whole.
'''''Method'''''
References
 
'''
1. First Prototyping Experiments:
A list of references'''  
 
1.1 Geometry : coordenation of visual elements - graphics.
1.2 Language - type;
1.3 Moving Images;
1.4 Sound;
1.5 Performance;
1.6 Scenography;
 
TOOLS:
 
- web desinginig; programming languages; computational creativity tools; other software.
 
- also considering: (moving) images - type/graphics; sound; multimedia installation; performance.
 
 
'''A list of references'''  


(Remember that dictionaries, encyclopedias and wikipedia are not references to be listed. These are starting points which should lead to more substantial texts and practices.) As with your previous essays, the references need to be formatted according to the Harvard method.) See: http://pzwart3.wdka.hro.nl/wiki/A_Guide_to_Essay_Writing#The_Harvard_System_of_referencing
(Remember that dictionaries, encyclopedias and wikipedia are not references to be listed. These are starting points which should lead to more substantial texts and practices.) As with your previous essays, the references need to be formatted according to the Harvard method.) See: http://pzwart3.wdka.hro.nl/wiki/A_Guide_to_Essay_Writing#The_Harvard_System_of_referencing


<small>
<small>ON PERFORMANCE // CHOREOGRAPHY
ON PERFORMANCE // CHOREOGRAPHY


http://www.booksonthemove.eu/en/shop/books/english-books/  (readings < )
http://www.booksonthemove.eu/en/shop/books/english-books/  (readings < )
Line 143: Line 131:
SPACE
SPACE


Pattern: Ornament, Structure and Behavior, by Andrea Gleiniger and Georg Vrachliotis  
Pattern: Ornament, Structure and Behavior, by Andrea Gleiniger and Georg Vrachliotis </small>
 
</small>

Revision as of 15:07, 23 September 2015

Tentative Title


A general introduction laying out your plan for your final project.

Coexistence of Performativity and Graphic design.

/ / / / / // / / / / /

experience - perception - phenomenology

\ ChoreoGraphy / - writing movement, HOW? (go to first prototyping experiments)

/ Composition (mapping/ placing - accessiblitiy) / Chance (randomness) /

/ Action / Eventness /

Bodies/Objects (in) Movement (in) Space (in) Time.

\ \ \ \ \ \ \ \\ \ \ \

Transformative Time & Space Dimensions

“For Massumi, affect is precisely a matter of how intensities come together, move each other, and transform and translate under and beyond meaning, semantics and fixed systems/cognitions. Part of the assumption here is that, even in the most reactionay circumstances, nothing happens if affective intensity has not already paid us a visit. This refines our understanding of why territory - spatial and temporal - is always “existential territory“. It has as much a territorry that enables movement as something that keeps everything in its place, it is movement itself.” Reading / Feeling - If I Can’t Dance Archives.

SPACE - physical & virtual. Terra incognita, to explore. TIME - different rythms.


Relation to previous practice


Relation to a larger context

- Minimalism; - Conceptual Art; - Fluxus; - "Instructions" avant gard movement; - Happenings; - Lettrism; - Video and installation art from the 70's;


Thesis intention


Practical steps

Method

1. First Prototyping Experiments:

1.1 Geometry : coordenation of visual elements - graphics. 1.2 Language - type; 1.3 Moving Images; 1.4 Sound; 1.5 Performance; 1.6 Scenography;

TOOLS:

- web desinginig; programming languages; computational creativity tools; other software.

- also considering: (moving) images - type/graphics; sound; multimedia installation; performance.


A list of references

(Remember that dictionaries, encyclopedias and wikipedia are not references to be listed. These are starting points which should lead to more substantial texts and practices.) As with your previous essays, the references need to be formatted according to the Harvard method.) See: http://pzwart3.wdka.hro.nl/wiki/A_Guide_to_Essay_Writing#The_Harvard_System_of_referencing

ON PERFORMANCE // CHOREOGRAPHY

http://www.booksonthemove.eu/en/shop/books/english-books/ (readings < ) http://sarma.be/oralsite/pages/Strata/ (documentation / dance archive) http://apass.be/artistic-reseach-center/archive/ (documentation / dance archive) motionbank.org (documentation / dance archive) http://www.ubu.com/dance/index.html (historical references/ dance archive) http://www.disjointedarts.com/home_xo/ressssssearches (postchoreography ?) http://wellcomecollection.org/whats-on/exhibitions/thinking-with-the-body/?video=4 (Thinking with the body: Mind and Movement by Wayne McGregor / Random Dance) William Forsythe (choreographics objet) On Scores, Notation and the Trace in Dance, by Myriam Van Imschoot MOVING WITHOUT a BODY by Stamatia Portanova (book) Isabel Maria de Cavadas Valverde in INTERFACES DANCE-TECHNOLOGY: a theoretical framework for performance in the digital domain (dance-technology thesis) Hetty Blades on Creative Computing and the Re-Configuration of Dance Ontology

Tino Sehgal at Tate Modern : https://vimeo.com/54314537

I CAN'T DANCE archives

exhibition from Anne Theresa at Wiels exhibition "Dancing Light / Let it move you" at Huis Marseille


ART MOVEMENTS

https://en.wikipedia.org/wiki/Lettrism (time-based media works < check ) http://www.walkerart.org/collections/publications/performativity/

Briony Fer in the book The infinite line (geometry and conceptual artists)

ARTISTS

Sol Lewitt Vito Acconci Henri Chopin; Guy de Cointet and Channa Horwtizt: Signs,Rules, Processes - Indetermination and deconstruction. http://www.marcellealix.com/artistes/oeuvres/1743/marie-cool-fabio-balducci http://www.collectivemagpie.org/work/

THEORISTS (on language/ media)

Method by Dick Raaijmakers Deleuze and Guatari Umberto Eco Guy de Cointet Lev Manovich, Database as a Symbolic Form. Meta-communication, by Gregory Bateson to refer to "communication about communication" "Mind, Nature, and Consciousness: Gregory Bateson and the New Paradigm. ‘History’ of Search Engines: Mapping Technologies of Memory, Learning, and Discovery ¬ Richard Graham

"Art and Language" exhibition at MacBa.

PHENOMENOLOGY

Brian Massumi's reflection on Feeling, Emotion and Affect on his book Parables of the Virtual, Movement, Affect, Sensation. Interview with Marlon Barrios Solano, part of the Embodied Techne Series (2012), Alva Noë discusses "Dance As A Way Of Knowing" Phemenology of Perception - Merleau Ponty Eric Shouse, “Feeling, Emotion, Affect”, MC Journal, Vol. 8, No. 6 (December 2005), http://journal.media-culture.org.au/0512/03-shouse.php


SPACE

Pattern: Ornament, Structure and Behavior, by Andrea Gleiniger and Georg Vrachliotis

Retrieved from "https://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Proposal-draft&oldid=84041"