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==Intro== | ==Intro== | ||
My thesis will base on the process of making the graduation project, discuss How to most effectively present ( and preserve) the movement or gesture that is the basis of drawing or chinese ink painting, (here movement can be related to Hsieh Ho's first principle of Chinese painting: the resonance of vitality.) | My thesis will base on the process of making the graduation project, discuss How to most effectively present ( and preserve) the movement or gesture that is the basis of drawing or chinese ink painting, (here movement can be related to Hsieh Ho's first principle of Chinese painting: the resonance of vitality.) | ||
==Reading List== | |||
Philip Rawson, ''Drawing'' | |||
Fritz van Briessen， ''The Way of the Brush: Painting Techniques of China and Japan | |||
'' | |||
James Elkins, ''Chinese Landscape Painting as Western Art History'' | |||
Revision as of 19:23, 3 February 2015
Thesis Outline
Intro
My thesis will base on the process of making the graduation project, discuss How to most effectively present ( and preserve) the movement or gesture that is the basis of drawing or chinese ink painting, (here movement can be related to Hsieh Ho's first principle of Chinese painting: the resonance of vitality.)
Reading List
Philip Rawson, Drawing
Fritz van Briessen， The Way of the Brush: Painting Techniques of China and Japan
James Elkins, Chinese Landscape Painting as Western Art History