User:LEa/T2: Difference between revisions

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๐Ÿ“– [[User:LEa/reader/MushroomATEOTWorld|The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins]] (Anna Lowenhaupt Tsing, 2015) [Read [https://library.memoryoftheworld.org/#/book/025af55d-e8ef-49f2-b8c0-23b021c10f37 here]]
๐Ÿ“– [[User:LEa/reader/MushroomATEOTWorld|The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins]] (Anna Lowenhaupt Tsing, 2015) [Read [https://library.memoryoftheworld.org/#/book/025af55d-e8ef-49f2-b8c0-23b021c10f37 here]]


|๐Ÿ“– The Carrier Bag Theory of Fiction (Ursula K. Le Guin, 1986) [Read [https://monoskop.org/images/9/96/Le_Guin_Ursula_K_1986_1989_The_Carrier_Bag_Theory_of_Fiction.pdf here]]
|๐Ÿ“– [[User:LEa/reader/kombuchacellulose|Current challenges, applications and future perspectives of SCOBY cellulose of Kombucha fermentation]] (D. Laavanya, Shivanand Shirkole, P. Balasubramanian, 2020) [Read [https://sci-hub.st/10.1016/j.jclepro.2021.126454 here]]
ย 
๐Ÿ“– [[User:LEa/reader/kombuchacellulose|Current challenges, applications and future perspectives of SCOBY cellulose of Kombucha fermentation]] (D. Laavanya, Shivanand Shirkole, P. Balasubramanian, 2020) [Read [https://sci-hub.st/10.1016/j.jclepro.2021.126454 here]]


๐Ÿ“– [[User:LEa/reader/fermentingcraft|Fermenting alternatives through the more-than-human relations of craft entrepreneuring]] (Emma Bell, 2025) [Read [https://journals.sagepub.com/doi/10.1177/00187267241312636 here]]
๐Ÿ“– [[User:LEa/reader/fermentingcraft|Fermenting alternatives through the more-than-human relations of craft entrepreneuring]] (Emma Bell, 2025) [Read [https://journals.sagepub.com/doi/10.1177/00187267241312636 here]]

Revision as of 14:56, 29 March 2026

........................................mushrooms

microorganisms........

bio-materials.................

fermenting......................................................

foraging....................................

social practice.......................

................................writing

..............walking

exploring commons......................

drawing.........................................................................

writing

notes on SI28, SI29, and workshops I attendedโ€”all squished to fit

A lot of my time here has been spent writing. Writing and editing text has always been something that I enjoy, but (except for a three-month internship in journalism), I never focused on it much. Since I find myself writing in many different contexts and settings, I would like to do it more intently. Both narrative texts as well as non-fiction is interesting to me.

โœ๏ธ Wiki Writing โ€” Documenting my process, my thoughts, and big parts of group projects

โœ๏ธ SI28 Editorial Group โ€” Promotional texts and the introduction to our A_maze_zine

โœ๏ธ Blog โ€” Very fun (but scary)!

โœ๏ธ Writing Wednesdays โ€” Biweekly meetup to sit and write together

making

writing machines

output from poetry generator exhibited at creative coding utrecht

For the first few weeks of XPUB, reading texts, learning about new tools, and documenting everything has been all I did. I was longing to actually make things, and was excited to start tinkering with writing machines. I have long been interested in surrealists methods such as automatic writing and exquisite corpse, and I started noticing writing machines in the wild, and had lots of fun making my own. One thing that I did struggle with though, was finding meaning (beyond โ€œI had funโ€œ), in the texts produced.

๐Ÿช„ Multinational Poetry Remix

๐Ÿช„ Nod-Blink-Yawn State Machine

๐Ÿช„ Typing Survival: Glyphica Text Machine ...

๐Ÿช„ Psychogeographic Writing Machine

๐Ÿช„ The Calm Machine: Walking Protocol.

๐Ÿช„ Mud-cell Poem

๐Ÿช„ Poetry Generator (@ CCU)

a walking card scanned during our event at UBIK
....................
checking on the activity of the mud bacteria

zines

from writing wednesdays to xtraterrestrial zine fair
collective zine making @ leeszaal west
not a zine, but a flyer: promotion for our SI29 workshop

Making zines has long been part of my practice. What I love about it: It is a very quick mode of publishing (if you want it to beโ€”I tend to overthink the process), and there is a physical object to hold and distribute. During the last two Special Issues, I learned a few new things about zine-making and me: Command line tools are awesome! Pdfbook2 and weasyprint simplify tasks that I used to spend a lot of time on. Andโ€”making zines together is the most fun!

โœ‚๏ธ A_maze_zine โ€” Wrap up of SI28 (wiki2print)

โœ‚๏ธ Practice and Scale โ€” Interviews from Methods class (wiki2print)

โœ‚๏ธ A Grower's Guide to Writing โ€” Writings and drawings for the Xtraterrestrial Zine Fair

โœ‚๏ธ Echt Nep?! โ€” Collective Zine from our workshop at Leeszaal West

websites

Before I came to XPUB, I had vibe coded most parts of all the websites I made. I was determined to actually learn HTML and CSS during my time here, but I am rarely finding the time to sit down and write code. These pages are what I made during Special Issue 29โ€”very simple, but made without AI. That does not mean that I wrote everything from scratch, though. I got help from others, or used existing code snippets found on the web.

๐Ÿ”— Echt Nep?! โ€” Our collective zine to click through

๐Ÿ”— LEa โ€” Personal gossips from Doriane's class

๐Ÿ”— A Grower's Guide to Writing โ€” HTML hidden in a P2P-garden

๐Ÿ”— File tree โ€” Kamo helped with the pop-ups

field recordings

Although I adored the topic of Special Issue 28, I was less excited about hosting radio shows. I had very limited experience working with sound, and I am quite terrible at public speaking. Things that I did enjoy, though, were sharing music and found sounds with others, as well as making field recordings of my surroundings when going for a walk.

๐Ÿ”Š Workers putting up a new street sign

๐Ÿ”Š Construction, items being thrown into a container

๐Ÿ”Š Children talking and yelling, cleaning up trash from the street with their teacher

๐Ÿ”Š Dirk supermarket, at the self checkout counter

๐Ÿ”Š People going in and out of Familie Eethuis, cars and a tram passing by

๐Ÿ”Š Construction work, pedestrians passing by

more(ganisms)

๐Ÿฆ  Sourdough โ€” Sharing and baking

๐Ÿฆ  Kombucha โ€” For drinking (textiles, circuits, batteries?)

๐Ÿฆ  Kimchi โ€”

๐Ÿฆ  Mycelium โ€” Home-grown objects made from fungi

๐Ÿฆ  Sewing โ€” Possibly with bio-textiles?

๐Ÿฆ  My own MFCs? (microbial fuel cells)

got to make your own if you want to eat good bread in nl
new kombucha starter received from a kind neigbour
collective kimchi!
mycelium grown object (genus ganoderma)
first time at the fabric station

learning

workshops

๐Ÿ‘พ Fermenting The Earth, Wiring The Mud with Sunjoo Lee & Anna Pastor, 2025-09-19 to 2025-10-25 @ iMal (& CCU)

๐Ÿ‘พ Let's Make It Last! with Yuliya Gwilym & Brigid Lefevre, 2025-10-04 @ PrintRoom

๐Ÿ‘พ Introduction to Local First with Tobias Bernard, 2025-12-04 @ the Aquarium

๐Ÿ‘พ Biocraft with household organic waste with Catinca Tilea, 2026-01-11 @ Varia

๐Ÿ‘พ Server Charms with Kaa, 2026-01-11 @ toitoidrome

๐Ÿ‘พ Draw It With Others with Chae & Kamo, 2026-03-17 @ toitoidrome

sunjoo's electric garden at iMal
Makeitlast2.jpg
Crafting5.jpg
Diwo.jpg
Diwo2.jpg

coding

๐Ÿ’ป why is it so hard:(

reflections & questions

Interests.png

๐Ÿ”บ Writing helps me to structure my thoughts, and I'd like to do it more. Maybe in public spaces? Or collectively?

๐Ÿ”บ Being in social situationsโ€•especially as a host or presenterโ€•is really scary for me, since I have always struggled with social anxiety. But(!), I noticed that I am most interested in things when I can do them with or for others (e.g. all the workshops, discussing AI, making the walking protocol, intimate P2P file sharing). I really want to explore social practices and how I can take an active role in them.

๐Ÿ”บ My personal practice has been lagging behind in the first two Special Issues, and I want to change that. I am not entirely sure what I'd like to focus on, but I can imagine to explore the meaning of fermenting in social and cultural spaces. Looking at the topic of the upcoming Special Issue, I

โ“ Since I feel that my interests might be too manyโ€•and too scatteredโ€•I am curious: What do you see as most central to my work at XPUB so far? Is there something from within my mentioned interests (or outside) that you would advise me to pursue?

โ“ Doriane suggested to write a text about the things we learned during and preparing for our workshop on spotting AI images. I had already started something before, but I am still unsure if I want to upload it to the wiki or not. I am nervous to share it at all, but I'd like to receive feedback on it.


resources

These are the books and texts I've read in the past few months that have been helpful, influential, or inspiring for me:

๐Ÿ“– Walking and Mapping: Artists as Cartographers (Karen Oโ€™Rourke, 2013)

๐Ÿ“– Letโ€™s Become Fungal! Mycelium Teachings and the Arts (Yasmine Ostendorf-Rodrรญguez, 2023)

๐Ÿ“– The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins (Anna Lowenhaupt Tsing, 2015) [Read here]

๐Ÿ“– Current challenges, applications and future perspectives of SCOBY cellulose of Kombucha fermentation (D. Laavanya, Shivanand Shirkole, P. Balasubramanian, 2020) [Read here]

๐Ÿ“– Fermenting alternatives through the more-than-human relations of craft entrepreneuring (Emma Bell, 2025) [Read here]

๐Ÿ“– Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (Donna Haraway, 1988)