User:Senka/a bas nije da nas nikad nije bilo: Difference between revisions

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==3D explorations==
==3D explorations==
''Liminality'' <br>
'''Liminality''' <br>
Previous readings that posit the Balkans as a place that could not self identify, but is liminal because it was identified by larger global forces.
Pool <br>
Pool <br>
<gallery mode=packed heights=200px style="text-align:left;">
File:Liminal pool.png|alt=liminal pool render|Liminal pool final render
File:Lim pool.png|rendered in eeve instead of cycles (which takes ages but it's really good)
File:Water error.png|Some errors along the way
File:Water2-unfinished.png|Unfinished render in cycles
File:Waterrr.png|thumb|First render
</gallery>
Airport <br>
Airport <br>
_____ <br>
 
Pioner dool <br>
 
_____ <br>
_____ <br>
_____ <br>
_____ <br>

Revision as of 12:52, 1 October 2024

квир истраживања све овде бацамо ајде идемо

Meeting with Ana Milić

  • her reseach on post-yugoslav queer and migrant oral histories
  • the things we've discussed in the interview
  • resources she shared with me:

___

Research questions

  • What is the language of queerness in the Balkans?
  • How could one dig up what had already been there, queer and hiding in plain sight, to counter the narrative of queerness being something that is inherently Western?
  • * More broadly how can one counter homonationalist queer narratives that posit the west as a the source of queerness?

3D explorations

Liminality
Previous readings that posit the Balkans as a place that could not self identify, but is liminal because it was identified by larger global forces. Pool

Airport

Pioner dool

_____
_____

Printers

Different ways to interact with a screen

Ideas

Презентација у дрегу?

Tangents

  • liminality on deciding on a region