User:Kim/reading/Problems of Notation: Difference between revisions
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=== Livecoding === | === Livecoding === | ||
* embodies FLOSS key principles (code - algorithms - music) | * embodies FLOSS key principles (code - algorithms - music) | ||
# continual re-writing of code as primary mode of artistic production | |||
# presentation of the work as open ended, mutable rather than static artefact | |||
=== Livecoding Aesthetics === | === Livecoding Aesthetics === | ||
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* First Hacklabs developed in Europe - emerging from squatting movements | * First Hacklabs developed in Europe - emerging from squatting movements | ||
* FLOSS + Hacklabs share principle of 'enabling the possibility of production by others' | * FLOSS + Hacklabs share principle of 'enabling the possibility of production by others' | ||
'''collaborative practice''' brings together production of many under single goal (directing disposition of every individuals labour) | |||
'''distributive practice''' enables disposition of labour by others (under their own direction) | |||
[https://dspace.mit.edu/bitstream/handle/1721.1/6086/AIM-239.pdf HAKMEM] | [https://dspace.mit.edu/bitstream/handle/1721.1/6086/AIM-239.pdf HAKMEM] | ||
[https://www.are.na/block/28634508 Tortoises?] | [https://www.are.na/block/28634508 Tortoises?] | ||
Revision as of 16:32, 15 September 2024
All Problems of Notation Will be Solved by the Masses: Free Open Form Performance, Free/Libre Open Source Software, and Distributive Practice
Simon Yuill
- recent valorization of 'collaboration' omits basic condition of collaboration - that all forms of production ultimately rely on various degrees and arrangements
- 'collaboration' becomes commodified (art, consumer as worker)
- can FLOSS (Free/Libre Open Source Software) counteract?
- problems with FLOSS:
- issue of collaboration and legislation (and how these relate to medium code)
- FLOSS emerging cultural practices fail to relate to outside (non-FLOSS art/ culture)
- these practices are not collaborative but distributive
- article outlines relation between notational production and distributive practice
Livecoding
- embodies FLOSS key principles (code - algorithms - music)
- continual re-writing of code as primary mode of artistic production
- presentation of the work as open ended, mutable rather than static artefact
Livecoding Aesthetics
- production is 'live' and living
- workshops / pedagogic aspect important
Hacklabs + Hackmeets
- First Hacklabs developed in Europe - emerging from squatting movements
- FLOSS + Hacklabs share principle of 'enabling the possibility of production by others'
collaborative practice brings together production of many under single goal (directing disposition of every individuals labour) distributive practice enables disposition of labour by others (under their own direction)