User:Eleanorg/Works I've Enjoyed: Difference between revisions
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This is a record of works I've enjoyed in each month - not ones that have been newly made, but that I have encountered or re-encountered, and struck a chord at this particular time. It's an attempt to overcome my terrible memory for names; a crib sheet for tutorials, etc. | This is a record of works I've enjoyed in each month - not ones that have been newly made, but that I have encountered or re-encountered, and struck a chord at this particular time. It's an attempt to overcome my terrible memory for names; a crib sheet for tutorials, etc. | ||
==March 2012== | ==March 2012== | ||
* Mud Tub (?) by To Gerhardt http://tomgerhardt.com/mudtub/ | |||
:: Movement sensors(?) allow you to play in the mud and alter projections onto the mud as you do. Wired would love it. Silly + fun. | |||
* Lumarca (2009?) by Albert Hwang, Matt Parker, and Elliot Woods http://lumarca.info/about.html | * Lumarca (2009?) by Albert Hwang, Matt Parker, and Elliot Woods http://lumarca.info/about.html | ||
:: System to help you make 3d data visualisations with string and projector | :: System to help you make 3d data visualisations with string and projector | ||
Revision as of 08:24, 21 March 2012
This is a record of works I've enjoyed in each month - not ones that have been newly made, but that I have encountered or re-encountered, and struck a chord at this particular time. It's an attempt to overcome my terrible memory for names; a crib sheet for tutorials, etc.
March 2012
- Mud Tub (?) by To Gerhardt http://tomgerhardt.com/mudtub/
- Movement sensors(?) allow you to play in the mud and alter projections onto the mud as you do. Wired would love it. Silly + fun.
- Lumarca (2009?) by Albert Hwang, Matt Parker, and Elliot Woods http://lumarca.info/about.html
- System to help you make 3d data visualisations with string and projector
- PlaneScape (2010) by Yoko Seyama, Lyndsey Housden, Wolfgang Bittner and Jeroen Uyttendaele http://www.youtube.com/watch?v=dmWwuKZaMyA
- Non-tech use of hi-tech looking installation; projections on rubber bands
- Walking Dead Drops (2012) by Jerome Saint-Clair http://vimeo.com/38786165
- like dead drops, but using transport networks to send data across the city
- Celluloid Remix - competition (2012) organised by EYE Film Instituut Nederland & Beelden voor de Toekomst
- interesting example of institutions doing 'remix' culture. Prizes for the 'best' remixes. Weird.
Feb 2012
- Dead Drops (2011-), Aram Bartholl, http://deaddrops.com/
- Another offline network, taking 'digital' into physical space & inviting strangers to take risks together
- Skin (2003), Shelley Jackson, http://ineradicablestain.com/skin-video.html
- The aesthetic of a distributed network, taken offline & entirely relying on the living body.Frustrating lack of documentation of the original work; this video is a remix.
- The Time Machine In Alphabetical Order (), Thomson & Craighead, http://www.thomson-craighead.net/
- creative use of cutting up a text & deconstructing it in a rule-based way
- EpicPedia (2008), Annemieke van der Hoek, http://www.epicpedia.org/
- re-performs collaborative editing. A nice treatment to make sense of the history of collaborative texts
Jan 2012
- The Bank of Time (2001), Richard Wright http://thebankoftime.host.furtherfield.org/
- 'grows' plants on desktop screen saver; inverts speed fetish of computing; striking superimposition of earthy time on computer time
- Mimeticon (2006), Richard Wright http://mimeticon.host.furtherfield.org/cgi-bin/Baroque.cgi
- search by similarity: deconstruction of images vs words; word becomes an image, which then becomes a 'word' (as it signifies, in order to gather 'relevant' results)
- Bicycle Built for 2,000 (?), Aaron Koblin http://www.bicyclebuiltfortwothousand.com/
- Another nice example of the many vs the individual; nice how individuals work in isolation & are then combined into a whole
- 10,000 Copyrighted Images (2007), Richard Wright http://futurenatural.pwp.blueyonder.co.uk/film10KVIMEO.html
- Deceptively simple format; bases a critique of copyright in age of 'information overload' on human perceptive capability
- ExtInked, UHC Collective http://www.uhc.org.uk/portfolio.php?tag=13&project=54
- Beautiful use of volunteers in ritual-like format; demands long-term commitment; participants are 'witnesses not spectators' a la Etchells
- Newstweek (2011), Julian Oliver & Danja Vasiliev http://newstweek.com/overview
- Very clean & sophisticated implementation of a simple idea intercepting wifi hotspots. Golden Nica award, Ars Elec. 2011
- The Sheep Market (), Aaron Koblin
- Similar aesthetic to InBFlat. Nice how it uses the system itself in an unorthodox way, to critique it
Dec 2011
- Virtual Choir (ongoing) Eric Whitacre http://virtualchoir.ericwhitacre.com/
- beautiful juxtaposition of the everyday/isolated and the sublime/communal, as isolated voice uploads become a full choir. Shame about over-literal, tacky visual presentation
- Listening Post (2004), Ben Rubin and Mark Hansen http://earstudio.com/2010/09/29/listening-post/
- Meditation on collective mind; integration of pre-designed elements with live data; creation of physical space from virtual material
- Coal Fired Computers (2010), YoHa http://yoha.co.uk/cfc
- Strong conceptual linking of hardware/body to 'virtuality'; not just conceptual but visually engaging
- Internet Topography (2006-11), Nicholas Maigret & Nicholas Montgermont (collaborating as 'Art of Failure' http://www.triangulationblog.com/2011/04/nicolas-maigret.html
- Beautiful abstract, minimalist exploration of the physical medium of 'the internet' and its glitches
- With You (various performances)
- Thoughtful integration of performance into social media; 'fake'/hijacked identity; nice solution to documentation in USB format
- Packet Garden (2006), Julian Oliver http://julianoliver.com/pg
- links physical geography to virtual travel; re-imagining geography in networked world