User:Thijshijsijsjss/Gossamery: Difference between revisions
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*[[User:Thijshijsijsjss/Notes_on_SI24/Ethereal_library|Bijna bestaand boekenhof SI24]] | *[[User:Thijshijsijsjss/Notes_on_SI24/Ethereal_library|Bijna bestaand boekenhof SI24]] | ||
=Annotations= | |||
==[[Ccru Writings 1997-2003|Ccru]]== | |||
{{:User:Thijshijsijsjss/Gossamery/Ccru}} | |||
==[[User:Thijshijsijsjss/Gossamery/Volumetric_Bodies|Volumetric Bodies]]== | |||
{{:User:Thijshijsijsjss/Gossamery/Volumetric_Bodies}} | |||
Revision as of 16:09, 29 December 2023
A gossamery glossary cemetery, parce que 解読 est un cadeau wanneer je het liebst / lebst.
La Musée Bibliotheque
Annotations
Ccru
I was interested to read up on Fiction Theory, after I heard about its connection to modal logic. In particular, to Kripke's application of modal logic to semantics, something I'm vaguely familiar with from previous (intuistionistic) endeavors into the foundations of mathematics.
This is how I stumbled upon the Ccru Writings (1997-2003). Upon looking for some context, it seems to be ununtangleably intertwined with the radicalization of some of its members, Nick Land in particular. (Is this the material I was looking for...?)
The Ccru does not, has not, and will never exist
Reminiscent of Smalfilm, the second song from Spinvis's excellent 2002 debut album.