User:Danny van der Kleij/Thesis outline: Difference between revisions

From XPUB & Lens-Based wiki
No edit summary
No edit summary
Line 17: Line 17:


[[User:Danny van der Kleij/Annotations | Annotations(incomplete) ]]
[[User:Danny van der Kleij/Annotations | Annotations(incomplete) ]]
[[User:Danny van der Kleij/Proposal_excerpts | excerpts from my proposal ]]

Revision as of 13:14, 21 March 2012

Thesis Outline:

  • Feelings of utopia within a moment of (recorded) music. Immanence of utopia rather then a reachable utopia in the (distant) future.
  • Radio as a Utopian space, Pirate Radio, Radio as a no-space.Distant and fleeting yet inescapable broadcast.
  • Space age music example: Afrofuturism, Sun Ra and George Clinton. Where an alternative space age music meets music on data, usage of computers and the future.
  • Radio in the information age. Death of pirate radio in a physical space. Internet radio. Internet supplies music on demand, less need to revolt against broadcasting monopolies.
  • Radio as a secure network. Sigsaly, conet project, London Pirate Radio. (part internet, part piracy)
  • Cryptography within music. Musiscians as cryptoanalists. History of the vocoder, the machine speaks. Music as symbolism.
  • Possibly I would like to add: Present radio ,internet radio versus on demand music platforms (soma.fm versus spotify)


Annotations(incomplete)

excerpts from my proposal