Claudio's Thesis - QUICKNOTES: Difference between revisions

Revision as of 10:54, 23 November 2023

slowed down Louvre statues (excerpt) https://youtu.be/FfkTtrCsTFQ

(an LCD screen filmed very very close)

(De Rotterdam's façade filmed form the Erasmus bridge)

(Agnes Martin, Wood I, 1963 Watercolor and graphite on paper, 15 x 15 1/2 inches (38.1 x 39.4 cm))

(Agnes Martin, Aspiration, 1960 Ink on paper, 11 3/4 x 9 3/8 inches (29.8 x 23.8 cm) )

a refusal to make a fetish of the final “work” - to operate almost exclusively on the level of the sketch. - what is the value of this stance as an artist?

thinking about self imposed limitations to my practice

black and white only

16mm (limitations in shooting and editing)

when digital editing - keep it simple - 4 tracks + effects

sound? - no input mixer feedback loops

Revision as of 10:38, 23 November 2023 (view source) 123cld (talk \| contribs) No edit summary Tag: Visual edit ← Older edit		Revision as of 10:54, 23 November 2023 (view source) 123cld (talk \| contribs) No edit summary Tag: Visual edit Newer edit →
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			slowed down Louvre statues (excerpt) https://youtu.be/FfkTtrCsTFQ


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	(Agnes Martin, ''Aspiration'', 1960 Ink on paper, 11 3/4 x 9 3/8 inches (29.8 x 23.8 cm) )		(Agnes Martin, ''Aspiration'', 1960 Ink on paper, 11 3/4 x 9 3/8 inches (29.8 x 23.8 cm) )