LB2 2023 and V2 + WORM

LB2 Graduates 2023 and V2_ + WORM

About the collaboration between LB2 graduates of 2023, V2_ and WORM. Florian Weigl, curator: +31 6 29 29 1647

• This page is an overview of the event and proposed planning.

Timeline

    May

• Florian away from 22 May - 4 June
• Monday 29: tech-riders and press texts, send to Florian

    June

• Mon- Tues: 12&13 - assessments

    week 25 /19 Mon - 22 Thursday tutorials with Florian, see calendar
    week 26

• Mon 26: 11:00 Transport and build
• Thursday: (Time to be announced) Opening

    week 27

• Mon 3 July: 10:00 dismantle & transport to WH
• Mon 3 July: 16:00 Grad ceremony in the WORM Central Station

Student assistants

Add here the names and contact details of two students who will be the liaison between LB2 and V2_/WORM.

Garvan

Kotryna (+31646410229, kotryna.buruckaite@gmail.com)

Shannon (+1 240 753 4693, shannon.liang1@gmail.com)

Graduates proposals

• Please add your name, email address and phone number plus logline, bio and no more than three images (see previous year's page for examples).
  
  

Student Name
Add here your contact info.
Project description/Logline
What invitation does your work make? What question does it ask?
Bio
Add the short biographical note here.
Images

Pelle Nijburg
T: + 31 0631695975

E: pellenijburg@gmail.com

Project title: Work in progress

Logline: In a house surrounded by a strange kind of beauty two men carry out daily routines, as time slowly passes. This single channel video asks: what does the attempt to care look like?

Artist Bio: Pelle Nijburg (1994, The Netherlands) is a filmmaker based in Utrecht. She makes films. Sometimes as a one-man crew, sometimes in alliance with. She likes to resarch modern phenomena. Has a soft spot for archive material. Often an encounter is the trigger to start a project. More often, it's something else - it could be anything. She describes her working method as a sort of sight seeking. Her films are narratively based on true events, but she doubts the use of the word 'true', so it's rather narratively based on 'events': noteworthy happenings.

Images: [1]

Shannon Liang
+1 240 753 4693

shannon.liang1@gmail.com

Project Title:

The Sun Burns An Image Into My Eye

Logline: Shannon’s two channel video installation, The Sun Burns An Image Into My Eye, asks, are we permeable? Are the boundaries that separate us less clear than we think? The installation invites viewers to look over the 'table' and gaze out a 'window' to look closely at the transformative cycles meandering through mundane life—of baking, gardening, mushrooms decomposing dead animals, a leaky shower—to look for resonance, insight, and meaning.

Can we reach across distances—chemical, geographical, emotional, generational, spiritual—through preserved flowers, photographs, and memories—through what remains?

Bio:
Arising from a process of observation, daily documentation, and self archiving, and drawing on widely accessible mediums of phone photography and video, Shannon’s multidisciplinary practice focuses on mundanity and transience. Recent works apply a perspective of empathy and vulnerability within the interaction between humans and other living beings. Born in Baltimore and previously NY-based, she is a recent graduate of the Piet Zwart Institute: Lens-Based Media MFA program in Rotterdam.
Images

Aitan Ebrahimoff
Contact: aitanebrahimoff@gmail.com / +31643516491 / aitantv.xyz
Project: Parasite by Proxy
Logline: Aitan's documentary Parasite by Proxy explores the Crypto Jews of Mashhad. Marginalised in Persia, some migrated to Palestine. Eventually they had a majority status as Jews - the guest became the host. The filmmaker integrates this inherited history and identity -victim/benefactor, host/parasite. You are invited to feed on the work in this two-channel film installation.
Artist Bio: Aitan Ebrahimoff (1991) is an artist filmmaker based in Amsterdam. His short films combine speculation, documentary and science fiction. With a media design practice he blurs the line between video art and cinema, building hybrid realities with human and non-human actors.
Research and writing are important tools in his process, whereby scripts are used to structure associative narrative elements. Whether factual or fantasy, his films blend genres and incoporate cultural observations which are rooted in reality.
Installation view:

Installation View

Garvan Corr
+353838146123 garvancorr@gmail.com
Eir-PG
Eir-PG invites you to peruse the visual machinations of an alternative Ireland . Indulge yourself in this mischievous one-man-show. Through an array of characters and doses of satire, Eir-PG questions the lore of nationhood and generational memory. Garvan interrogates and reincarnates tales of Irish Fauxe-Lore. 10-15 mins-multi screen/channel. Headphones. Looped/non linear
Garvan is a Rotterdam based artist from Dublin and his practice engages in hotography, video, drawing, sound and performance. Themes of absurdity, satire and irony arise within my work alongside a healthy dose of playfulness and curiosity
.
Images

Kotryna B
+31646410229 kotryna.buruckaite@gmail.com

Project description

If I was a Rocket (working title) is a non-linear film essay, merging multiple narratives which investigate personal memory, dreams and geological time. A sonic and visual dwell through memory-space and the mists of time reveals an intimate journey to the inner world of the mysterious narrator.

Bio
Kotryna Buruckaitė (b. 1992) - is a Lithuanian visual artist/filmmaker currently based in Amsterdam. In her work she investigates humans in (a)typical settings. Fascinated by the pleasure of observing others, Kotryna interrogates one’s interpersonal relationship with the world. With a touch of fiction and absurdity to it, she questions the world's given “set of rules“ and the irregular nature of the mind.

Images

Yuqing Cao

Yuqing Cao

+31 0616064098 yuqingcao0339@gmail.com

Project Title: One-bedroom-One, single channel, 17’36”

Longline: Film “One-Bedroom-One” is an experimental film combining narrative moving images with found footage.It unfolds from an oral experience: a young lady tried to find strangers to chat on a dating app during her breakup, in order to relieve her loneliness and emptiness. She stumbled upon a stranger with a strange nickname, who locked himself out of the flat, and was forced to waste the time in a nearby park. They all tried to enter this cyberspace to escape the emotional predicament of the moment.

Artist bio: Yuqing Cao (b.1998), work with images, videos and texts. She pays attention to the intimate relationship between people, constantly excavating the hidden reality in daily life, focusing on the narrative of individual experience, and using images to explore the implicit connection between social space and private emotions.

Exhibition Text

Marusa

+38640772206 marusa.vehovar123@gmail.com

Title: Your Boris

Logline: This video instalation (single channel) delves into an in-depth analysis of my great-grandfather's life and accomplishments. Drawing upon archival materials, personal narratives, and visual representations, the study reconstructs his intellectual contributions, artistic endeavors, and societal impact. By critically examining his work, both within and beyond the family sphere, this research aims to provide a comprehensive portrait of my great-grandfather, highlighting the profound influence he exerted on his contemporaries and subsequent generations.

• Melek Bahce

Contact: +31627967495

melekbahche@gmail.com

Title: Ethereal Echoes

Logline:Ethereal Echoes is a short film offering a mystical universe of puppets. A mesmerizing odyssey turns into an otherworldly realm, where a mythological story unravels. Puppet characters thrive in their own existence, until a profound encounter with their reflections shatters the boundaries of time and forces them to confront mortality in a transformative odyssey. It investigates anthropological questions through speculative fiction.

Bio:

Melek Bahce (b.1999)

Coming from a live-action fiction film directing, writing and acting background, Melek Bahce's artistic practice now focuses on making films that explore ways of telling mythological and metaphysical stories through constructing miniature sets and creating puppet characters. She is interested in investigating anthropological questions through speculative fiction by world-building and puppetry animation.

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• Luis Luján

Contact: +31616726695

luis.ljn@gmail.com

Title: In hunter's land

Logline:

In Hunters' Land  is a short film in which you are invited to enter the Jungle in Calais, as seen through the eyes of a volunteer.

Bio:

Title: 54 BPM

54 BPM brings together cinema, film, and video installation works by 12 lens-based artists.

54 BPM invites you to dive deep into 12 personal narrative approaches. Take time to slow down. Sink into sonic and visual encounters.

Verbs and Names

• Aitan: conjuring

• Veere: transforming / gathering

• Kotryna: fluxing

• shannon: permeating / preserving

• Luis: volunteering

• Garvan: performing / clowning

• Melek: mythologising

• Luca: widening

• Maruša: sculpting / re-scultping

• Pelle: Observing / Caring

• Yuqing: Masking/ Isolating

• Mathilde: ? tbc

STEVE SESSION PAD (fyi)

https://pad.xpub.nl/p/ExhibitionText23

QUESTIONS

For Leslie and Simon

• Poster: is the 500 euro budget for design and printing?
• When do the venues need our texts, poster, and tech riders?
• Does the school cover the rental costs of projectors and screens and monitors, or does that come out of our individual 750 euro grad show budgets? They are expensive... If not, how do we devide the monitors and beamers and the leftover payments of the people who need to hire extra because of shortage?
• When do we need to put in our reservations with MTS? Wilco said if we wanted a vinyl screen, we needed to put in the request already by 30th of May...
• What is the new paperwork we need to fill out for mentors

For Florian and Wilco

• When can we visit the TENT basement to look at furniture
• Wilco: The pictures on the website of MTS don't seem to work, so a couple of questions about the equipment. 1) Would it be possible to send us some images of the equipment? 2) What is the difference between 'spandoek' and 'frame'? 2) Is 'doorzichtscherm' the seethrough screen and the 'opzichtscherm' a one-sided screen? 3) How big is the vinyl screen? 4) Which ones have legs, and which ones should have a suspension system?

Helpful resources

Use the following as a reference when planning your proposal.

V2_ Floorplan

WORM UBIK Floorplan

Technical Rider Template UBIK