Notes by Aitana: Difference between revisions
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If there is no dialogue, then use pro logic? | If there is no dialogue, then use pro logic? | ||
Broadcast lawyers* | Broadcast lawyers* | ||
Talking about -> '''Place of encounters''', he doesn't own the meanings of the works | Talking about -> '''Place of encounters''', he doesn't own the meanings of the works | ||
Talking about -> '''Performances''', foreground space, the space of the viewing, you become aware of the architecture of the space, your body and mind, film works in architecture, photons to map our perceptual systems | Talking about -> '''Performances''', foreground space, the space of the viewing, you become aware of the architecture of the space, your body and mind, film works in architecture, photons to map our perceptual systems | ||
Talking about -> '''Reality''' of the screening which is the same than ours, massless photons always as an alive thing, you reground yourself in the world (as a performance) | Talking about -> '''Reality''' of the screening which is the same than ours, massless photons always as an alive thing, you reground yourself in the world (as a performance) | ||
(Question) -> What about being imperfect? -> using acrobatic elements, hiding places down the screen and he likes to foreground that, capitalism is about linear time | (Question) -> What about being imperfect? -> using acrobatic elements, hiding places down the screen and he likes to foreground that, capitalism is about linear time | ||
Talking about -> frustration? Am I frustrated? or am I enchained into this chain of command? about another awareness of time, | Talking about -> frustration? Am I frustrated? or am I enchained into this chain of command? about another awareness of time, | ||
::(the silent pieces are never silent) | ::(the silent pieces are never silent) | ||
:::(silent pieces raise the room sound) | :::(silent pieces raise the room sound) | ||
::::(and sound is super physical and goes into your body) | ::::(and sound is super physical and goes into your body) | ||
he says fuck linear time and Arabella laughs | he says fuck linear time and Arabella laughs | ||
Professionalism destroys the work that he loves, the work is changing all the time | Professionalism destroys the work that he loves, the work is changing all the time | ||
*'''CHECK BLACK HOLE CYNEMATEQUE''' -> https://soex.org | *'''CHECK BLACK HOLE CYNEMATEQUE''' -> https://soex.org | ||
(talking about Occupy Oakland) | (talking about Occupy Oakland) | ||
and most people of the upper classes are in the industry, "poor don't know about art" | and most people of the upper classes are in the industry, "poor don't know about art" | ||
Thinking about -> reflexions about having a space, "if you think what you saw is interesting, that is it, it doesn't have to have an intellectual feeling". Provide conceptual and physical spaces | Thinking about -> reflexions about having a space, "if you think what you saw is interesting, that is it, it doesn't have to have an intellectual feeling". Provide conceptual and physical spaces | ||
Talking about -> Capitalist film festival. He doesn't believe in documentary or objectivity. About "Occupy Oakland", idea of the free film school, educating themselves in a comunal way, the time is imbbeded in the technology, the time is imbued? in the technology, importance of materials, he doesn't feel nostalgic about film, in the present day is a present object, but he says "people use it for pretentious reasons", "BW is pretentious" (we laugh), film is not a fetiche3 | Talking about -> Capitalist film festival. He doesn't believe in documentary or objectivity. About "Occupy Oakland", idea of the free film school, educating themselves in a comunal way, the time is imbbeded in the technology, the time is imbued? in the technology, importance of materials, he doesn't feel nostalgic about film, in the present day is a present object, but he says "people use it for pretentious reasons", "BW is pretentious" (we laugh), film is not a fetiche3 | ||
He says something about -> Clarice Lispector? | He says something about -> Clarice Lispector? | ||
Whatever you apprehend is what it is | Whatever you apprehend is what it is | ||
Project? -> "Subjective news reel"? | Project? -> "Subjective news reel"? | ||
Revision as of 16:53, 20 February 2023
Writing with Steve about the Eye
Aitana: [no title yet] Are we having a conversation? / Do you understand what I am saying? sneak into a vague and hardly visible world This short film invites to sneak into a vague and hardly invisible world and asks the question "do you understand what I am saying?"
words describe things but also words are "performative speech act" an invitation is an insert invite. Communicating something that may change the world, it has more meanings than the simplified fact of describing. Invitations are questions about performative things, they are acting the world.
A series of films that pose a series of questions. It stabilises it in that frame.
Requiremets: Title Invitation Question
How generous am I going to be to the reader? How do we do that today in a very short and concise way.
"We ask the questions"
Performativity in what we are doing. Words are very active in the world.
Questionnaire.
Notes on Eye On Art: Sexual Unease - Marilyn Monroe as symbol of female oppression in film: women can only become a tragedy. The beautiful lady being killed by her fame. Her appearance is most important. Struggling woman that always was controlled by a man. - Gender unease works both ways. Both stereotypical representations keep the others intact.
25/01/2023 - Notes on IFFR
Arc Talk - Tooth(30/01)
If there is no dialogue, then use pro logic? Broadcast lawyers*
Talking about -> Place of encounters, he doesn't own the meanings of the works
Talking about -> Performances, foreground space, the space of the viewing, you become aware of the architecture of the space, your body and mind, film works in architecture, photons to map our perceptual systems
Talking about -> Reality of the screening which is the same than ours, massless photons always as an alive thing, you reground yourself in the world (as a performance)
(Question) -> What about being imperfect? -> using acrobatic elements, hiding places down the screen and he likes to foreground that, capitalism is about linear time
Talking about -> frustration? Am I frustrated? or am I enchained into this chain of command? about another awareness of time,
- (the silent pieces are never silent)
- (silent pieces raise the room sound)
- (and sound is super physical and goes into your body)
- (silent pieces raise the room sound)
- (the silent pieces are never silent)
he says fuck linear time and Arabella laughs
Professionalism destroys the work that he loves, the work is changing all the time
- CHECK BLACK HOLE CYNEMATEQUE -> https://soex.org
(talking about Occupy Oakland)
and most people of the upper classes are in the industry, "poor don't know about art"
Thinking about -> reflexions about having a space, "if you think what you saw is interesting, that is it, it doesn't have to have an intellectual feeling". Provide conceptual and physical spaces
Talking about -> Capitalist film festival. He doesn't believe in documentary or objectivity. About "Occupy Oakland", idea of the free film school, educating themselves in a comunal way, the time is imbbeded in the technology, the time is imbued? in the technology, importance of materials, he doesn't feel nostalgic about film, in the present day is a present object, but he says "people use it for pretentious reasons", "BW is pretentious" (we laugh), film is not a fetiche3
He says something about -> Clarice Lispector?
Whatever you apprehend is what it is
Project? -> "Subjective news reel"?
30/01/2023 - Notes on touchdesigner
- we cannot move
- If something doesn't work: may be is related to bluetooth, also could be that the timeline is stop
- understand the range
- *: means everything
- first number of translate is the x
-1: over -1: composite (with blend mode)
- too dray with the banana is feedback network
- kinackt by Microsoft
- we will need to use all the time "maths"
- this "feedback network" has to be really small
- she doesn't recommend too use letters in touchdesigner but numbers (triggering the shortcuts)
- bypass: enable / disable
- right click in an operator: "operator snippets" and it shows you how it works
Guy Sherwin: - bring focus to the cinema - extended cinema, breaking the traditional setting - Guy Sherwin "Man with a circle" - experimental cinema, unconventional film since the beginning - using basic elements to go against the commercial (you are not aware of the media)
James and John Whitney - Slit scan - Shan Shui
Mondrian calculator working on comissions
Creating a slice:
- Composit
- for the feedback we always need the over to keep the image