Plansplansplans: Difference between revisions

Revision as of 14:06, 18 February 2023

notes for/on future video projects

(write them down for now - when I actually start working on one of them, I will make a specific page)

Dubai Dispositif (re-edit)

Pure theory

https://en.wikipedia.org/wiki/VTOL

https://shop.cmgraficasrl.it/prodotto/libro-test/

https://hal.science/hal-01192627/

pure theory / mere nature-practice

mere theory / pure pratice-nature

LOST LOST LOST LOST / LOST LOTS LTOS LSOT

wholegrain

(Paul Sharits’ Axiomatic Granularity )

Layouts series

draw basic structure/layouts/interface of webpages - grey simplified shapes (just variations of rectangles?) on white background - photoshop? or maybe with tracing paper on screen

24x1x24

select 24 random, unrelated images (with the same look-vibe-quality - probably some sort of amateur digital photographs) - or a 1 (or 24 second) 24 fps found video

-

i want them to be images as images, nothing more than that

-

play around with the basic structure of moving images / cinema - 1 unit of time (1 second) is the sum of 24 unrelated images projected on a white/black screen - 24 seconds of video is 24 frames x 1 second x 24 seconds

elements:

24 images

black screen

white screen

1 second

frame counter

timecode - timer

counter delle immagini - ogni clip ha il suo numero 1-24

e.g.

24 images in 1 second - every possible order of these 24 images

24 images, every image for 1 second

1 image for 1/24s every 24 seconds

...

play with these structure/elements, make it evident / if I use 24 second video it might become a super long piece. might be interesting though.

(might result a bit too close to structuralist filmmaking - but worth a try)

https://www.youtube.com/watch?v=NjM_tqrGxzI

https://commons.wikimedia.org/wiki/Template:Potd/2022-12

https://www.youtube.com/watch?v=4vnFcwp5pgw&list=WL&index=1

lumiere train arriving in the station reference as one of the iconic moment of early cinema? (arrived d'un train a la Gare de la ciotat) - variations on

lumiere train arriving in the station reference as one of the iconic moment of early cinema? (arrived d'un train a la Gare de la ciotat) - variations on -

reference to that precise breakthrough - literally - moment of cinema filtered through digital culture, home video, internet sharing, dissemination of images

make a loose reference

24 different train footage, 1 frame from each, to make a 1 second 24fps sequence

play with perception of time - space - fictional time and space - with the structure of moving image - 24 unrelated images per seconds, similar but different in time and space

"beatmatch" train spotters footage with lumiere's film

1 sec when the train hits the left side of the frame

e come se tuttas la gente sulla banchina dei lumiere avesse preso in mano una camera e si fosse messa ognuna a filmare l'arrivo del proprio treno nella propria città

https://mubi.com/it/films/train-again. (altra reference?)

https://www.li-ma.nl/lima/catalogue/art/michiel-van-bakel/equestrian-monitorversie/7585

Video is a ve---ry practical material

In case of necessity please break

Series/Compilation of of short loops made of pixelated screen banding of low resolution versions of early avantgarde films (richter, ruttman ...) - possible workflow: film them playing on a LED screen, make the loops in davinci, print them back on 16mm film, project them as 16mm loops

(Nick Briz similarly manipulated the codecs of various online upload-video hosting sites to create Black Compressed (2009), four minutes and thirty three seconds of solid black video, compressed to moving Richteresque rectangles, a derivation of John Cage’s seminal 4’33’’ from 1952.)

DEADPIXELS (VERY MOVING SHAKY FOOTAGE, THE ONLY STABLE-STATIONARY-FIXED-STILL ELEMENTS ARE DEADPIXELS ON SENSORS - THEY ARE THE PROTAGONISTS - FAILURES OF THE DIGITAL IMAGE STRUCTURE REVEAL THE DIGITAL IMAGE IN ITSLEF - PIXED POINTS-PUNTI FERMI - PUNTO FERMO - HANDHELD CAMERA MOVING AROUND VERY FAST

deadpixels fix videos on yt - abstract flickering animations

Pierrot le fou party scene - loop rmx

rudigler vogler 3 screaming scenes

in

The wrong move

Alice in the cities

Kings of the road (?)

User:123cld

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 deadpixels fix videos on yt - abstract flickering animations
-----REMAKE OF TONY CONRAD'S THE FLICKER - ABSOLUTE FLICKER, DIGITAL VERSION, EXACT COPY BUT WITH PURE BLACK/WHITE FRAMES. DIGITAL FORMATTED INTRO TEXT CREDITS. NO GRAIN, NO DIRT, NO SCRATCHES - The Flicker is a 1966 experimental film by Tony Conrad. The film consists of only 5 different frames: a warning frame, two title frames, a black frame, and a white frame. It changes the rate at which it switches between black and white frames to produce stroboscopic effects.
+----
-DOWNLOAD FROM YOUTUBE
-REMAKE A OCCHIO - STEP BY STEP FRAME BY FRAME
-SOUND?
-Conrad spent several months designing the film before shooting it in a matter of days. He produced and distributed The Flicker with the help of Jonas Mekas. The film is now recognized as a key work of structural filmmaking.
-https://ubu.com/film/conrad_flicker.html
-https://en.wikipedia.org/wiki/The_Flicker
-The film starts with a warning message, which reads:<blockquote>WARNING. The producer, distributor, and exhibitors waive all liability for physical or mental injury possibly caused by the motion picture "The Flicker."
-Since this film may induce epileptic seizures or produce mild symptoms of shock treatment in certain persons, you are cautioned to remain in the theatre only at your own risk. A physician should be in attendance.</blockquote>The warning is accompanied by the ragtime tune "Raggedy Ann" played on an old gramophone. The film then goes on to a frame that says "Tony Conrad Presents," and then to a frame that says "The Flicker," at which point it starts. The screen goes white, then after a short while, the screen flickers with a single black frame. This is repeated, at varying rate, again and again until it creates a strobe effect, for which the film is titled. This continues until the film stops abruptly.
-(veeeery interesting description - use it somehow?)
-I wanted to understand flicker effect/device in experimental film. Why not to make a cover/copy/exact reproduction of The Flicker? Just like young painters/sculptors used to copy masterpieces from the past.
-ctrl c ctrl v
-copy and paste
-frame by frame, no cheating
-the same process, in digital
-made me think of Interface by Farocki, should watch it again?
-The usual (?) - recurrent filter-ing through the digital - remediation / shift between technologies
-Conceptual take
-Appropriation
-FRIDAY 17TH - PROJECT FILE IS CORRUPTED I CANNOT OPEN IT ANYMORE - I HAVE TO DO ALL THE WORK ALL OVER AGAIN
 ----