User:Aitantv/Thesis: Difference between revisions
No edit summary |
|||
Line 35: | Line 35: | ||
== Natasha Tutorials 04 - 21.12.22 == | == Natasha Tutorials 04 - 21.12.22 == | ||
* | '''GENERAL NOTES''' | ||
* if diaspora, food and identity are themes, explain why. and if science fiction is the medium. why? why science fiction? | |||
* more explicit explanation of framework | |||
* it works when you take responsibility - speak from the position of I - Avoid dictating universal essay mode | |||
* dont be afraid to acknowlegde the idiosyncracy of the project. explore your imaginative film langauge (not sci-fi); this fabulous language. How can I use and expand on this language for the essay film? The indiviudal can't help but be expressed in the work. | |||
'''STRUCTURE''' | |||
* | |||
#1 previous work - analysing explaing your language | |||
#2 key themes (food diaspora identity) in response to this idiosyncratic language | |||
#3 dogme - the practical principles that will guide the project, and the inspiration for these principles. draw out technical elements from previous films that could feed into the dogme | |||
#4 close reading of existing shooting material, test footage, | |||
'''READING LIST''' | |||
* theory relating Derrida 'Of Hospitality'(interview, Algerian Jewish); | |||
* Jewish fables; | |||
* Isaac Bashevis Singer, short fiction stories; | |||
* Isaac Babel (plays, film scripts) | |||
* tutors are excited by the project and by what has already been filmed. Have faith in the practical choices and outcomes of the project. |
Revision as of 17:04, 21 December 2022
Meeting 01 - 25.05.22
- "The presentation of a text as a body of written work" / "a report on your research and practice"
- can flow to narrative flourishes
- balancing free jazz with analysis
- creating your own discourse, use the language of your discourse
- I: Aracde Project by Walter Banjamin, Uncreative Writing by Kennith Goldsmith
- Why not use time as a spatial procedure? The space of the text can represent time, and the text can be a pre-recorded narrated experience
- Therems: first person perspective; subjectivity; live action narration; slippage shapeshifting; remediation; body memory
Natasha Tutorials 02 - 24.11.22
- go into these personal areas
- use the thesis as a place
- 11th Dec - cooking interview - the host cooks - technical choices why did you go that route? - go deep with 3/4 interviewees / refine strategies - the subject could interview you too, spin the gaze - self-interview - both wearing body cams -
- SURVEILLANCE (Architecture, Body, Society) - Visibility, Hypervisibility - Who gets to walk around unnoticed?
- British Asian - Barnoo Kapil - 'the vertical interogation of strangers' - devised
- Mofrodat
- Analysing own work - best way to go deeper into the practice - connecting it to a wider context - the particular as a vehicle for the universal - Chris Kraus, autofiction - why does this theme come up? what techniques were used?
- 'The Years'
- Former theses - Filiona 'Indigenous Gaze' 2020
- bring the problems in the project - the uneases about claiming - the thesis can help with this unease -
- Plan for the First Chapter - outline the entire structure of the thesis / close reading of three works / just has to be a section / what to push against /
- send draft chapter
Natasha Tutorials 03 - 08.12.22
- Yael Davids - performance artist - potential interviewee
- morning of 21st send what you can
- close reading of relevant works 1000 words
- bare in mind other political genres of sci fi -
- share research strategies
- drawing on a wide range of media - ensure that it doesnt lose focus
Natasha Tutorials 04 - 21.12.22
GENERAL NOTES
- if diaspora, food and identity are themes, explain why. and if science fiction is the medium. why? why science fiction?
- more explicit explanation of framework
- it works when you take responsibility - speak from the position of I - Avoid dictating universal essay mode
- dont be afraid to acknowlegde the idiosyncracy of the project. explore your imaginative film langauge (not sci-fi); this fabulous language. How can I use and expand on this language for the essay film? The indiviudal can't help but be expressed in the work.
STRUCTURE
- 1 previous work - analysing explaing your language
- 2 key themes (food diaspora identity) in response to this idiosyncratic language
- 3 dogme - the practical principles that will guide the project, and the inspiration for these principles. draw out technical elements from previous films that could feed into the dogme
- 4 close reading of existing shooting material, test footage,
READING LIST
- theory relating Derrida 'Of Hospitality'(interview, Algerian Jewish);
- Jewish fables;
- Isaac Bashevis Singer, short fiction stories;
- Isaac Babel (plays, film scripts)
- tutors are excited by the project and by what has already been filmed. Have faith in the practical choices and outcomes of the project.