User:Aitana25: Difference between revisions
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Translating the moving image into a book. It doesn't have a real explicit sections. Flow of still frames in no particular order. Positioned in different layouts, not only a matter of space but also of time, it gives the sense of duration. He guesses images are chosen by analogy, it is not explained. | Translating the moving image into a book. It doesn't have a real explicit sections. Flow of still frames in no particular order. Positioned in different layouts, not only a matter of space but also of time, it gives the sense of duration. He guesses images are chosen by analogy, it is not explained. | ||
Clara's | |||
Revision as of 11:44, 14 December 2022
significaciones prescriptas
Reading and Writing & Research Methodologies
Texts on practice
Session3 Scratch
#4 Exploring a relevant question
On books
Seminars / Workshops
#5 Thematic History & practice of the photo-essay & photo book
Projects in construction / Research
Notes
Aitana: [no title yet] Are we having a conversation? / Do you understand what I am saying? sneak into a vague and hardly visible world This short film invites to sneak into a vague and hardly invisible world and asks the question "do you understand what I am saying?"
words describe things but also words are "performative speech act" an invitation is an insert invite. Communicating something that may change the world, it has more meanings than the simplified fact of describing. Invitations are questions about performative things, they are acting the world.
A series of films that pose a series of questions. It stabilises it in that frame.
Requiremets: Title Invitation Question
How generous am I going to be to the reader? How do we do that today in a very short and concise way.
"We ask the questions"
Performativity in what we are doing. Words are very active in the world.
Questionnaire.
- Yalou's presentation
- Sebastian Lidshitz A collection of found photographs
Stream of consciousness: is not very clear where I am going In shop "de slegte"
- Lau's
He chose it because he loves Magnum comercial. About the artefacts. Like a poetry book. Claudio says what about square format. It could be 6x6 but feels digital.
Claudio's "Cinematography" Robby Müller Translating the moving image into a book. It doesn't have a real explicit sections. Flow of still frames in no particular order. Positioned in different layouts, not only a matter of space but also of time, it gives the sense of duration. He guesses images are chosen by analogy, it is not explained.
Clara's