On the violence of images: Difference between revisions
No edit summary |
No edit summary |
||
| Line 1: | Line 1: | ||
[[User:Aitana25 | <span style="color: white; font-family: Futura; color: white; background-color: blue;">BACK TO AITANA</span>]] | [[User:Aitana25 | <span style="color: white; font-family: Futura; color: white; background-color: blue;">BACK TO AITANA</span>]] | ||
=== | ===On the violence of images=== | ||
[[https://www.fotomuseum.ch/en/series/unlearning-decisive-moments-of-photography/ Ariella Azoulay texts]] | [[https://www.fotomuseum.ch/en/series/unlearning-decisive-moments-of-photography/ Ariella Azoulay texts]] | ||
*Images as a way of possession | *Images as a way of possession | ||
| Line 33: | Line 33: | ||
8 - [https://burst.shopify.com Burst] | 8 - [https://burst.shopify.com Burst] | ||
===Para más tarde=== | |||
https://www.youtube.com/watch?v=55hZT3wyZnw | |||
Revision as of 20:57, 7 December 2022
On the violence of images
- Images as a way of possession
- On catalogues/archives
Como se encasilla y se estructura una imagen con un concepto.
Lo visual-lo simbólico.
La censura positivista enfocada a la publicidad.
La censura de lo que no se ve.
Lo que se omite se censura, la violencia de lo invisible.
Bancos de imágenes:
1 - Pixabay
2 - Pexels
3 - Freepik
4 - Deposit photos
5 - Shutterstock
6 - Unplash
7 - RGB stock
8 - Burst