Al's XPUB2 thesis outline: Difference between revisions

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=== <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> Mode of Address </span> ===
=== <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> Mode of Address </span> ===
The tone of address will be informal. I plan to use simple and straightforward language to communicate the process and learning outcomes in a clear way. I will address the reader, a fellow artist, facilitator or educator, as a partner in looking for ways to expand our artistic practice with new mediums and tools.


=== <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> Format </span> ===
=== <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> Format </span> ===

Revision as of 14:43, 11 November 2022

// back to Al's main page

Guidelines

_What do you want to write? (Personal interest, curiosity)
_What mode of address do you want? How do you want your text to speak to the reader?
_What form(at) should your thesis have? (The mode of address dictates the form: essayistic, academic, narrative, non-linear, glossary, script, diary, field report etc.) - or a combination of several of them
_What are your 3 key issues / key research questions? (Each key issue could lead to a chapter outline)
_1500 words

Draft

// thesis outline to be delivered on 18-11-2022 // wip
// very wip pad

About

(Deep Listening) Sound Jams: Method of Producing Collective Sound Based Publication is an exploration of experiments for collaborative making of sound publications. The thesis will follow the process of testing various combinations of tools, exercies and ideas for facilitation of sound jams. The thesis will document and explain the experiments as well as the research learnings. It will try to systemise the non-linear collection of tools and exercises.

The key issues I am interested in researching, are:
_1 // listen & respond - how deep listening is shaping the collective approach to sound-making?
_2 // what tools are there to collectively make/create sound-based publication?
_3 // what does it make it a publication - how to share/make public the collective sound creation?

  • issue: what is the bridge between sound-making and sound-publishing in this method/process?

Mode of Address

The tone of address will be informal. I plan to use simple and straightforward language to communicate the process and learning outcomes in a clear way. I will address the reader, a fellow artist, facilitator or educator, as a partner in looking for ways to expand our artistic practice with new mediums and tools.

Format

Structure

Introduction

Method

Glossary

Making

Publishing

Bibliography