Sound jams research: Difference between revisions

Revision as of 17:32, 10 October 2022

 About [sound jams] is series of jamming sessions, part of our research for our master projects and thesis. Our research is starting in three main directions and will most probably focus and narrow down on the go and while gathering data:
# ways to create a collective sound publication [sound jams] // october-november 2022
-we will make series of facilitated jams in order to explore various ways to create sound publications and audiozines in group 

-we understand jams as collective moments of listening and responding - we create improvised sound pieces together no matter if we have musical training or not 

-we will explore various topics through introducing reads and different ways to conduct a jam session 

-we will try out collectively several aspects of our individual research 

-we will ask for consent for recording the sessions and for editing them later 

# ways to collect sound [field recordings] // tba
-we are interested in exploring soundscapes 

-field recordings will also happen during facilitated jams - some jams will take place outside and will explore soundscapes 

# ways to edit sound pieces and create audiozines [mixing and editing] // tba
-we would like to explore ways to mix and edit sound 

-we are interested in finding out why we edit in a particular way 

-we are going to research the theoretical background of mixing and editing, too 

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 '''[sound jams]''' is series of jamming sessions, part of our research for our master projects and thesis. Our research is starting in three main directions and will most probably focus and narrow down on the go and while gathering data:
-# ways to create a collective sound publication [sound jams]
+'''# ways to create a collective sound publication [sound jams]''' // october-november 2022
--we will make series of facilitated jams in order to explore various ways to create sound publications and audiozines
+-we will make series of facilitated jams in order to explore various ways to create sound publications and audiozines in group <br>
--we understand jams as collective moments of listening and responding - we make sounds together no matter if we have musical training or not
+-we understand jams as collective moments of listening and responding - we create improvised sound pieces together no matter if we have musical training or not <br>
--we will explore various topics and different ways to conduct a jam session
+-we will explore various topics through introducing reads and different ways to conduct a jam session <br>
--we will try out collectively several aspects of our individual research
+-we will try out collectively several aspects of our individual research <br>
--we ask your consent for recording this session and for editing later this material
+-we will ask for consent for recording the sessions and for editing them later <br>
-# ways to collect sound [field recordings]
+'''# ways to collect sound [field recordings]''' // tba
-# ways to edit sound pieces and create audiozines [mixing and editing]
+-we are interested in exploring soundscapes <br>
+-field recordings will also happen during facilitated jams - some jams will take place outside and will explore soundscapes <br>
+'''# ways to edit sound pieces and create audiozines [mixing and editing]''' // tba
+-we would like to explore ways to mix and edit sound <br>
+-we are interested in finding out why we edit in a particular way <br>
+-we are going to research the theoretical background of mixing and editing, too <br>
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