E-Publishing Workshop: Difference between revisions

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== 1990s 'interactive multimedia' visions ==
== 1990s 'interactive multimedia' visions ==
* [https://www.youtube.com/watch?v=rOsPKjbMvxY Hyperland] (1990)
* 1986: Philips CD-i
* [https://www.youtube.com/watch?v=y73XriwHJxQ Tandy Memorex Visual Information System] (VIS) - 1992
* 1987: Eastgate Storyspace/hyperfiction
* Voyager Expanded Books, Eastgate Storyspace/hyperfiction, Philips' CD-i, CD-ROM publishing
* 1988: Macromind Director 1.0
* Robert Coover, The End of Books
* 1990: [https://www.youtube.com/watch?v=rOsPKjbMvxY Hyperland]
* 1991: Voyager Expanded Books
* 1992: [https://www.youtube.com/watch?v=y73XriwHJxQ Tandy Memorex Visual Information System] (VIS)
* 1992: Robert Coover, 'The End of Books'


== 2000s collaborative/cross-media authoring visions ==
== 2000s collaborative/cross-media authoring visions ==

Revision as of 16:50, 9 January 2012

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Evening 1

Summary / outline of the three workshop evenings

  1. General introduction to the world of e-publishing
  2. My first Epub and distribution models
  3. Inside an Epub and roundup

Quick working definition of e-publishing

  • e-books, e-journals vs. web sites
  • blogs, social media
  • publishing/long-term access/stability vs. communication/short-term access/instability
  • self-contained files in stable formats vs. distributed content in unstable formats

Summary of e-publishing status quo 2012

World-wide sales figures of Amazon Kindle and other e-book platforms

Electronic magazines and newspapers, quick case study with Libération

  • the bundle:
    • as analogue newspaper: for your coffee table
    • as web site: http://liberation.fr for your computer and good old web
    • as single file: PDF for your software readers and e-readers devices
    • as software: apps for your Android and iPhone/iPad phones and tablets (TV?)

Software industry infrastructure, quick case study with Adobe and Apple

academic and educational e-publishing

  • Emerald Insight
  • JSTOR
  • EBSCO
  • Proquest
  • Muse
  • Elsevier

The other side of e-publishing

Historical comparisons

  • e-publishing vs. DTP revolution in the 1980s,
  • e-publishing vs. mp3 revolution in the 1990s/2000s

Break :)

Electronic book utopias and developments of the 20th century

  • 1923: El Lissitzky, 'Electro Library'
  • 1945: Vannevar Bush, the memex
  • 1963: Ted Nelson, the hypertext
  • 1967-1968: Douglas Engelbart, the hyperlink
  • 1971: troff & Unix manpages
  • 1970s-1990s: BBS Hacker text files (principia discordia, anarchist cookbook etc.)
  • 1980s-now: pirate scene, nfos, display hacks, demos and manymany diskmags

1990s 'interactive multimedia' visions

2000s collaborative/cross-media authoring visions

  • legal: GNU Free Documentation license, Creative Commons, free culture.
  • Platforms and communities: Wiki based books (Wikimedia, FLOSS Manuals)
  • Cross-media technology: SGML/XML, Setext/markdown/pandoc/Asciidoc/Woodwing
  • Print distribution: Print-on-demand, Espresso book machine
  • What to publish: fluidity vs snapshot

2010s commercial breakthrough of e-books

  • Amazon Kindle - why did it work? What does it tell about successful e-publishing?
  • E-publishing as indie publishing; break-up of traditional book formats

How do electronic documents work

  • executable vs. non-executable formats/apps vs. epub: advantages/disadvantages
  • paginated vs. reflowable content: advantages/disadvantages
  • problems: reader compatibility, business models, DRM, limitations of multimedia integration
  • Status quo of epub design: IT services vs. graphic design, how graphic designers need to rethink

Homework!

  • Download a number of e-pub readers, experiment with reading epubs
  • Download & install epub editors: Jutoh & eCub, try to design a simple e-book with Jutoh