User:Jacopo/final-presentation

• your individual contributions to the special issues,
• the development of your reading/writing practice across the 2 years,
• the development of your prototyping practice across the 2 years,
• your thesis (only a brief overview for context, as this has been assessed separately in depth),
• your final work and research in the second year,
• plans for final publication and grad show (with the understanding that you will continue to work on this after the assessment)

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Year 1

Wor(l)ds for the Future

SPECIAL ISSUE 13

• Wor(l)ds for the Future collective page.
• Otherness, my individual contribution.

Facing Licensing for the first time. First time approaching re-publishing issues. How to preserve – expand – publish external resources/contributions? > Otherness by Daniel L. Everett.

Extract from You, the others – Wor(l)ds for the Future

Individual contribution: Using dark <input> form to delete nouns and places from the narration, and at the same time making the room for subjectivising the given essay.

1 person -> 1 interpretation of the reality
∞ people -> ∞ interpretations of the reality
The reality is the cohexistence of all perspectives
Otherness= individual1+individual2+.. = Oneness
Embracing the Otherness

Embracing the Otherness means understanding our part in the given system of the world.

I created 3 web pages using Python. Pandoc has been used to translate markdown files into .HTML pages, but also to layout the printed version of the same pages.

• Demystifying HTML, .css
• Getting used to Python

* Markdown, Pandoc, Web2print 

Woa!I didn't know I can make a printed publication out of a webpage!

Collective roles: Contextual Team + Design Team

I Don't Know Where We're Going, But..

SPECIAL ISSUE 14

• I Don't Know Where We're Going, But.. Launcher

Radio Implicancies

SPECIAL ISSUE 15

• Radio Implicancies Archive

Year 2

"Living itself exists in forms that must be questioned, rearranged, mobilized, and undone."
N. Thompson, Living as a Form, 2012

Artistic practice can no longer revolve around the construction of objects to be consumed by a passive bystander. Instead, there must be an an art of action, interfacing with reality, taking steps-however small-to repair the social bond.
N. Thompson, Living as a Form

from object-oriented design to collective tools. > addressing issues > ways of co-operating and translate the local boundaries > addressing earthly coexistence based on cult-rural, community life.