User:Aitantv: Difference between revisions

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<span style="color: black; ext-decoration:none; background-color: #FFF300; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;" >''[[User:Aitantv/Artaud, A (1978) The Theatre and Its Double|Artaud, A (1978) The Theatre and Its Double]]''</span>
<span style="color: black; ext-decoration:none; background-color: #FFF300; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;" >''[[User:Aitantv/Artaud, A (1978) The Theatre and Its Double|Artaud, A (1978) The Theatre and Its Double]]''</span>
<span style="color: black; ext-decoration:none; background-color: #FFF300; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;" >''[[User:Aitantv/Kolk, B (2014) The Body Keeps the Score|Kolk, B (2014) The Body Keeps the Score]]''</span>


<span style="color: black; ext-decoration:none; background-color: #FFF300; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;" >''[[User:Aitantv/top quotes|top quotes]]''</span>
<span style="color: black; ext-decoration:none; background-color: #FFF300; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;" >''[[User:Aitantv/top quotes|top quotes]]''</span>

Revision as of 19:35, 3 May 2022

B I O

Aitan Ebrahimoff (@aitan.tv) creates videos and directs promos for the media and cultural sector.

As a Fine Art & Design student at the Piet Zwart Institute, his videos combine parody, speculation, fantasy and documentary. With a background in Anthropology he builds new hybrid realities with human and non-human actors. Official Selections include Fringe, Shorts on Tap, Palace International and London Experimental Film Festival. His genre of choice is Utopia-Apocalypse.

Since moving to Amsterdam, he directs promos for art institutions, combining clear messaging with fresh imagery. During a stint as a Promo Director in TV, he collaborated with DOPs, art directors, motion designers, and sound designers. He was nominated for Best Newcomer at PROMAX 2019 and received a Silver at PROMAX Africa 2020. He manages productions from concept to delivery, expanding the idea throughout the process.


More of me? Go a i t a n t v . x y z


T O O L B O X

c a m e r a

p h o t o b o o k

G A N

h a n d m a d e f i l m


M E T H O D S

w h a t ? h o w ? w h y ?

n o n v i o l e n t c o m m s

i n t e r v i e w

a n n o t a t e

f r e e w r i t i n g

t e x t o n p r a c t i c e


W I P

p r o d u c t i o n f o r m u l a

a b c

A v P

C L A Y I N G

T e x t - I m a g e s

t u t o r i a l s

L E D

b u b b l e t o u r s

l i z a r d l a r r y


B I B L I O

Slavoj Zizek (2001) Enjoy Your Symptom

Siegried Zielinski (2006)Deep Time of the Media

Val Plumwood (1999) Being Prey

Hito Steyerl (2014) Proxy Politics: Signal and Noise

John Tagg (1988) The Burden of Representation: Essays on Photographies and Histories

Metahaven (2018) Digital Tarkovsky

Rolando Vázquez(2021) Vistas of Modernity

Donna Haraway (2021) Staying with the Trouble

Thomas Nail (2019) Kinopolitics. Posthuman Ecologies by Braidotti & Bignall

Gaston Bachelard (1958) The Poetics of Space

The Pleasure of Research (2015) Henk Slager

Venus in Two Acts (2008) Saidiya Hartman

Artaud, A (1978) The Theatre and Its Double

Kolk, B (2014) The Body Keeps the Score


top quotes