User:Trashpuppy/GRAD: Difference between revisions

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===<p>References</p>===
===<p>Technical cookbook</p>===


https://homebrewserver.club/fundamentals-port-forwarding.html  
* https://homebrewserver.club/fundamentals-port-forwarding.html  
*http://eth.leverburns.blue/p/clax&Syl___-rpi  Documentation RPi set-up
*http://osp.kitchen/tools/ethertoff/#project-detail-readme Etheroff: wiki consisting of Pads


http://eth.leverburns.blue/p/clax&Syl___-rpi  Documentation RPi set-up
===<p>Video sources </p>===
* Fox, D. (2019). Limbo. Fitzcarraldo Editions.
* Cole, T. (2012) [https://www.youtube.com/watch?v=AOq2HWveVok The City as Palimpsest]
* REZAIRE, T. (2017). [https://vimeo.com/248887185 DEEP DOWN TIDAL]<br><br>


http://osp.kitchen/tools/ethertoff/#project-detail-readme Etheroff: wiki consisting of Pads
===<p>Book sources </p>===
* Coghlan, J.M. (2020). The Cambridge companion to literature and food. Chapter 11: Postcolonial Tastes. Cambridge Cambridge University Press.
* Geuze, A. & Koekebakker, O. (2005). The Flood : 2nd International Architecture Biennale Rotterdam ; catalogue ; [26 mei - 26 juni 2005]. Rotterdam: Internationale Architectuur Biënnale.
* Klose, A. (2016). Container Principle. Cambridge, Massachusetts: The Mit Press.
* Sekula, A., Buchloh, B.H.D. and Kunsthalle Bielefeld (1995). Allan Sekula : fish story. Düsseldorf: Richter.
* Sparkly Cat, A. (2021). Post-colonial Astrology.
* THE FUNAMBULIST MAGAZINE. (2017). Students: Shipping Tales. [online] Available at: https://thefunambulist.net/magazine/09-islands/students-shipping-tales-christina- varvia [Accessed 3 Nov. 2021].
* Lanchester, J. (2021). Gargantuanisation. [online] London Review of Books. Available at: https://www.lrb.co.uk/the-paper/v43/n08/john-lanchester/gargantuanisation [Accessed 15 Nov. 2021].
* Taiwo, O. (2021). Our Planet Is Heating Up. Why Are Climate Politics Still Frozen? [online] The New Yorker. Available at: https://www.newyorker.com/magazine/2021/11/01/our-planet-is- heating-up-why-are-climate-politics-still-frozen-colonialism-environment [Accessed 4 Nov. 2021].

Revision as of 16:32, 3 December 2021

Project proposal

Working title: A Sea of Thought

Intent and Content

I will create a website, a digital environment that functions as an infrastructure to share, activate and map out my research on the relationship of the Netherlands to water and the (built) environment. This takes the form of a poetic inquiry that takes various locations and events as points of departure. This project will be long term. For this year, I aim to build the skeleton of the website and a first utterance of content related to the following locations:

Rotta: The Deluge, a Dutch origin myth

Delfshaven: The Moon and the Market

Europort: Liquid land

NorthC (Datacenter): Clouded vision



The poetic inquiry consists of two aspects that in large provide the content for the website; the thesis and radio show ‘Dear Navigator’. The listed locations are at the heart of the thesis framework. For a further elaboration on the significance of these location I refer you to the thesis outline.‘Dear Navigator’ is a radio show in collaboration with Cara Mayer Yepez and Good Times Bad Times Radio. With each episode we focus on a different physical location in Rotterdam, weaving together field-recordings, music, spoken word and discussions, to give rise to a sonic collage that speaks of memory, architecture, and political realities. We are currently developing the second episode on the Tweebosbuurt and Zalmhaventoren. The first episode focusses on the Maastunnel. The development of each episode takes about 1 or 2 months. Two of the episodes we will be developing over the course of this year focus on Delfshaven and the Europort.

How do you plan to make it?

For realizing the technical aspects of the website, I will make use of tools introduced to me by the Parallel Library Services Workshophosted by Simon Brown at Varia. This workshop series I am partaking in, familiarizing digital tools for setting up a library, archive and (collaborative) annotation practices. This workshop spans till March.

November till April I will spend time researching for my thesis, ‘Dear Navigator’ and related topics. This will go hand in hand with collecting, collating, creating material for the sonic, written, and visual material of the website. This data-base I am collecting over time, will feed the website. Another red thread throughout most months will be developing, refining HTML and CSS skills.

•November, December
[✓] Visit exhibition V2 Reasonable Doubt
[✓] Set up RPi server
[]Set-up Media wiki on RPi
[]Visit NorthC data center

•January
[]Visit exhibition “No Linear Fucking Timing” at BAK
[] 1-Week residency with Adele in Brussels. Our outset is to produce a publication on technological landscapes, blending drawings, collages, and essayistic speculative fiction. This publication will generate possible content for the website. Data collected from the visit to the Data centre will form the outset for our residency.
[]Create ‘Dear Navigator’ Episode 3: Delfshaven.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ Intermediate outcome: self-hosted set up (RPi) and first gathered content: Delfshaven and NorthC (publication Adele)

• February
[]Processing the research: start coding research into the website (if not done simultaneously to the conducting research)

• March
[]Start playing around with Javascript to explore the interactive options of the website especially with regards to including audio. For example, ScrollMagic.
[]Development Dear Navigator Episode 4: Europoort.
[] Continue working on the structure of the website but also slowly filling it up with content. Experiment with different forms.
[]Coding research into the website.

• April
[] Coding research into the website.


• May
[] Continue working on the content of the website

• June
[]The website online through router port forwarding
[]Refine and finish the website

D®ive

My motivation for this project has a lot to do with the fact that I wish history in general, but Dutch history specifically, would have been addressed and taught quite differently in school. The past informs the present. To uncover and critically assess this past I think is highly important as time is cyclical and historical patterns repeat themselves. The society we live in today is still very much formed on the same fundaments as 500 years ago. Nothing disappears, things only change shape.

The aspect of hyperlinking is important to me, as a way of organizing thought as well as sharing the employed research sources and tools. Additionally, it helps to connecting the stories of one place to that of another. While there are different forces at play in different places, some of the structures we find ourselves in are rather collective, global. Cross-referencing and looking for parallels for this reason can be very fruitful ground.

Why using the internet? Water and the internet are inextricably linked to one another. How the internet traces the sea floor, following the slave trade routes and old telegram lines, is rooted in memory. This is development and heritage, is at the core of some of the topics discussed on the website. I want to use the internet as a tool to reflect on this tension.

Comrades for collaborating and communicating

The people from the Parallel Library Services can help me to figure out which digital tools exactly would work best to carry out this project. The interaction station / (digital) publication lab will be able to provide me with the necessary support to get the Rasberry Pi up and running as well as other technical questions with regards to coding.

I will be contacting OSP to help me out with some specific questions about the open-source code they provide. Additionally, I will consult some people from XPUB for advice and small demonstrations if necessary.


Relation to previous practice

As mentioned before, this project draws heavily on Dear Navigator that as a project aims to uncover and recover stories about places in Rotterdam.

Last year, I focussed a lot on construction sites. I thought these places gave a glimpse of the city in motion. Uncovering the city as a palimpsest, a result of a constant process of writing and re- writing. While writing is erased, overwritten, or forgotten, it never really disappears. Over time different memories compete to come back to the surface. Where does a place start and where does it end? It stretches beyond merely the visible. This concept of the city as a palimpsest still very much underlies what I am doing with this project. Making the past writings (more) legible. This project in a way would function as a speculative recording device, for is writing history ever anything else?

Prototyping

RPi server set-up

Screenshot 2021-12-03 at 09.20.21.png

CSS HTML try outs


First two tryouts of creating pages with HTML and CSS

Screenshot 2021-10-13 at 12.56.48.png



Index.jpg



Technical cookbook

Video sources

Book sources

  • Coghlan, J.M. (2020). The Cambridge companion to literature and food. Chapter 11: Postcolonial Tastes. Cambridge Cambridge University Press.
  • Geuze, A. & Koekebakker, O. (2005). The Flood : 2nd International Architecture Biennale Rotterdam ; catalogue ; [26 mei - 26 juni 2005]. Rotterdam: Internationale Architectuur Biënnale.
  • Klose, A. (2016). Container Principle. Cambridge, Massachusetts: The Mit Press.
  • Sekula, A., Buchloh, B.H.D. and Kunsthalle Bielefeld (1995). Allan Sekula : fish story. Düsseldorf: Richter.
  • Sparkly Cat, A. (2021). Post-colonial Astrology.
  • THE FUNAMBULIST MAGAZINE. (2017). Students: Shipping Tales. [online] Available at: https://thefunambulist.net/magazine/09-islands/students-shipping-tales-christina- varvia [Accessed 3 Nov. 2021].
  • Lanchester, J. (2021). Gargantuanisation. [online] London Review of Books. Available at: https://www.lrb.co.uk/the-paper/v43/n08/john-lanchester/gargantuanisation [Accessed 15 Nov. 2021].
  • Taiwo, O. (2021). Our Planet Is Heating Up. Why Are Climate Politics Still Frozen? [online] The New Yorker. Available at: https://www.newyorker.com/magazine/2021/11/01/our-planet-is- heating-up-why-are-climate-politics-still-frozen-colonialism-environment [Accessed 4 Nov. 2021].