Nami-thesis outline: Difference between revisions
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===Introduction : Circular structure of web design market (A starting point(simply) + Main research question + sub questions)=== | ===Introduction : Circular structure of web design market (A starting point(simply) + Main research question + sub questions)=== | ||
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My | My enjoyment in making web pages has been navigated my career in web design practice. But I do admit that most of my future tasks will be occupied by commercial agenda, not merely playing with all the hand-crafted webpages, which I love. This speculation has made me observe current mainstream websites with sharp eyes, and I've found that my desire in making quirky and fun websites will conflict with the market structure in many ways. <br> | ||
Meaning it's pretty obvious that most major web pages have certain types of features in common. For example, the shapes of most icons and the locations of banners, menu bar seem quite similar, as well as the user navigation system.<br>I am not completely denying the implicit rules, claiming that there needs a total subversion/revolution on the web design context. But still, this repetition of the sameness is worthwhile to be questioned for balancing my stance as a web designer. | |||
Despite the acknowledgment of the likely possibility to work with such disciplines, it will be very worthwhile for me to investigate where all these features have come from. | |||
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===1. | ===1. Uniformity : ?=== | ||
<li>??Showcasing some personal or amateuritic web works (including mine). In which way Aesthetic and Tools</li> | <li>??Showcasing some personal or amateuritic web works (including mine). In which way Aesthetic and Tools</li> |
Revision as of 15:55, 21 November 2021
Introduction : Circular structure of web design market (A starting point(simply) + Main research question + sub questions)
My enjoyment in making web pages has been navigated my career in web design practice. But I do admit that most of my future tasks will be occupied by commercial agenda, not merely playing with all the hand-crafted webpages, which I love. This speculation has made me observe current mainstream websites with sharp eyes, and I've found that my desire in making quirky and fun websites will conflict with the market structure in many ways.
Meaning it's pretty obvious that most major web pages have certain types of features in common. For example, the shapes of most icons and the locations of banners, menu bar seem quite similar, as well as the user navigation system.
I am not completely denying the implicit rules, claiming that there needs a total subversion/revolution on the web design context. But still, this repetition of the sameness is worthwhile to be questioned for balancing my stance as a web designer.
Despite the acknowledgment of the likely possibility to work with such disciplines, it will be very worthwhile for me to investigate where all these features have come from.
Overarching question: Why do most websites look identical today?
sub-questions:
1) If there are pervasive agendas/mechanisms in the web design industry, what are they? (e.g. Mobile-first approach, Frameworks, Flat-aesthetic, and so on?)
2) In which sense are these indispensable in the industry?
3) How do the agenda/mechanisms influence the creativity of designers and developers?
4) What can frameworks made by non-professionals speak to the web design industry?
Thus, this thesis will be a documentation of my exploration of the circular structure of the web design market and, reality and missions many designers confront. Which will eventually empower me to balance ably navigate my future career.
1. Uniformity : ?
2. Investigation about the 'mobile-first' agenda
3. Tools: How do developers (+designers) embody the given web design?
4. Conclusion
Reproduced economy (Ecology of the market)
So how all the research can help me?
The importance of not losing the passion about the existing of diverse personal web sites.