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This thesis will be a journey through time, recounting the socio economic development and forceful spatial expansion of The Netherlands, from the perspective of the sea. The sea, shapeshifting, a multitude, is a witness, a vehicle for transport - of a message and the source of creation and destruction.  
This thesis will be a journey through time, recounting the socio economic development and forceful spatial expansion of The Netherlands, from the perspective of the sea. The sea, shapeshifting, a multitude, is a witness, a vehicle for transport - of a message and the source of creation and destruction.  
While the damns are threatened, hightened year after year, the ocean floor is punctured for oil. Organic shells have been replaced by an Off-shore Shell platform. 
Over time VOC cargo containers have replaced wind for heavy fuel oil (HFO).
The sea, in mythology as well as religion, associated to flood myths directed by divine retribution.


This thesis aims to blend historical research as well as more fabulating / speculative writing.  
This thesis aims to blend historical research as well as more fabulating / speculative writing.  
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==INTRODUCTION==
==INTRODUCTION==


Time is said to have come from the word <I>'tide'</I>. 2 tides a day, created by an intermix between the gravitational forces of the sun and the moon, and the rotation of the earth. The sea with its waves crashing on the shore is like a metronome.
Time is said to have come from the word <I>'tide'</I>. 2 tides a day, created by an intermix between the gravitational forces of the sun and the moon, and the rotation of the earth. The sea with its waves crashing on the shore is like a metronome. What would the song of the sea sound like? The sea has seen the first maritime expeditions, the transition of VOC ships into VOC cargo ships, organic shells replaced by Off-shore Shell refinery platform, while its waters are rising. 


“The memory was stored on the water and refused to land” (fox p. 109)
At the core of the origin story of The Netherlands is the control of water. Control in the name of protection and control in the name of expansion: the annexing of land from the sea and overseas. The flood is said to be a metaphor for The Netherlands as a phenomenon.  


At the core of the origin story of The Netherlands is the control of water. Control in the name of protection and control in the name of expansion: the annexing of land from the sea and overseas.
==CHAPTER 1: The Moon and the Merchant==
==CHAPTER 1: The Moon and the Merchant==


"If the Moon pulls the tides, it also rules the market" (Alice Sparkly Cat)  
<big><b><I>"If the Moon pulls the tides, it also rules the market" (Alice Sparkly Cat)</b></I></big>
 
The sailors looked up at the stars to navigate.


"The sea, or water, is the great medium of circulation established by nature, just as money has been created by man for the exchange of products" (Alfred Thayer Mahan, Naval Strategy).  
"The sea, or water, is the great medium of circulation established by nature, just as money has been created by man for the exchange of products" (Alfred Thayer Mahan, Naval Strategy).  
Asymmetrical exchange.


"Debt creates currency" (Sparkly Cat p. 117)  
"Debt creates currency" (Sparkly Cat p. 117)  


The sailors looked up at the stars to navigate.
==CHAPTER 2: ==
 


The platform of the Ocean


==CHAPTER 2:==
The relics on the bottom of the ocean floor: VOC cargo ships. Internet cables following the same routes as the map of the Atlantic slave trade. Same floor that is being punctured for oil.


The moon is roughly only visible 12 hours a day.  
Visibility always comes at the cost of the invisibility of something else.




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1. Klose, A. (2016). Container Principle. Cambridge, Massachusetts: The Mit Press.
1. Klose, A. (2016). Container Principle. Cambridge, Massachusetts: The Mit Press.
2.  
2. J Michelle Coghlan (2020). ˜Theœ Cambridge companion to literature and food. Cambridge Cambridge University Press.
3.  
3. Fox, D. (2019). Limbo. Fitzcarraldo Editions.
4.  
4. Sparkly Cat, A. (2021). Post-colonial Astrology.
5.  
5. Adriaan Geuze and Olof Koekebakker (2005). The flood : 2nd International Architecture Biennale Rotterdam ; catalogue ; [26 mei - 26 juni 2005]. Rotterdam: Internationale Architectuur Biënnale.
6.  


NOTES
NOTES

Revision as of 12:13, 3 November 2021

THESIS OUTLINE

This thesis will be a journey through time, recounting the socio economic development and forceful spatial expansion of The Netherlands, from the perspective of the sea. The sea, shapeshifting, a multitude, is a witness, a vehicle for transport - of a message and the source of creation and destruction.

This thesis aims to blend historical research as well as more fabulating / speculative writing.

INTRODUCTION

Time is said to have come from the word 'tide'. 2 tides a day, created by an intermix between the gravitational forces of the sun and the moon, and the rotation of the earth. The sea with its waves crashing on the shore is like a metronome. What would the song of the sea sound like? The sea has seen the first maritime expeditions, the transition of VOC ships into VOC cargo ships, organic shells replaced by Off-shore Shell refinery platform, while its waters are rising.

At the core of the origin story of The Netherlands is the control of water. Control in the name of protection and control in the name of expansion: the annexing of land from the sea and overseas. The flood is said to be a metaphor for The Netherlands as a phenomenon.

CHAPTER 1: The Moon and the Merchant

"If the Moon pulls the tides, it also rules the market" (Alice Sparkly Cat)

The sailors looked up at the stars to navigate.

"The sea, or water, is the great medium of circulation established by nature, just as money has been created by man for the exchange of products" (Alfred Thayer Mahan, Naval Strategy).

Asymmetrical exchange.

"Debt creates currency" (Sparkly Cat p. 117)

CHAPTER 2:

The platform of the Ocean

The relics on the bottom of the ocean floor: VOC cargo ships. Internet cables following the same routes as the map of the Atlantic slave trade. Same floor that is being punctured for oil.

Visibility always comes at the cost of the invisibility of something else.


BIBLIOGRAPHY

1. Klose, A. (2016). Container Principle. Cambridge, Massachusetts: The Mit Press. 2. J Michelle Coghlan (2020). ˜Theœ Cambridge companion to literature and food. Cambridge Cambridge University Press. 3. Fox, D. (2019). Limbo. Fitzcarraldo Editions. 4. Sparkly Cat, A. (2021). Post-colonial Astrology. 5. Adriaan Geuze and Olof Koekebakker (2005). The flood : 2nd International Architecture Biennale Rotterdam ; catalogue ; [26 mei - 26 juni 2005]. Rotterdam: Internationale Architectuur Biënnale. 6.

NOTES