User:Camilo/second: Difference between revisions

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{GLOSSARY for publishing}
{GLOSSARY for publishing}
* A preliminary attempt to understand the soil.  
* A preliminary attempt to understand the soil.  
* wording <---> Worlding
* wording <---> worlding
* gloss: annotation
* gloss: annotation



Revision as of 11:05, 7 October 2021

Medog.gif

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BAG

REFERENCES

  • From print to Ebooks a hybrid publishing toolkit for the arts 𓆟 𓀪
  • Meeting the universe halfway - Karen Barad 𓆙
  • The mushroom at the end of the world - Anna Tsing 𓆙
  • Poetics of Relations - Eduard Glissant 𓆙
  • Cybernetics of the Poor - Diedrich Diederichsen & Oier Etxeberria 𓆙
  • Post-digital Print: The mutation of Publishing since 1894 - Alessandro Ludovico 𓆟 𓀪
  • Diffracting Diffraction: Cutting Together-Apart - Karen Barad 𓆙
  • Soap - Fabio Morais 𓆟
  • Publicación Independiente como plataforma de Urgencia - Tijuana y par(en)tesis 𓆟
  • Physical Phenomena 𓆙
  • Decolonial Computing - Syed Mustafa Ali 𓆙
  • From Glossaries to Ontologies: Extracting Semantic Structure from Textual Definitions 𓆙 𓀪

TOOLS

  • Pencil
  • Paper
  • Drawing
  • Binding
  • weasyprint
  • pandoc
  • Etherpad
  • Temporary Garden (mypi)
  • page.js
  • HTML
  • CSS
  • Printcss

TABLES

  1. 1

Throughout the lenses of sympoiesis, intr-acting, response-ability, basically the ontological inseparability, experiment and try out new possibilities of publishing. ---on arts and design?

  • What type of infrastructure?
  • Which mediums?
  • Which formats?

-Attempt as an impulse to name the agency of publishing that is now defined as an attribute but as an ongoing reconfiguration of itself. Constantly reflecting/diffracting, over its method, resources, products, formats. ##Publishing as a living practice##.

  • With the cybernetic discourse at the back of my head... What makes explicit the system of publishing? How it could be a system? and which type of System.
  • re-thinking the way we host the publishing infrastructure and the methods we use to make it possible. From the automatic, accelerated and disconnected practices to maybe the recursive, active and aware ones.

Ideas: a set of cards for playing and reflecting about publishing. where? Which context? - What is beyond the codex? and what's inside it?

  • A questionary for publishing (in arts)?
  • What would you like to ask yourself before making it public? It's just about circulation and sharing?

"Acts of publishing" vs. "products" ---> Beyond Value and Usefulness


  1. 2

{GLOSSARY for publishing}

  • A preliminary attempt to understand the soil.
  • wording <---> worlding
  • gloss: annotation

"It matters what matters we use to think other matters with; it matters what stories we tell to other stories with; it matters what knots knot knots, what thoughts think thoughts, what descriptions describe descriptions, what ties tie ties" Donna Haraway

Every word is a node of the system that relates with other nodes in order to map or suggest connections between their meanings. By placing words from different contexts next to each other, this diffractive glossary aims to cross-references and motivations of the publishing practice. In the end, the idea so far is to start suggesting reflections through notations that are not just focused on their own existence but on the others too.

Name: A GLOSSARY FOR A DIFFRACTIVE PUBLISHING PRACTICE