Distortions on air: Difference between revisions
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=links of experiments | projects | research= | =links of experiments | projects | research= | ||
* https://gitlab.com/nglk/radioactive | * https://gitlab.com/nglk/radioactive | ||
* https://pzwiki.wdka.nl/mediadesign/Angeliki/Grad_Scripts | * https://pzwiki.wdka.nl/mediadesign/Angeliki/Grad_Scripts | ||
Revision as of 08:36, 7 May 2021
Distortions as 'audio masks'
- Lowpass filter: gendered voice on air
- Lowpitch filter: from female to male
- Repetitions/loops: cultures in loop
online scripts (web-audio)
offline scripts (python)
'damaged' voices
Error in widget Audio: unable to write file /data/www/wdka.nl/pzwiki.wdka.nl/mw-mediadesign/extensions/Widgets/compiled_templates/wrt67403ed9cd8a40_43721734 |
podcast Ballout, D. (2019) ‘Good Morning, Kafranbel’, This American Life: Wartime Radio |
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podcast Gladstone, B. and Garfield, B. (2019) ‘How Radio Makes Female Voices Sound “Shrill”’, The Disagreement Is The Point | On the Media |
Error in widget Audio: unable to write file /data/www/wdka.nl/pzwiki.wdka.nl/mw-mediadesign/extensions/Widgets/compiled_templates/wrt67403ed9d11ae4_66951207 |
article Singh, A. (2018) ‘Jason Cundy: women’s voices are too high for football commentary’, The Telegraph, 25 June |