User:Tisa/practice: Difference between revisions
(→sound) |
No edit summary |
||
| Line 99: | Line 99: | ||
==theatre== | ==theatre== | ||
Idea w/Z, F, L, P, M. | Idea w/Z, F, L, P, M. | ||
==workshop== | |||
===Composing sensibility session (CSS)=== | |||
Made the 1st [https://www.facebook.com/events/583966899118297/ Composing Sensibility Session I.] on the 25th January 2020. 10 people attended. | |||
At [https://www.facebook.com/Dordtselaan/ Theater Galerie Dordtselaan]. | |||
This is the working description: Composing sensibility is a workshop, an exploration of our individual capacities (capabilities) of perception and a collective construction of tactics for the everyday. Believing that sensibility is the fist step towards understanding the world around us, social relations, occurrences, one should train it, include it into the daily routine and always pay attention to oneself, others and the surrounding context. In the workshop, I will propose a set of exercises (merged from sound and theater improvisation techniques, contemporary dance, meditation; based on movement, voice and text) that one can explore by themselves and collaboratively with others in any environment, at any time. The final outcome is a revalorization of senses and their potential. Emphasizing the possibility within each individual to interpret and eventually intervene in the existing state of affairs. Real-time sensibility is the first step, interpretation (awareness and understanding) is the second, reacting and intervening the third; all of them nurture the other and construct a fluid composition of everyday practice to be aware, present, critical, empowered, sensible as an individual subject that always moves in between communities and settings of multiple subjectivities. | |||
The sessions function as a setting of mutual support, collective learning, experimentation, and courage to sense and make sense. | |||
sensibilization -> awareness -> understanding -> reacting -> change | |||
Revision as of 19:45, 14 October 2020
object
A collection of beach-found plastic rhizomatic structures.
sculpture
Rhizomatic structures captured/preserved by epoxy resin/salt/sugar/formaldehyde.
3 days later:
- Rhizomatic structures print: embossing/debossing OR expose to silkscreen print.
key-etching
...
hackpact prototype
29-9-20
archive of visual research
A historical archive has found its way into my possession.
I will repurpose its binding mechanism, and fix the aged cover - to archive my visual research throughout this year.
I wish to reuse the paper that is inside. contact De Hoop
visions
biopolitics and fishing:
"Jata rib prosta plava vse stima, flow. Človek mreža struktura ribolov."
also - "Represivna gesta naravnemu redu. Restabilizacija jate - recurrent. Excessive fish-eating (its good for u). Fejk ribja pasta v modelčku."
performance
sound
I perform in the domain of sound, more specificaly sound improvisation/free/real-time composition; using my voice, language/words/poetry, sometimes analogue effects, abletone, or woodwind instruments.
My soundcloud. ... cTrL (duo) soundcloud.
- new, w/L
used guvcview to capture video from a webcam
soldered an instrument together
...
- 27. 9. 2020, performance cTrL+P (w/Lucija Gregov and Philipp Ernsting), Ateliergebouw Oranjeboom, Rotterdam, NL
https://www.facebook.com/events/693905521218830
&transcribe lyrics
- 18. 9. 2020, performance ProPolis (w/Marek Fakuč), Festival poraznodete, Žužemberk, Slovenia
Recording: https://drive.google.com/file/d/1gYfLKt0M8dAI0ouzy9u7R8nSEnJCvH4h/view?usp=sharing
- 14. 9. 2020, R A D A R, radio show, Radio Student
https://radiostudent.si/kultura/r-a-d-a-r/1-prelet-tnh
- 8. 9. 2020, 27-letnica AKC Metelkova: Defonija, duo w/Pascal Jarchow, Gromka, Metelkova, Ljubljana, Slovenia
&recording
- 6. 9. 2020, Formacije: Duo, duo w/Pascal Jarchow, Ferdova, Ljubljana, Slovenia
&recording
- 24. 8. 2020, performans w/Equilibrium as Insta_bility (Tobija Hudnik, Luka Poljanec, Lenart De Bock, Brina Kren, Pascal Jarchow), festival A dela?, Cirkulacija2, Ljubljana
Recording: https://drive.google.com/file/d/157aqjMXv2uFKKoJP14JIwMtlhyVQQoZQ/view
- 6. 8. 2020, JazklubMezzoforte, performans w/Jonas Žabkar, Thierno Diallo, Liza Šimenc, Urban Megušar, Maj Kavšek, Mojca Zupančič, Žiga Pilih, Cirkusarna NaokROG, Tovarna Rog, Ljubljana, Slovenia
&recording
...
theatre
Idea w/Z, F, L, P, M.
workshop
Composing sensibility session (CSS)
Made the 1st Composing Sensibility Session I. on the 25th January 2020. 10 people attended. At Theater Galerie Dordtselaan.
This is the working description: Composing sensibility is a workshop, an exploration of our individual capacities (capabilities) of perception and a collective construction of tactics for the everyday. Believing that sensibility is the fist step towards understanding the world around us, social relations, occurrences, one should train it, include it into the daily routine and always pay attention to oneself, others and the surrounding context. In the workshop, I will propose a set of exercises (merged from sound and theater improvisation techniques, contemporary dance, meditation; based on movement, voice and text) that one can explore by themselves and collaboratively with others in any environment, at any time. The final outcome is a revalorization of senses and their potential. Emphasizing the possibility within each individual to interpret and eventually intervene in the existing state of affairs. Real-time sensibility is the first step, interpretation (awareness and understanding) is the second, reacting and intervening the third; all of them nurture the other and construct a fluid composition of everyday practice to be aware, present, critical, empowered, sensible as an individual subject that always moves in between communities and settings of multiple subjectivities.
The sessions function as a setting of mutual support, collective learning, experimentation, and courage to sense and make sense.
sensibilization -> awareness -> understanding -> reacting -> change