User:Zalán Szakács/reading: Difference between revisions
No edit summary |
No edit summary |
||
Line 1: | Line 1: | ||
* Mannoni, Laurent, "The Great Art of Light and Shadow - Archaeology of the Cinema, University of Exeter Press, 2000 | * Mannoni, Laurent, "The Great Art of Light and Shadow - Archaeology of the Cinema", University of Exeter Press, 2000 | ||
* Grau, Oliver, "Media Art Histories", The MIT Press, 2010 | * Grau, Oliver, "Media Art Histories", The MIT Press, 2010 | ||
*Steps to an Ecology of Communication: Radical Software, Dan Graham, and the Legacy of Gregory Bateson; William Kaizen: Art Journal, Vol. 67, No. 3 (FALL 2008) | *Steps to an Ecology of Communication: Radical Software, Dan Graham, and the Legacy of Gregory Bateson; William Kaizen: Art Journal, Vol. 67, No. 3 (FALL 2008) |
Revision as of 17:52, 13 November 2018
- Mannoni, Laurent, "The Great Art of Light and Shadow - Archaeology of the Cinema", University of Exeter Press, 2000
- Grau, Oliver, "Media Art Histories", The MIT Press, 2010
- Steps to an Ecology of Communication: Radical Software, Dan Graham, and the Legacy of Gregory Bateson; William Kaizen: Art Journal, Vol. 67, No. 3 (FALL 2008)
- Joost Rekveld 2007, Mental Spaces, viewed 15 October 2018, <http://www.joostrekveld.net/wp/?page_id=590>
- Kluitenberg, Eric, ed. Book of imaginary media. Excavating the dream of the ultimate communication medium. Rotterdam: NAi Publishers, 2006.
- Roberto Casati. Are shadows transparent? An investigation on white, shadows and trans-parency in pictures. Res, 2009, 56, pp.329-335. <ijn 00171296>
- Tanizaki, Jun'ichirō. In Praise of Shadows. New Haven, Conn: Leete's Island Books, 1977. Print.