User:Zalán Szakács/reading: Difference between revisions

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* Mannoni, Laurent, "The Great Art of Light and Shadow - Archaeology of the Cinema, University of Exeter Press, 2000
* Grau, Oliver, "Media Art Histories", The MIT Press, 2010
*Steps to an Ecology of Communication: Radical Software, Dan Graham, and the Legacy of Gregory Bateson; William Kaizen: Art Journal, Vol. 67, No. 3 (FALL 2008)
*Steps to an Ecology of Communication: Radical Software, Dan Graham, and the Legacy of Gregory Bateson; William Kaizen: Art Journal, Vol. 67, No. 3 (FALL 2008)
*Joost Rekveld 2007, ''Mental Spaces'', viewed 15 October 2018, <http://www.joostrekveld.net/wp/?page_id=590>  
*Joost Rekveld 2007, ''Mental Spaces'', viewed 15 October 2018, <http://www.joostrekveld.net/wp/?page_id=590>  

Revision as of 15:50, 13 November 2018

  • Mannoni, Laurent, "The Great Art of Light and Shadow - Archaeology of the Cinema, University of Exeter Press, 2000
  • Grau, Oliver, "Media Art Histories", The MIT Press, 2010
  • Steps to an Ecology of Communication: Radical Software, Dan Graham, and the Legacy of Gregory Bateson; William Kaizen: Art Journal, Vol. 67, No. 3 (FALL 2008)
  • Joost Rekveld 2007, Mental Spaces, viewed 15 October 2018, <http://www.joostrekveld.net/wp/?page_id=590>
  • Kluitenberg, Eric, ed. Book of imaginary media. Excavating the dream of the ultimate communication medium. Rotterdam: NAi Publishers, 2006.
  • Roberto Casati. Are shadows transparent? An investigation on white, shadows and trans-parency in pictures. Res, 2009, 56, pp.329-335. <ijn 00171296>
  • Tanizaki, Jun'ichirō. In Praise of Shadows. New Haven, Conn: Leete's Island Books, 1977. Print.