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<big>DAY BY DAY BY DAY BY DAY</big>
<big>DAY BY DAY BY DAY BY DAY</big>
[http://verticalcinema.org/film_filmmakers/louver/ Björn Kämmerer, LOUVER]


‘What are we watching?’ is the first thing viewers of Louver might ask themselves. Connoisseurs of Kämmerer’s work are aware that we are possibly witnessing a perceptual illusion caused by the mysterious hypnotic ‘two-dimensional’ movements of a light-object. Our distracted senses are unable to determine if we are observing the ‘real thing’ or abstract patterns of ‘digital light’. Here, we might also try and seek structure, some mathematical point where the movements are conducted, so they can reveal the meaning of the image. But it soon becomes apparent that the subject is Time itself: the time that is needed for the mysterious patterns to develop their own rhythms, and then to disappear into the dark frame from which they emerge. What was once a glittering screen of light grids now appears to us as a one- dimensional dark universe of the unknown.
‘What are we watching?’ is the first thing viewers of Louver might ask themselves. Connoisseurs of Kämmerer’s work are aware that we are possibly witnessing a perceptual illusion caused by the mysterious hypnotic ‘two-dimensional’ movements of a light-object. Our distracted senses are unable to determine if we are observing the ‘real thing’ or abstract patterns of ‘digital light’. Here, we might also try and seek structure, some mathematical point where the movements are conducted, so they can reveal the meaning of the image. But it soon becomes apparent that the subject is Time itself: the time that is needed for the mysterious patterns to develop their own rhythms, and then to disappear into the dark frame from which they emerge. What was once a glittering screen of light grids now appears to us as a one- dimensional dark universe of the unknown.
[http://verticalcinema.org/film_filmmakers/louver/ Björn Kämmerer, LOUVER]

Revision as of 16:46, 7 November 2017

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DAY BY DAY BY DAY BY DAY

Björn Kämmerer, LOUVER

‘What are we watching?’ is the first thing viewers of Louver might ask themselves. Connoisseurs of Kämmerer’s work are aware that we are possibly witnessing a perceptual illusion caused by the mysterious hypnotic ‘two-dimensional’ movements of a light-object. Our distracted senses are unable to determine if we are observing the ‘real thing’ or abstract patterns of ‘digital light’. Here, we might also try and seek structure, some mathematical point where the movements are conducted, so they can reveal the meaning of the image. But it soon becomes apparent that the subject is Time itself: the time that is needed for the mysterious patterns to develop their own rhythms, and then to disappear into the dark frame from which they emerge. What was once a glittering screen of light grids now appears to us as a one- dimensional dark universe of the unknown.