User:Paula Winkler/Paula's Project Proposal II: Difference between revisions
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== Why do you want to make it?== | == Why do you want to make it?== | ||
My goal is to | My goal is to evoke a contemplative state of mind that unfolds between looking at the images and the direction of thought I'm giving the spectator by referring to the concept of ''procrastination'' in the title of the work. I take my own experience with ''procrastination'' as a starting point for this work knowing that everyone can relate in some way or the other. I record the images that I see everyday when I sit at my desk trying to come up with something meaningful, with a wandering mind. I use the images and offer them to others, inviting them let their mind drift away. | ||
Looking at clouds has a deeply contemplative if not spiritual effect on me. Especially sitting at my desk it instantly evokes thoughts about time, scale, disintegration, transformation, significance | |||
Looking at clouds has a deeply contemplative if not spiritual effect on me. Especially sitting at my desk it instantly evokes thoughts about time, scale, disintegration, transformation, significance, deficiency and the absolute inability to even slightly grasp our existence. It also makes me think about photography and the intense wish to stop time to be able to look at this specific arrangement of vanishing colors and textures for as long as I wish to do so. It creates a melancholic but perfectly satisfied state of mind in which I feel deeply connected to the world. | |||
== Time table & How do you plan to make it == | == Time table & How do you plan to make it == |
Revision as of 20:32, 6 November 2017
What do you want to make?
I am currently working on a collection of images I make of clouds, outside my studio window in Berlin. The working title is procrastination - clouds from my desk. The images show nothing more than different variations of sky with clouds at different times of the day. The images are dominated by their reduced but intense color palette that includes different kinds of blue, orange/red and grey. Most of the images are in portrait format because this orientation creates a greater sense of depths and the color gradient especially of the evening sky comprises more nuances. While in some images you can recognize a sky with clouds, in other images you are moving towards a sense of abstraction. Some images include a swarm of birds or a far away trace of a plane. None of the images show buildings or a skyline that would place them in an urban environment. There are notions of absence and presence within the images at the same time.
I'm aiming at a substantial amount of images - let's say 365 - one of each day of the year to evoke a feeling of endlessness. I'm not quite sure yet what kind of dramaturgy I'm aiming at.I will have to find out if I prefer a certain time of the day with its specific brightness or if I want a narrative that carries the spectator through different times of the day. The appropriate form of display will have to be determined when the collection is big enough to do an edit. I can image presenting the images in a self-published photobook with an accompanying lightbox or print on the wall but it could also turn out the best way to present them would be on the wall.
Why do you want to make it?
My goal is to evoke a contemplative state of mind that unfolds between looking at the images and the direction of thought I'm giving the spectator by referring to the concept of procrastination in the title of the work. I take my own experience with procrastination as a starting point for this work knowing that everyone can relate in some way or the other. I record the images that I see everyday when I sit at my desk trying to come up with something meaningful, with a wandering mind. I use the images and offer them to others, inviting them let their mind drift away.
Looking at clouds has a deeply contemplative if not spiritual effect on me. Especially sitting at my desk it instantly evokes thoughts about time, scale, disintegration, transformation, significance, deficiency and the absolute inability to even slightly grasp our existence. It also makes me think about photography and the intense wish to stop time to be able to look at this specific arrangement of vanishing colors and textures for as long as I wish to do so. It creates a melancholic but perfectly satisfied state of mind in which I feel deeply connected to the world.
Time table & How do you plan to make it
I will shot new images almost every day and print them out as sketches immediately to build up a broad collection. In November I want to try out a new medium format camera and compare the results - maybe I will switch to this type of camera.
And I need to try out different types of color treatments as well as different kinds of paper and sizes.
Ralation to former practice
Who can help you and how
Relation to larger context
Ed Rusha - 26 Gasoline Stations
Joel Meyerowitz - New Color Photography