User:Laurier Rochon/notes/kleiner response

Dmytri Kleiner - Summary & analysis

"Capital kinda has all the money"

- Workshop at PZI, Feb 2011

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The following is a consensed summary of Dmitry Kleiner's talk and workshop at the Piet Zwart Institute on February 16th, 2011. Kleiner is a software developer, artist and activist part of the Telekommunisten collective. Through his practice, he attempts to demonstrate the convoluted relationships between politics, the internet, different economies and social media. His work tends to stress the complexity of these relationships and highlights many misconceptions, myths and common assumptions made by consumers and creators of digital media.

General umbrella questions relevant to the themes discussed

- Are free systems compatible with capitalism?

- What is(are) the language(s) of the internet's political economy?

- How do relationships define topologies, modes of production?

Star networks vs mesh networks

Star networks are formed in such a way that a central node acts as a mediator for all 'traffic' coming in and out of nodes, exercising control over the flow of data. Capitalists enjoy this type of network, as it allows for control, and therefore makes the setting of price easy. By having control over circulation, it is easy to perform censorship, favoritism, etc.

Mesh networks on the other hand, are rhizomic in nature and allow nodes to connect with each other directly, without needing to traverse a third party. This second type of network is much 'lighter' in infrastructre, and decentralized in nature.

Past work: Thimbl and Deadswap

Thimbl is free, open source and distributed micro-blogging. It allows one to be followed at his own domain, using nothing else than finger and SSH. The aim of the project is partly to demonstrate that services like Twitter are not necessary to achieve a similar update/follow mechanism, but rather these tools have been around for decades - just not wrapped in a Web 2.0 'package' by a corporation yet. By using the .plan file on your domain, one can update his 'plan', and let others know what's going on at the moment.

Deadswap is an offline file sharing system that travels on a USB stick. By using SMS gateway, one can request the key, and the owner has to arrange a meeting/dropoff spot for it to be picked up. On the actual key is a wiki that can be modified if wanted. The purpose of this project is to demonstrate how much more diffcult it would be to share information without the internet, and how much this technology has become ubiquitous in our lives.

Attention economy & reputation economy

Attention economy via Dallas Smythe : the commidity is the audience, not the actual media (i.e. the tv program is free, but the audience is what is being sold). Behavior control is what the tv programmers pay for, not the actual time slot.

Reputation is an extension of social capitalism - within social media services, all voices are not equal - this is a false sense of democratic equality, where everyone is supposed to have an equal say. In truth, the people who come onto social media platforms with established reputations in the real world, will have a much stronger voice than others.

How can we produce things when capital won't fund it?

Capitalism is a particular mode of production -> people who have to sell their labor because they don't own means of production = the employees don't own what they make -> cannot set the price of it -> you can't create a free culture -> the institutions own the products -> they have to change in order to create a free culture

Quick history of the internet

Originally created by a consortium of people : military, NGOs, computer geeks and hobbyists. It evolved into something much bigger than expected. Around 2000, capitalists started buying everything they could on it, out of fear that it would grow beyond their control (dot com boom). They then created services (client-server systems) that rely on star networks to operate. People must sign into particular terms of service defined by the company, and abide by their rules as long as they use this service. Interestingly enough, these services seem to have evolved in a parallel fashion to the ones that depend on mesh networks such as email, usenet, irc, etc. They have also intermingled, as email, for example, is often done through the services of a private company (google, hotmail, etc.)

On free software and social media money

It seems like emulating already existing software such as diaspora wanting to take over Facebook is not such a great idea. Such services will never be able to have the upper hand, as they will never be funded as heavily (or even close) to the likes of Facebook. The smarter thing that these companies can do is to try to be as lightweight as possible, decentralized as possible and do something that is architecturally as different as possible as what the big companies arranged around star networks are creating.

Interesting note : Mark Zuckerberg has donated to the diaspora project - and in general, large corporations are very interested in free software : they represent important capital. I.e. hosting companies use the free software apache to run their servers, but sell hosting plans that cost money. The revenue is made upstream, by selling a product bundle including the free software.

The three acts of copyright (tragedy)

1. anti-copyright : copyright came at the same time as capitalism, it is a component of Bourgeois property. anti-copyright is simply being against the idea of commmodifying artistic production (as earlier proponents of dadaism were, for example)

2. copyleft - the invasion of the bourgeoisie. The right of the consumer to become a producer. In this model, free software is wildly successful. The difference between anti-copyright and copyleft : anti-copyright is a fringe, anti movement - copyleft is more about intellectual property, etc. Anti-copyright is not compatible with capitalism.

3. Creative commons : boosted by the free software movement. The consumer is denied the right to become a producer

Epilogue : copyfarleft - employs the non-commercial clause used by some creative commons licenses, but adds a limitation to the clause