Op is Op: Difference between revisions

Latest revision as of 10:20, 10 September 2018

The following is a (slightly cleaned) dump from our etherpad working notes from our first session. It seems to be a good place to start the wiki for our first edition.

TOPIC Scarcity of Resources - try to make it our own, link it too a more specific perspective on this topic

QUESTIONS/NOTES Can the output reflect this topic? For who is this topic relevant/urgent? which public? Environmental issue - Do we want to do it as cheap as possible? thinking through pollution Empowering for artists/designers etc. - to have access to this resource Imagining a future with no resources, what would the methods and tools are Reference: Steal this Book Abbie Hoffman : Download here a PDF version How to get things for free --- radical survivalist tactics in times of scarcity A case study http://www.refugeephrasebook.de/

STEPS IN PRODUCTION OF BOOK

Concept
Production
Distribution
Audience/Readership

Schedule

The production team met on the 15th of September to organise a rough schedule. Please feel free to comment. Please note : do not make permanent changes so that we can discuss before putting anything in stone.

27th of September concept for design & editorial plan for content

4th of October preliminary design proposal based on concept

25th of October design proposal

15th of November design finished for final Proofing

18th of November going to Printer

2nd of December DEADLINE

6th of December RELEASE PARTY !!!!

Team

Editorial team

File:Poster workflow.pdf

Deciding on the editorial content (Content plan?) such as categories and structure, whether there is an editorial, glossary, index, illustrations, photographs, interviews, case studies, and essays. Chosing and enforcing the citation style guide, whether that be Chicago, Harvard, custom... (also known as Consistency). Making descisions on whether we want to commission texts and then providing contributing authors with the "style guide" to explain the style for writing footnotes and/or references. Working out permissions with licenses and finally English editing, Copyediting, proofing. Example style guide INC: [1] (I believe it is from 2014, might be a bit outdated) An overview of style guides : [2] (may be less out of date?)

Members

Noémie
Julia
Giulia

ref. http://www.halfletterpress.com/temporary-services/

DESIGN ONLINE / PRINT / OTHER FORMAT

Typography organising the visual styles, looking at fonts for both online / offline and open fonts, choosing and enforcing image formats (how should materials be delivered looking at print / online) including resolutions. Platforms / Tools. They will coordinate closely with Production (and visa versa) on design choices in relation to materiality and production processes. Organise layout, and consider whether we need special formats (for instance markdown) for outcome in different formats. Also in case of online deployment are (partly? fully?) responsible for the programming.

Members

Emily
Franc
Pleun

References

Better Gimp : Gimpshop

PRODUCTION & COORDINATION

Working within the budget account for materials, printing, buying domain name (if necessary), and coordinating everything so it is going to be producable within cost and time. Consider things (where appropriate) like hosting, production plan, and timeline, considering the challenges of bringing together multiple sources. Consider questions of scale more than the singular article / item, and questions of production process which will be closely worked out with the design team.

Members

Margreet
Max
Kimmy

Markdown Workflow

As the production team we suggest to adopt a markdown workflow. Here you can find a Markdown template with some metadata. File:Markdowntemplate.zip

Markdown is a product of internet culture ^[1]. It uses ad-hoc formatting signs commonly used in e-mail and chat platforms, and further popularized on blogging platforms, to provide a standardized, human-readable, user-friendly and well-structured document format, suitable for long-term storage and as a basic source for conversions to contemporary and future document formats. While its formatting **syntax** is simple, it is also both strict and unambiguous enough to allow multiple writers and editors to work on a single document without unnecessary confusion. Another advantage of Markdown is that it can be written and edited in any software application capable of processing basic text: unlike the proprietary file formats of Microsoft Word or other word processors, Markdown can be opened using a simple text editor.

Why do we recommend Markdown in particular? For certain publishing projects - for example, handbooks or books derived from wikis, it may be worth considering alternatives to Markdown, such as reStructuredText. There are, however, two reasons why we recommend Markdown as a practical tool for electronic and mixed-media publishing:

1. Excellent software support. There are many user-friendly, high quality applications for writing and editing documents in Markdown and for converting Markdown to other formats. While Markdown may be written and edited in any text editor, there are several user-friendly text editing applications that make it easier to edit and immediately view the results, such as Mou, MacDown, Texts, MarkdownPad, UberWriter and MdCharm.

2. The extended version MultiMarkdown provides all the necessary formatting and document syntax needed for text-oriented publishing in the arts and humanities, or the text component (complete with footnotes and bibliographical references) of an exhibition catalog.

However, Markdown/MultiMarkdown is not a magical one-size-fits-all solution. It is particularly well suited for text-oriented documents, but quite limited for creating visually oriented documents, and not really of much use for interactive publishing formats.

Markdown and similar formatting/markup languages are designed for workflows in which there is a clear separation between editorial work (involving writers, translators and editors) and publication design. For publications requiring extensive interaction between writers/editors and visual designers/artists from the very beginning of the authoring process, other tools and workflows are preferable.

Word processing / editing applications for Markdown on Mac

Freeware:

Mou with features such as live preview, sync scroll, auto save, auto pair, custom themes, CSS, HTML and PDF export, enhanced CJK support, and more. ^[2]
MacDown, released under the MIT License and with a design and setup influenced by Mou. ^[3]

Paid:

Byword, a user-friendly, distraction-free text writing program with built-in MultiMarkdown support and export to HTML, RTF, PDF -nd Microsoft Word. The program runs on Mac, iPhone and iPad ^[4]
iAWriter, a program-similar to Byword. The program runs on Mac, iPhone and iPad. ^[5]
Scrivener, a word processing application popular among professional writers, available for Mac OS X and Windows. Fully supports MultiMarkdown internally.^[6]

Consider secondary stock and alternative means of sourcing Lithuenia - Riso? Print on the edges sustainable printing in both economy and environment groen offerte (printvisie) autobahn made their own paper.

DISTRIBUTION

Editorial guidelines Timeline for production value proposition ? community?

Members

Claudia
Karina
Stone

References

2600 magazine , halfletter press Publishing in the Realm of Plant Fibres and Electrons [3] Value Proposition Canvas How to make one

COORDINATION

This is a sub-role within each group. Team management is organised as a holacracy. Work backwards: We know we have a budget of 1000 and a deadline of 6th of December

CONTENT

Content will be created by any member of any other team. To open up the diveristy of the work, it can be sourced from outside with permission from creators. Everything will be run by the editorial team so that a strong coherent publication can be created.

Volunteers

Giulia Julia Max Clàudia Karina Along with guests writers, authors from outside of the program.

A Catalog of Workflows

Colophon editing texts design printing distribution models coordination production/ budget management list of resources available production timeline

Opensource References

Project Management Software Open Source Team Management system (Likely too complex) : XO Platform Free(ish) Basecamp alternative : Freedcamp Free bittorrent P2P sync system : Syncthing Opensource Dropbox Alternative : OwnCloud Free Slack alternatives Rocket Chat Mattermost Lets Chat

TIMELINE

DL MONDAY 19.09
PROPOSITIONS ABOUT SCARCITY FOR THE EDITORIAL TEAM
BOOK LAUNCH 06.12.2016

Pad Paradise

A collection of our Etherpad notes per team! Everything is nicer in pad paradise :)

https://pad.pzimediadesign.nl/p/production1

https://pad.pzimediadesign.nl/p/Meeting_Special_Issue_16.09_Xpub

https://pad.pzimediadesign.nl/p/_2016.09.27

https://pad.pzimediadesign.nl/p/Meeting_Special_Issue_25.10_Xpub

https://pad.pzimediadesign.nl/p/distribution_28-10-16

https://pad.pzimediadesign.nl/p/specialissue-2016-11-01 OOPS PAD PROBLEMS PERSIST ... SEE: https://pad.bleu255.com/p/specialissue-2016-11-01

https://pad.pzimediadesign.nl/p/xpub-special-issue-2016-11-07

https://pad.pzimediadesign.nl/p/xpub-special-issue-2016-11-29

RULES IN PROGRESS

https://pad.pzimediadesign.nl/p/game_rules

https://pad.pzimediadesign.nl/p/xpub-special-issue-planning

Presentation of the 31 0CT 2016

File:Presentation 310CT.pdf

References

Template:Reflist

[1] ttp://networkcultures.org/blog/publication/from-print-to-ebooks-a-hybrid-publishing-toolkit-for-the-arts/

[2] ttp://www.mouapp.com

[3] ttp://macdown.uranusjr.com/

[4] ttp://bywordapp.com

[5] ttp://www.iawriter.com/mac/

[6] ttp://www.literatureandlatte.com/scrivener.php

[1]

[2]

[3]

[4]

[5]

[6]

@@ Line 39: / Line 39: @@
 == Team ==
 === Editorial team ===
+[[File:Poster workflow.pdf|thumbnail]]
 Deciding on the editorial content (Content plan?) such as categories and structure, whether there is an editorial, glossary, index, illustrations, photographs, interviews, case studies, and essays. Chosing and enforcing the citation style guide, whether that be Chicago, Harvard, custom... (also known as Consistency). Making descisions on whether we want to commission texts and then providing contributing authors with the "style guide" to explain the style for writing footnotes and/or references. Working out permissions with licenses and finally English editing, Copyediting, proofing.
 Example style guide INC: [http://www.networkcultures.org/_uploads/SotQ_Reader_styleguide.pdf] (I believe it is from 2014, might be a bit outdated)
@@ Line 46: / Line 49: @@
 * Julia
 * Giulia
-* Stone
 ref. [http://www.halfletterpress.com/temporary-services/ http://www.halfletterpress.com/temporary-services/]
@@ Line 61: / Line 64: @@
 Working within the budget account for materials, printing, buying domain name (if necessary), and coordinating everything so it is going to be producable within cost and time. Consider things (where appropriate) like hosting, production plan, and timeline, considering the challenges of bringing together multiple sources. Consider questions of scale more than the singular article / item, and questions of production process which will be closely worked out with the design team.
 ==== Members ====
-* Margreet
+* [[User:Margreet|Margreet]]
 * Max
 * Kimmy
-==== References ====
+==== Markdown Workflow ====
+As the production team we suggest to adopt a markdown workflow. Here you can find a Markdown template with some metadata. [[File:markdowntemplate.zip]]
+Markdown is a product of internet culture <ref>http://networkcultures.org/blog/publication/from-print-to-ebooks-a-hybrid-publishing-toolkit-for-the-arts/</ref>. It uses ad-hoc formatting signs commonly used in e-mail and chat platforms, and further popularized on blogging platforms, to provide a standardized, human-readable, user-friendly and well-structured document format, suitable for long-term storage and as a basic source for conversions to contemporary and future document formats. While its formatting **syntax** is simple, it is also both strict and unambiguous enough to allow multiple writers and editors to work on a single document without unnecessary confusion. Another advantage of Markdown is that it can be written and edited in any software application capable of processing basic text: unlike the proprietary file formats of Microsoft Word or other word processors, Markdown can be opened using a simple text editor.
+Why do we recommend Markdown in particular? For certain publishing projects - for example, handbooks or books derived from wikis, it may be worth considering alternatives to Markdown, such as reStructuredText. There are, however, two reasons why we recommend Markdown as a practical tool for electronic and mixed-media publishing:
+. Excellent software support. There are many user-friendly, high quality applications for writing and editing documents in Markdown and for converting Markdown to other formats. While Markdown may be written and edited in any text editor, there are several user-friendly text editing applications that make it easier to edit and immediately view the results, such as Mou, MacDown, Texts, MarkdownPad, UberWriter and MdCharm.
+. The extended version MultiMarkdown provides all the necessary formatting and document syntax needed for text-oriented publishing in the arts and humanities, or the text component (complete with footnotes and bibliographical references) of an exhibition catalog.
+However, Markdown/MultiMarkdown is not a magical one-size-fits-all solution. It is particularly well suited for text-oriented documents, but quite limited for creating visually oriented documents, and not really of much use for interactive publishing formats.
+Markdown and similar formatting/markup languages are designed for workflows in which there is a clear separation between editorial work (involving writers, translators and editors) and publication design. For publications requiring extensive interaction between writers/editors and visual designers/artists from the very beginning of the authoring process, other tools and workflows are preferable.
+===== Word processing / editing applications for Markdown on Mac =====
+Freeware:
+* Mou with features such as live preview, sync scroll, auto save, auto pair, custom themes, CSS, HTML and PDF export, enhanced CJK support, and more. <ref>http://www.mouapp.com </ref>
+* MacDown, released under the MIT License and with a design and setup influenced by Mou. <ref>http://macdown.uranusjr.com/</ref>
+Paid:
+* Byword, a user-friendly, distraction-free text writing program with built-in MultiMarkdown support and export to HTML, RTF, PDF -nd Microsoft Word. The program runs on Mac, iPhone and iPad <ref>http://bywordapp.com</ref>
+* iAWriter, a program-similar to Byword. The program runs on Mac, iPhone and iPad. <ref>http://www.iawriter.com/mac/</ref>
+* Scrivener, a word processing application popular among professional writers, available for Mac OS X and Windows. Fully supports MultiMarkdown internally.<ref>http://www.literatureandlatte.com/scrivener.php</ref>
 Consider secondary stock and alternative means of sourcing
 Lithuenia - Riso?
@@ Line 80: / Line 109: @@
 * Claudia
 * Karina
+* Stone
 ==== References ====
 magazine , [http://www.halfletterpress.com/ halfletter press]
@@ Line 117: / Line 148: @@
 [https://www.mattermost.org/ Mattermost]
 [http://sdelements.github.io/lets-chat/ Lets Chat]
-== INDIVIDUAL WORKFLOWS ==
-=== DELPHINE (PUBLISHER) ===
-TEAM WORK:   online tools: Slack + Skype Team in different locations. Pro: ease of use - no more emails! all files in one place.
-talk to the (slack)bot Channels: alltexts, budget, design, general lithography (maybe we make a screen shot of this) Direct Messages
-TOOLS: slack, trello, indesign, skype, file sharing for big files dropbox
-IMAGE EDITING OFFLINE
-All editing of the books offline with black and white photocopy
-you can't fully design a photo book on a computer as the final output is print: narrative structure, image editing, use of papers, haptic qualities of a book. etc. has ot be done offline
-TEXT EDITING ONLINE
-copy-editing and proofing : google docs
-SKILLS: all steps of a book production: concepts, art direction, editing, production, printing ( choice of printer, paperss, binding etc),
-budget (printer's quote, budget estimate, fund raising), planning, distribution channels, etc.
-TO DO :  add screenshots
-=== JULIA ===
-Magic Marker + WALL = publishing + brain dyslexia
-Artist as a restaurant performance / Performance as a publication meaning: Publications need to have a purpose/ target group and some sort of critical content
-"ART BOOKS ARE POLLUTION" aka Vanity publishing
-magic marker, drawings, notes, material as performance props
-traditional printing techniques: lithography/screen printing/+ evil Adobe/ bit of [http://pzwart1.wdka.hro.nl/~kul/play_me/menu2.html Html and css]
-I believe that text is good for you ( I can write but I make a lot of spelling mistakes... as a unintentional political statement)
-+ I can make good fake copies of money and financial documents (PL)
-function of publication - vanity publishing (http://www.sfwa.org/other-resources/for-authors/writer-beware/vanity
-=== MAX ===
-Messy worker, no strict design methodology, "Pick up your instrument and practice"
-the musical method: iterative and
-jack of all trades master of none
-Software Knowledge :
-Audio editing and creative softwares, Adobe Suite, coding text editors (Sublime, Atom etc)
-Skills :
-Unix, HTML, CSS, Music, An intermediate knowledge of : Javascript, Java, Ruby, Bash, electronics and Git
-http://maxfranklin.net
-Things I find interesting :
-* http://meson.press
-* http://www.deeplab.net/
-* https://blockchainhub.net/
-* http://www.ampliativeart.org/en/
-=== KIMMY ===
-http://kimmyspreeuw.nl
-Graphic Designer & New Media Researcher (Open Source culture & Publishing)
-Coordinator of Hybrid Publishing Practices @ WdKA, [an in-house publisher of the WdKA, see (still in progressL)http://www.wdka.nl/research-and-publications/hybrid-publishing-practices/?lang=en]
-Adobe Suite, Markdown, a little HTML + CSS, super tiny bit of Pandoc + Git + Terminal
-Played around with [https://www.scribus.net Scribus], [https://www.gimp.org Gimp]
-Markdown (text) editor: [http://25.io/mou/]
-Used to design the music magazine Gonzo Circus that used a somewhat 'hybrid workflow' by writing texts in allocated fields which made it easy to attache styles. Images were shared via a server using CyberDuck.
-Familiar with the hybrid publishing workflow as developed in the Digital Publishing Toolkit.
-=== MARGREET ===
-Coordinator, Publishinglab, spin off of the Digital Publishing toolkit. I'm no coder / no designer.
-Background in Information Science. Production experience of actual printing publications.
-http://publishinglab.nl
-Follow us on Twitter https://twitter.com/PublishingLabNL, or Facebook https://www.facebook.com/PublishingLabNL/ :)
-Co-founder of Theory on demand  series at Institute of Network Cultures
-Workflow: Issue publicaitons at LULU (Print On Demand), PDF, ePub, HTML, and currently also working on audio output within the workflow.
-As Kimmy familiair with the Hybrid Publishing Workflow as developed in the Digital Publishing Toolkit.
-More information about various developed by the consortium to be found here:
-https://github.com/DigitalPublishingToolkit?tab=repositories
-http://networkcultures.org/digitalpublishing/aboutus/
-Publication from Print to Ebooks; a Hybrid Publication for the Arts
-http://networkcultures.org/blog/publication/from-print-to-ebooks-a-hybrid-publishing-toolkit-for-the-arts/
-How to for Hybrid Publishing
-http://www.publishinglab.nl/howto/?How-toHybridPublishing
-Skills:(a little bit of everything) Text mining, Data mining, Python, terminal, HTML, CSS, Markdown  and GIT.
-Text editors: Mou, Sublime, LaTex coder (academic) (LAFKON Christoph Haag working with LaTex, http://lafkon.net/)
-Tools: Filezilla, Cyberduck, Trello, Evernote
-Latex : https://wch.github.io/latexsheet/
-=== CLAUDIA ===
-www.clauditsme.cat (it is a bit old, and I don't relate anymore with some of those works)
-graphic design, coding, html, css, PHP, processing (love it! but need some more practice)
-design websites
-change code of an image to create glitches
-Making the medium obvious via a glitch, I love the fact that the result is a random image, even though some times it seems so perfect, that it seems that it has been created this way on porpouse
-website with some of my glitches, and also glitched gifs: https://clauditsme.wordpress.com/category/glitch/
-tools: github, skype, whatsapp, google hangouts, adobe, illustrator, facebook
-Brackets, Terminal, crafts, drawing
-'''TODO:''' what does a glitch workflow looks like? add illustration
-=== KARINA ===
-www.karinadukalska.com
-Staying ORGANIZED
-Spider diagrams (& mood boards) posted on a wall:
-* Social, cultural Historical aspects.
-* Riso, wax & ink, screen print... different outputs getting the same reults
-* asana? org tools project management tools for team https://asana.com/start - Freemium
-=== EMILY ===
-http://emily.buzzo.com/
-[https://en.wikipedia.org/wiki/Pomodoro_Technique Pomodoro Technique]
-Journalling software (paid) [http://dayoneapp.com/]
-for logging and organising research '' tags '' searchable '' exportable to different formats '' time stamps from photos to date entries and geo-data
-Flowstate for writing: Setting a timer or text is deletied
-http://www.hailoverman.com/flowstate
-"It frees the writer to turn on, tune in, and block out."
-day  indesign / graphics / typography / physical book binding.
-THE CURSE OF THE ENDLESS scrolling chat window
-Resisting SYNCHRONOUS, people expecting immediate response....
-FORCES YOU TO FOCUS
-=== GIULIA ===
-fundamental to collaborate with other people
-publishing = being aware of the relationships, limits, politics of this pragmatic practice.
-Media ecology : finiding methods to reach a point of mutual understandment between public/designer/economy/societyetc...
-Value of the experience: shaping what's normally a flat surface into something performative, that everyone can embrace  (importance of an ecology of re-singularization)
-(reference 1 : http://www.therodina.com/actiontosurface/index.html)
-Focus on the process,
-process as "product". (reference 2: https://conditionaldesign.org/manifesto/)
-Designing in an organic way.
-"We should restart experiencing stories"  (reference 3: https://www.brainpickings.org/2014/09/09/wisdom-in-the-age-of-information/)
-methods: participative processes of graphic design, performance, games, social design
-tools: adobe, traditional techniques of printing / painting / illustration, photography, video, animation (after effects)
-FOOD SCARCITY fanzine about food or the future, leftovers of the market. Wheat, Corn, and Rice. Google image chains.
-GAMES. RECIPES: Classical italian cooking that produces 5 times normal quantity
-=== PLEUN ===
-graphic (/web/information/...) designer
-... diverse workflows for many projects.
-I like to figure out what works with what tools for every project.
-Focus more on content and context: critical design.
-(History, politics, boundaries, laws, public/private space, ...)
-method like this pad --> sUperChaOTIC
-Adobe (InDesign, Illustrator, Photoshop, AE), Sublime,
-HTML, CSS, bit of JavaScript and Python
-terminal / openwrt / piratebox / github
-duck duck go, vjing (resolume / VPT 7), cartographic tools (QGIS)
-Screenprinting etc.
-A bit of:
-max.msp, pandoc
-Would love to build myself a penplotter one day.
-=== Noémie ===
-http://cargocollective.com/noemieVD
-MOOD BOARD (in my head)
-inspiration online, gatherring images for 2 weeks
-Taking time to collect the maximum informations I need.
-Going away from the subject itself to get back to him in a deeper way.
-Using different medium is a way to explore all the possibilities.
-RADIO!
-http://secousse.org
-http://radiooooo.com ( chose a country and a period and listen ! )
-Tools:
-Adobe
-Dreamweaver, javascript,
-final cut, argentique photography, video , pinterest, tumblrs
-NOTEBOOK
-"I always print, I never proof on the computer"
-Skills:
-Funny, talkative, not prone to panic.
-=== FRANC ===
-Graphic design, printing techniques, digital medias, books, magazines, editorial objects, posters, performances, rationality and none-sense, tidy and aesthetically messy,
-writing stories or self-awareness: storytelling (such as: http://franc-g.com/Hidden-Codes or http://franc-g.com/Paper-Moneda this one under construction)
-carefully sarcastic, social matters, gender, moral limits of any form of creative expression are interesting issues/aspects for me.
-Tools: Adobe Creative, image and video editing, did some steps in Blender by using Kinect sensor, Ultimaker 3D printer, interested in Cinema 4D and prototyping software,  sound visuals (like projectM-jack)
-Feeling the need of getting aesthetically chaotic, attracted by the interaction machine / man  http://lustlab.net/ or http://www.daito.ws/#4, maybe Max could help :)
-social networks
-www.franc-g.com (under construction)
-=== Stone ===
-Human panda. Working on different visual stuff. interested in non-topic topic. tools: camera, common video editing softwares, after effects, blender. still don't know what's going on now.. will edit later
-=== AYMERIC ===
-https://bleu255.com/~aymeric
-Design a workflow as part of the method.
-Identify topic, purpose, peers, audience and then design the workflow accordingly.
-worflows are a creative space in itself
-https://archive.bleu255.com/nakedonpluto/files/2010/08/dev-masterplan.jpg
-find a means of creating a specific workflow / tool for a particular task rather than relying on a "readymade" solution
-dive into programatic aspects. designing tool chains and workflow
-choice of tools is linked social and political standpoint
-problem of underestimating the way ready-made tools are 1. designed for read-made problems and 2. shape and influencel cultural production
-therefore the need to consider carefuly the tools you work with + choice of tools social and political standpoint consider carefully the tools you work with
-recurent: GIt, version control tools, allows for collaboration,  cf class with Andre
-michael and aymeric started a git, and using <!--comments-->
-licencing ? no one has mentioned it.
-moving from copyright licensing to more open form
-important in the process to make things public
-wrote his own pomodorui, pattern ot make his own softaware
-what kind of tools we will be using, the tools are shapping your work, if you are aware of it or not
-tools create contexts.
-=== MICHAEL ===
-TOOLS, risk that becomes all at the ame level. different solutions
-git and github are different, githib is a comeercial format based on Git
-becoems more aware
-ex of slack, tracing back the history
-issues of free API
-ref https://api.slack.com/ app integration
-interesting to work with API, but plan B when the API changes, the API alignes  with the Organisation
-There is no singular solutions
-an API is a way to interface with their server. attemp to grow a system of 3rd party tools.
-custom where you are alllowed to access under certain circumstances the software, but this is often temporary, so you loose your software
-who used booksprint? (Adam Hyde) http://www.booksprints.net/
-(or similar methodology)
-Aymeric
-michael
- floss
-Booksprint
-csoftware community, tools that lacks documentation, booksprint , very structured,  done localy, produce a manual
-Media sprint Marshall Mc Luhan http://hybridpublishing.org/2014/12/mcluhan-media-sprint/
-Exquisite Code
 == TIMELINE ==
 * DL MONDAY 19.09
@@ Line 318: / Line 156: @@
 A collection of our Etherpad notes per team! Everything is nicer in pad paradise :)
-=== Production Pad ===
 https://pad.pzimediadesign.nl/p/production1
 https://pad.pzimediadesign.nl/p/Meeting_Special_Issue_16.09_Xpub
+https://pad.pzimediadesign.nl/p/_2016.09.27
+https://pad.pzimediadesign.nl/p/Meeting_Special_Issue_25.10_Xpub
+https://pad.pzimediadesign.nl/p/distribution_28-10-16
+https://pad.pzimediadesign.nl/p/specialissue-2016-11-01
+OOPS PAD PROBLEMS PERSIST ... SEE: https://pad.bleu255.com/p/specialissue-2016-11-01
+https://pad.pzimediadesign.nl/p/xpub-special-issue-2016-11-07
+https://pad.pzimediadesign.nl/p/xpub-special-issue-2016-11-29
+''RULES IN PROGRESS''
+https://pad.pzimediadesign.nl/p/game_rules
+https://pad.pzimediadesign.nl/p/xpub-special-issue-planning
+== Presentation of the 31 0CT 2016 ==
+[[File:presentation 310CT.pdf]]
+== References ==
+{{Reflist}}