Sorceries of Zos by Austin O Spare: Difference between revisions
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witches : The characteristic that distinguished them from the others of their kind was the ability to project consciousness into animal forms, and the power they possessed of reifying thought-forms. The bestiaries of all the races of the earth are littered with the results of their sorceries." | |||
Cult of the _______ | Cult of the _______ | ||
Our Sacred Book : The Book of Pleasure. | Our Sacred Book : The Book of Pleasure. | ||
Our Path : The eclectic path between ecstasies; the precarious | Our Path : The eclectic path between ecstasies; the precarious funambulatory way. | ||
Our Deity : The All-Prevailing Woman. | Our Deity : The All-Prevailing Woman. | ||
And I strayed with her, into the path direct | |||
Our Creed : The Living Flesh. (Zos): | Our Creed : The Living Flesh. (Zos): | ||
Again I say : This is your great moment of | |||
reality- the living flesh' | reality- the living flesh' | ||
Our Sacrament : The Sacred Inbetweenness Concepts. | Our Sacrament : The Sacred Inbetweenness Concepts. | ||
Our Word : Does Not Matter-Need Not Be. | Our Word : Does Not Matter-Need Not Be. | ||
Our Eternal Abode : The mystic state of Neither-Neither. | Our Eternal Abode : The mystic state of Neither-Neither. | ||
The Atomospheric 'I'. (Kia). | The Atomospheric 'I'. (Kia). Cosmic energy | ||
Our Law : To Trespass all Laws. | Our Law : To Trespass all Laws. | ||
"One of the foremost magicians of our time- Salvador Dali- developed a system of magical reification at about the same time that Crowley and Spare were elaborating their doctrines. Dali's system of 'paranoiac-critical activity' evokes echoes of resurgent atavisms that are reflected into the concrete world of images..." | |||
"Dali's objects are reflected in the '''fluid and ever-shifting luminosity of the Astral Light'''. They resolve themselves and melt continually into the 'next step',19 the next phase of consciousness expanding into the further image of Becoming." | |||
"Spare had already succeeded in isolating and concentrating desire in a symbol which became sentient and therefore potentially creative through the lightnings of the magnetized will. Dali, it seems, has taken the process a step further. His formula of 'paranoiac-critical activity' is a development of the primal (African) concept of the fetish, and it is instructive to compare Spare's theory of 'visualized sensation' with Dali's definition of painting as ''''hand don colour photography of concret irrationality'.''' Sensation is essentially irrational, and its delineation in graphic form ('hand done colour photography') is identical with Spare's method of ''''visualized sensation'."''' | |||
Sentient Shadows: multiple forms of the _______ as sentient shadows endowed with all the charms possessed by ITS human representative. | |||
'sentient symbols' | |||
"Dali refers to such '''magically charged fetish-forms''' as 'accommodations of desire' which are '''visualized as shadowy voids, black emptinesses, each having the shape of the ghostly object which inhabits its latency,''' and which IS only by virtue of the fact that it is NOT. Desire, Energized Will, and '''Obsession,''' are the keys to unlimited manifestation, for all form and all power is latent in the Void, and its god-form is the Death Posture." | |||
"The subsequent persecutions apparently obliterated all outer manifestations both of the genuine cult and its debased counterfeits. | |||
The principal symbols of the original cult have survived the passage of aeon- long cycles of time. They all suggest the Backward Way:31 The Sabbath sacred to Sevekh or Sebt, the number Seven, the Moon, the Cat, Jackal, Hyaena, Pig, Black Snake, and other animals considered unclean by later traditions; the Widdershins and Back-to-Back dance, the Anal Kiss, the number Thirteen, the Witch mounted on the besom handle, the Bat, and other forms of webbed or winged nocturnal creature; the Batrachia generally, of which the Toad, Frog, or Hekt32 was preeminent. These and similar symbols originally typified the Draconian Tradition which was degraded by the pseudo witch-cults during centuries of Christian persecution. The Mysteries were profaned and the sacred rites were condemned as anti-Christian. The Cult thus became the repository of inverted and perverted religious rites and symbols having no inner meaning; mere affirmations of the witches' total commitment to anti-Christian doctrine whereas- originally- they were living emblems, sentient symbols, of ante- Christian faith." |
Latest revision as of 16:11, 26 March 2015
witches : The characteristic that distinguished them from the others of their kind was the ability to project consciousness into animal forms, and the power they possessed of reifying thought-forms. The bestiaries of all the races of the earth are littered with the results of their sorceries."
Cult of the _______
Our Sacred Book : The Book of Pleasure. Our Path : The eclectic path between ecstasies; the precarious funambulatory way.
Our Deity : The All-Prevailing Woman.
And I strayed with her, into the path direct
Our Creed : The Living Flesh. (Zos):
Again I say : This is your great moment of reality- the living flesh'
Our Sacrament : The Sacred Inbetweenness Concepts.
Our Word : Does Not Matter-Need Not Be.
Our Eternal Abode : The mystic state of Neither-Neither.
The Atomospheric 'I'. (Kia). Cosmic energy
Our Law : To Trespass all Laws.
"One of the foremost magicians of our time- Salvador Dali- developed a system of magical reification at about the same time that Crowley and Spare were elaborating their doctrines. Dali's system of 'paranoiac-critical activity' evokes echoes of resurgent atavisms that are reflected into the concrete world of images..."
"Dali's objects are reflected in the fluid and ever-shifting luminosity of the Astral Light. They resolve themselves and melt continually into the 'next step',19 the next phase of consciousness expanding into the further image of Becoming."
"Spare had already succeeded in isolating and concentrating desire in a symbol which became sentient and therefore potentially creative through the lightnings of the magnetized will. Dali, it seems, has taken the process a step further. His formula of 'paranoiac-critical activity' is a development of the primal (African) concept of the fetish, and it is instructive to compare Spare's theory of 'visualized sensation' with Dali's definition of painting as 'hand don colour photography of concret irrationality'. Sensation is essentially irrational, and its delineation in graphic form ('hand done colour photography') is identical with Spare's method of 'visualized sensation'."
Sentient Shadows: multiple forms of the _______ as sentient shadows endowed with all the charms possessed by ITS human representative.
'sentient symbols'
"Dali refers to such magically charged fetish-forms as 'accommodations of desire' which are visualized as shadowy voids, black emptinesses, each having the shape of the ghostly object which inhabits its latency, and which IS only by virtue of the fact that it is NOT. Desire, Energized Will, and Obsession, are the keys to unlimited manifestation, for all form and all power is latent in the Void, and its god-form is the Death Posture."
"The subsequent persecutions apparently obliterated all outer manifestations both of the genuine cult and its debased counterfeits.
The principal symbols of the original cult have survived the passage of aeon- long cycles of time. They all suggest the Backward Way:31 The Sabbath sacred to Sevekh or Sebt, the number Seven, the Moon, the Cat, Jackal, Hyaena, Pig, Black Snake, and other animals considered unclean by later traditions; the Widdershins and Back-to-Back dance, the Anal Kiss, the number Thirteen, the Witch mounted on the besom handle, the Bat, and other forms of webbed or winged nocturnal creature; the Batrachia generally, of which the Toad, Frog, or Hekt32 was preeminent. These and similar symbols originally typified the Draconian Tradition which was degraded by the pseudo witch-cults during centuries of Christian persecution. The Mysteries were profaned and the sacred rites were condemned as anti-Christian. The Cult thus became the repository of inverted and perverted religious rites and symbols having no inner meaning; mere affirmations of the witches' total commitment to anti-Christian doctrine whereas- originally- they were living emblems, sentient symbols, of ante- Christian faith."