User:Mihail Bakalov/Trimester 4/GraduateResearchSeminar/ThesisOutline: Difference between revisions
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'''<big>THESIS OUTLINE</big>''' | |||
'''INTRO''' | |||
We
are
in
the
high
tide
of
participation
on
networks:
Facebook,
MySpace
and
| |||
other
social
networks
which are
based
on
profiling,
commercializing
and
| |||
monitoring
dynamics
of
information, I would take these platform as a field of my research. | |||
My thesis will be practice based and will overlap with my graduation project. | My thesis will be practice based and will overlap with my graduation project. | ||
It will concentrate on the construction of on-line identity by external factors inside social media platforms. My research will assess and explore the theme of my grad project - what kind a of a personalized world does the online social platform create. Also I want to explore what kind of hidden elements are functioning behind the the social media's | It will concentrate on the construction of on-line identity by external factors inside social media platforms. My research will assess and explore the theme of my grad project - what kind a of a personalized world does the online social platform create. Also I want to explore what kind of hidden elements are functioning behind the the social media's interface. | ||
What kind of a projection of the real world are these platform generating/presenting. | What kind of a projection of the real world are these platform generating/presenting. | ||
It will feature some of my previous projects related to these topics. | It will feature some of my previous projects related to these topics. | ||
'''CHAPTER METHOD''' | |||
The following chapter will elaborate on my methodology and its development | |||
before and throughout the course and support it with case studies of previous | before and throughout the course and support it with case studies of previous | ||
projects, with a focus on my graduation research and project. | projects, with a focus on my graduation research and project. | ||
My approach towards the networked project for the past two years has being analyzing, collecting and reusing the collected material trough a personal way of processing/deforming it. Focusing on what a person can trigger in an environment with his doings, making observations of the changing structure of the field. As the building process of my current project will have the same methodology. I will also give examples of this process with a few previous projects which coincide with the same methodology of working. | My approach towards the networked project for the past two years has being analyzing, collecting and reusing the collected material trough a personal way of processing/deforming it. Focusing on what a person can trigger in an environment with his doings, making observations of the changing structure of the field. As the building process of my current project will have the same methodology. I will also give examples of this process with a few previous projects which coincide with the same methodology of working. | ||
This chapter will follow with my relating previous works | |||
'''CHAPTER IDENTITY''' | |||
I am interested in Facebook because it has the most various profiles of users that fit into different categories such as – commercial, leisure and self-promotion oriented. When I look at my profile it shifts from being an artist to entrepreneur and image editor, but probably there are even more tag categories which can be applied to it. I
experienced
in
every
school
and
employee
position
that
most
people
are
trying
to
force
you
into
a
role.
This
identity
or
profile
can
be used
as
a
communication
tool
to
fit
expectations.
Identity
is
not
a
fact,
it
is
a
dynamic
image
caught
in
the
moment,
frozen
in
time. For me it is interesting to look at what kind of identity I have established in front of the algorithms on Facebook. What kind of an aspect of me they have chosen as my main characters. | |||
'''CHAPTER DESIGN OF THE PLATFORM''' /behind the interface/ | |||
In this chapter I will delve into the writings of Geert Lovink and Eli Pariser. Will focus mainly on the idea of personalization of the internet. Researching how the personification where users have to cope with a web history they are doomed to repeat. | |||
As Facebook is becoming a giant source of information for big quantity of people, I would like to explore the Edgerank algorithm which determines the newsfeed for users. By examining it I will go deeper into the paradox at the core of the race for relevancy. | |||
'''BIBLIOGRAPHY''' | |||
Geert Lovink – Networks without a cause | |||
The Filter Bubble - Eli Pariser - What the Internet Is Hiding from You (2011) | |||
Connected - Nicholas Christakis & James Fowler | |||
Netdrama - Jennifer Hall (1991) | |||
Oulipo - Raymond Queneau & Jean Lescure | |||
Infinite respoducability – Jos Demul |
Latest revision as of 11:58, 21 January 2015
THESIS OUTLINE
INTRO
We are in the high tide of participation on networks: Facebook, MySpace and other social networks which are based on profiling, commercializing and monitoring dynamics of information, I would take these platform as a field of my research. My thesis will be practice based and will overlap with my graduation project. It will concentrate on the construction of on-line identity by external factors inside social media platforms. My research will assess and explore the theme of my grad project - what kind a of a personalized world does the online social platform create. Also I want to explore what kind of hidden elements are functioning behind the the social media's interface. What kind of a projection of the real world are these platform generating/presenting. It will feature some of my previous projects related to these topics.
CHAPTER METHOD
The following chapter will elaborate on my methodology and its development before and throughout the course and support it with case studies of previous projects, with a focus on my graduation research and project.
My approach towards the networked project for the past two years has being analyzing, collecting and reusing the collected material trough a personal way of processing/deforming it. Focusing on what a person can trigger in an environment with his doings, making observations of the changing structure of the field. As the building process of my current project will have the same methodology. I will also give examples of this process with a few previous projects which coincide with the same methodology of working.
This chapter will follow with my relating previous works
CHAPTER IDENTITY
I am interested in Facebook because it has the most various profiles of users that fit into different categories such as – commercial, leisure and self-promotion oriented. When I look at my profile it shifts from being an artist to entrepreneur and image editor, but probably there are even more tag categories which can be applied to it. I experienced in every school and employee position that most people are trying to force you into a role. This identity or profile can be used as a communication tool to fit expectations. Identity is not a fact, it is a dynamic image caught in the moment, frozen in time. For me it is interesting to look at what kind of identity I have established in front of the algorithms on Facebook. What kind of an aspect of me they have chosen as my main characters.
CHAPTER DESIGN OF THE PLATFORM /behind the interface/
In this chapter I will delve into the writings of Geert Lovink and Eli Pariser. Will focus mainly on the idea of personalization of the internet. Researching how the personification where users have to cope with a web history they are doomed to repeat. As Facebook is becoming a giant source of information for big quantity of people, I would like to explore the Edgerank algorithm which determines the newsfeed for users. By examining it I will go deeper into the paradox at the core of the race for relevancy.
BIBLIOGRAPHY
Geert Lovink – Networks without a cause
The Filter Bubble - Eli Pariser - What the Internet Is Hiding from You (2011)
Connected - Nicholas Christakis & James Fowler
Netdrama - Jennifer Hall (1991)
Oulipo - Raymond Queneau & Jean Lescure
Infinite respoducability – Jos Demul