Notes 18 September: Difference between revisions
(Created page with " - Archive starts in greece - centre of power, public records etc. ontological sense - here it began here it takes its power from - Archive prefer to be seen in the analog, ...") |
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-Archive 3.0: the animated archive | -Archive 3.0: the animated archive | ||
(Michael Shanks (2008), Archive and Memory in Virtual Worlds | (Michael Shanks (2008), Archive and Memory in Virtual Worlds | ||
Movie clip: "A discussion in the convergence of new media and archeology with Metamedia" (Michael Shanks) | |||
- Giving evidence deepens the illusion of attention (?), as in describing a room. Giving labels to reality, making evidences of being present. | |||
- Rebelliousness, cleverness and politics as the deciders of what will be documented and what will be gone | |||
Reading the texts for monday 22 september, Foucault & Derrida: | |||
- Highlight specific ideas in the text, prepare text to open discussion in class. Readers should work in groups of 3 and agree on the points of the texts. |
Latest revision as of 11:22, 18 September 2014
- Archive starts in greece - centre of power, public records etc.
ontological sense - here it began here it takes its power from
- Archive prefer to be seen in the analog, as a voyeuristic pleasure. A sense of 'authenticity'.
- Media Archive as ubiquitous, but more vulnerable due to a weaker institution; stronger due to
less physical storage, less vulnerable material used.
- The strength of an archive is the identity attached to those who use their information.
- Where does the urge of saving everything come from?
- The web has begun to blur the difference between the database and the archive
What does the archive consist of? What are its parts?
- How do you archive them - What does it take to archive them? - Preservation? - Conservation? - Who does the archive belong to?
Course question: In what way can we influence the archive?
Archivisation produces as much as it records the event.
- The amount of real-time information of the web archive makes its content dominant to
interpretation
Zeitgeist as truth being relative
Opensource archives
- The issue of how to search/select specific information among large amounts of similar
information
Linear phase-list of the media archive -Archive 1.0: buerucracy in the early state -Archive 2.0: mechanization and digitization of archival databases -Archive 3.0: the animated archive (Michael Shanks (2008), Archive and Memory in Virtual Worlds
Movie clip: "A discussion in the convergence of new media and archeology with Metamedia" (Michael Shanks) - Giving evidence deepens the illusion of attention (?), as in describing a room. Giving labels to reality, making evidences of being present. - Rebelliousness, cleverness and politics as the deciders of what will be documented and what will be gone
Reading the texts for monday 22 september, Foucault & Derrida:
- Highlight specific ideas in the text, prepare text to open discussion in class. Readers should work in groups of 3 and agree on the points of the texts.