User:Luisa Moura/research/references/Luisa Moura, surveillance, 2014: Difference between revisions

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Graham also incorporated video into installations, creating environments where video technology is used to alter the viewer's own bodily experience. One example is the 1974 installation/performance Present Continuous Past(s), Graham began to use two-way mirror walls in relation to real reflections and time-delayed video projections. Also in 1974, he created an installation with a series of videos called "Time Delay Room", which used time-delayed Closed-circuit television cameras and video projections (...)
Graham also incorporated video into installations, creating environments where video technology is used to alter the viewer's own bodily experience. One example is the 1974 installation/performance Present Continuous Past(s), Graham began to use two-way mirror walls in relation to real reflections and time-delayed video projections. Also in 1974, he created an installation with a series of videos called "Time Delay Room", which used time-delayed Closed-circuit television cameras and video projections (...)


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Magritte, La reproduction Interdite, 1937

Latest revision as of 23:31, 10 June 2014

LMoura dan graham (1).jpg LMoura dan graham (3).jpg

wikipedia: Dan Graham

(...) Like these artists, Graham considered himself a writer-artist, publishing essays and reviews on rock music, Dwight D. Eisenhower's paintings, and Dean Martin's television show. His earliest work dealt with the magazine page, predating but often associated with Conceptual art. His work often focuses on cultural phenomena, and incorporates photography, video, performance art, glass and mirror structures. He lives and works in New York (...)

Graham also incorporated video into installations, creating environments where video technology is used to alter the viewer's own bodily experience. One example is the 1974 installation/performance Present Continuous Past(s), Graham began to use two-way mirror walls in relation to real reflections and time-delayed video projections. Also in 1974, he created an installation with a series of videos called "Time Delay Room", which used time-delayed Closed-circuit television cameras and video projections (...)

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Magritte, La reproduction Interdite, 1937