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| [[Category: Trimester Projects]] | | [[Category: Trimester Projects]] |
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| What
| | [[User:Reading_and_Writing|Reading and Writing]] |
| #1
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| An installation that consists out several televisions that are scattered on the floor of a room. On every television you see the same representation with small variations when you look a little longer you see that there is also the slightest movement to be seen. You see the back of the head of a black haired girl. Sometimes the images on the televisions jam and that's when there's a change in image showing, on some televisions the girl turns around.
| | [[Prototyping NME]] |
| The televisions either cast out a high pitched noise or white noise the sounds merge and fill the room.
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| #2
| | [[/Lens Based media]] |
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| 2 big screens besides each other black for a period of time untill on one side a movie starts playing joined by a high pitched sort of melody. You vaguely can make out a woman's body. She moves fluently on the sound. The screen turns black.
| | [[User:Elleke Hageman/Trimester1/Thematic | Thematic]] |
| Now there's a sound that's almost electrical there's a movie showing on the other screen. There's the same woman's body but the way she moves is not the same there's a lot of distortion in the images they twitch and stop and continue sometimes corresponding to the sound sometimes not. After a while the movie fades to black and both screens are dark.
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| #3
| | [[User:Elleke Hageman/Trimester1/SDR | Self Directive Research]] |
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| An industrial room, when you enter there's a long table standing on the right with three televisions on them and three chairs before them. Attached to the tv's are headphones. On the screens you see the same man in different settings. If you put on the headphones you can hear him talking about his life and interests.
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| On the opposite wall from the door we see a big screen on which close ups are being shown of the same man also the music filling the room comes from this big screen. We also see some large pictures of the mans home and of himself.
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