User:Yoana Buzova/assessment self-directed2

Street compositions

Description

This project is about encoding and decoding, in other words, defining the transformation of symbols from one set of symbols to another one. I use the evening streets as an input.The time when daylight fades and people are back home, windows start lighting up. I record the buildings along a taken street and use the lit windows on different floors to create a code for a music box punch card. The punch card is decoded by the box into a tune. The outcome is a rhythmic soundscape of the street. The sound is a reflection of a self-organized pattern of urban activity. Its variation and complexity depends on scale and liveliness of the environment. The result (up to now) is a custom made music box, amplified with a piezo pickup + speakers and street view punch cards.

A reason to create a physical object is the transient nature of the information transmitted. The situations that exist at that very moment and are now materialised into paper and continue to exist as code. Transforming scale is curious when using a small, simple device, such as a music box as a decoder. A street fits in a box, in a hand.

Background

The role of entropy, a measure of unpredictability or information content. Measured in bit, the measure of surprise. On or Off, Yes or No, Light or Dark. The unpredictability if urban code.

My project was triggered by my media object writings and thoughts. Initially, I wanted to look at signal in terms of the way we receive information. Any form of information is signal. How can we transform, simplify, reduce or decompose information we communicate every day, into essentials of form, color. Simple visual code. Something we see as a dynamic abstraction, but actually a carrier of the same signal in a different form. The self-organised pattern that is behind the information.This derives from my interest in abstraction and the signals it communicates. I take as a reference point the research and work of Oscar Fischinger, Whitney brothers, Norman McLaren, Hans Richter( Rhythmus 21,23,25), . Experiments on graphical sound, early soviet inventions, work of Daphne Oram, and presently Derek Holzer. Hans Richter talks about the shape of feelings, a notion that relates to Suzanne Langer’s idea that artistic forms have the virtual shape of emotions. Signal, information -- shapes.

Oskar Fischinger's idea, that "everything in the world has a spirit that can be released through its sound." Later inspired John Cage to begin exploring the sounds produced by hitting various non-musical objects, though not sharing the idea of spirituality.

The street is an enormous source of information. I simply wanted to create sound from light and found a simple generative way that happens every evening in cities.

Development / Process

I spend a lot of time in trains recently, especially in the evening. The train tracks go trough cities and close to buildings. i was curios to listen to the sound of streets we passed by.

sketching in photos

sketching on paper, trying to figure a way to create my punch cards

I discovered the voyeurism element in having large scale panoramas

in progress

• Technical part - up to now I have made the decoding device, consisting of the music box and speakers. I still have to work on the amplifier of the speakers, make a preamplifier for the piezo signal. Now there is some noise.I have to put better speakers...
• Content - collect more soundscapes. Make recordings of the compositions. Decide whether images of the streetviews should be present in any way.
• audience - How to be exhibited. Materiality and intimacy of the object suggest a physical experience. Think of a making a multibox installation, multilayered sound in a space.