User:Nicole Hametner/Reading, Writing & Research Methodologies 2013-04: Difference between revisions
No edit summary |
No edit summary |
||
(2 intermediate revisions by the same user not shown) | |||
Line 1: | Line 1: | ||
Paul Virilio, L’art à perte de vue<br> | |||
Junichiro Tanizaki, In praise of shadows<br> | |||
Sigmund Freud, Civilization and its discontents<br> | |||
Gilles Deleuze, Cinema 2 | Gilles Deleuze, Cinema 2<br> | ||
Henri Bergson, Matter and memory | Henri Bergson, Matter and memory<br> | ||
Philosophy of mind, Body and mind problem | Philosophy of mind, Body and mind problem<br> | ||
Jean-François Lyotard, Les immatériaux | Jean-François Lyotard, Les immatériaux<br> | ||
Jean-Paul Sartre, Being and nothingness | Jean-Paul Sartre, Being and nothingness<br> | ||
Phenomenology | Phenomenology<br> | ||
Jonathan Crary, Techniques of the observer<br> | |||
John E.Mc Grath, The staging of the spectator<br> | |||
The theme of the gaze in theory of cinema<br> | |||
Laury Mulvey, Death 24 times a second<br> | |||
Mary Ann Doane, The emergency of cinematic time<br> | |||
Kaja Silverman, The threshold of the visible world<br> | |||
Michael Fried, Art and objecthood | Vilém Flusser, Philosophy of photography<br> | ||
Marc Rothko, Black Paintings | Rosalind Krauss, Le photographique<br> | ||
Philippe Dubois, L’acte photographique<br> | |||
Roland Barthes, La chambre claire<br> | |||
Walter Benjamin, The work of art in the age of mechanical reproduction <br> | |||
New Media Art, Videoart, Videoinstallation<br> | |||
Persistence of vision and adaption of the eye<br> | |||
Maurizio Lazzarato, Videophilosophy<br> | |||
Michael Fried, Art and objecthood<br> | |||
Marc Rothko, Black Paintings<br> |
Latest revision as of 12:57, 1 April 2013
Paul Virilio, L’art à perte de vue
Junichiro Tanizaki, In praise of shadows
Sigmund Freud, Civilization and its discontents
Gilles Deleuze, Cinema 2
Henri Bergson, Matter and memory
Philosophy of mind, Body and mind problem
Jean-François Lyotard, Les immatériaux
Jean-Paul Sartre, Being and nothingness
Phenomenology
Jonathan Crary, Techniques of the observer
John E.Mc Grath, The staging of the spectator
The theme of the gaze in theory of cinema
Laury Mulvey, Death 24 times a second
Mary Ann Doane, The emergency of cinematic time
Kaja Silverman, The threshold of the visible world
Vilém Flusser, Philosophy of photography
Rosalind Krauss, Le photographique
Philippe Dubois, L’acte photographique
Roland Barthes, La chambre claire
Walter Benjamin, The work of art in the age of mechanical reproduction
New Media Art, Videoart, Videoinstallation
Persistence of vision and adaption of the eye
Maurizio Lazzarato, Videophilosophy
Michael Fried, Art and objecthood
Marc Rothko, Black Paintings