User:Yoana Buzova/work: Difference between revisions
Yoana Buzova (talk | contribs) No edit summary |
Yoana Buzova (talk | contribs) |
||
| (2 intermediate revisions by the same user not shown) | |||
| Line 1: | Line 1: | ||
== | ==Signalscapes== | ||
=tags= | |||
abstract video / generative / immersive / | |||
abstract video / generative / immersive | |||
installation / space / | installation / space / | ||
graphical sound / | graphical sound / | ||
synesthesia / sensual stimulation / | synesthesia / sensual stimulation / | ||
indeterminacy (image, sound) / | indeterminacy (image, sound) / | ||
=ideas + references= | =ideas + references= | ||
Latest revision as of 09:00, 15 March 2013
Signalscapes
tags
abstract video / generative / immersive / installation / space / graphical sound / synesthesia / sensual stimulation / indeterminacy (image, sound) /
ideas + references
exploring simple shapes and patterns/ generative transformation of image into sound generating sound from light by an optoelectronic sensor
cooperation of the senseshttp://www.youtube.com/embed/7FMFk03L_UE
After disassembling a scanner i got a small dc motor with an optoelectronic sensor. Later Andre gave me a nice reference http://macumbista.net/ (Derek Holzer)
This got me back to a fascination for Daphne Oram's sound explorations. The Oramics Machine (1957).
And earlier Evgeny Sholpo's Variophone (1930)
A unity between abstract video and electronic sound / sound and image without any recording equipment
Norman McLaren (drawing onto the optical soundtrack of film)
Oscar Fischinger
Whitney brothers
carsten nicolai - unisplay
vasulkas