User:Zuhui/Weekly notes

***RADIO WORM***

Week 0, 1609

• Field recording

Week 1, 2309

Last week before the show, the team of week1 asked us to upload songs that are related to our memories on the wiki page, and they mixed them together with audio from the field recordings/memories during the show. Fred briefly showed us how he worked with Ableton.

• The hosts listened to all the recordings to become familiar with them and already had some ideas for possible pairings.
  
• From what I saw on Sevgi's wiki page, it seems like she also assigned keywords to each song for a better flow during the radio performance.
  
• Used a MIDI controller with labelled pads as a trigger. MIC were off most of the time.
  
• About 20mins break? (wyn's mix was nice, very fitting)

Web Audio API

Using the Web Audio API

Your use case will determine what tools you use to implement audio. If you want to control playback of an audio track, the <audio> media element provides a better, quicker solution than the Web Audio API. If you want to carry out more complex audio processing, as well as playback, the Web Audio API provides much more power and control.
A powerful feature of the Web Audio API is that it does not have a strict "sound call limitation". For example, there is no ceiling of 32 or 64 sound calls at one time. Some processors may be capable of playing more than 1,000 simultaneous sounds without stuttering.

See also 
 Tri-Phonic Turntable 
 Recreating the sounds of the BBC Radiophonic Workshop using the Web Audio API
 Violent Theremin 
 Voice change-O-matic live

Tri-Phonic Turntable reminded me of previous works of Christian Marclay.

little help?

Week 2, 3009

radio performance

• Sound of Rotterdam featured field recordings, interviews, etc
• Used WORM's CDJ equipment
• A microphone was used to read aloud live chat messages about the Rotterdam experience.
• There was sound overlapping; Melisa created smooth transitions between sounds using Audacity.
• From a production perspective, it was tricky to control the volume levels and the pitch of each audio file.

after lunch
Eleni and Kim’s web audio interface on cereal box was impressive! Michael demonstrated how to create our own customized search HTML linked to archive.org.

Internet Archive

Internet archive is a non-profit library that was founded to bring all of human knowledge online and make it accessible for free to everyone. The internet archive was founded in 1996 and our original mission was to archive the internet.

Search Guide

Week 3, 0710

radio performance
week 3 team work log👏

• Main theme was 'water'
• Used Touch Designer(inspired by soundboards)
• Decision not to talk on the show, rather used "weird" narrator in text to speech, different voices and accents (I liked it)
• Many "PSA" materials (public service announcements)... again from archive.org

On the conceptual side of the show, it was interesting and quite enjoyable to experience the auditory immersion of two contrasting elements from the radio performance: the natural sound of water, with organic flow and rhythm (almost a bodily experience to listen to), and the questioning and answering around the concepts of ‘being experimental’ and ‘protocols’, which embody control, rules, and systematic procedures. Made a mental note to read the text Wyn introduced to me a couple of weeks ago <Half Sound, Half Philosophy by Jing Wang>, which I believe was the inspiration behind the performance's concept.

after lunch Discussion about https://pzwiki.wdka.nl/mediadesign/Generous_Practices
Original text Generous Practices, an essey by Femke Snelting

Important questions (to answer over time)

Questions and Answers

Week 4, 1410

Radio debrief
-Tried to jam with vcv rack but it was hard
-Distributed role on vcv rack/ keyboard, drum - keyboard input -
-5mins of commentary session at the end, which was actually quite nice.
-it was very nice to have a jitsi visual this time (it also could be shared with other radio Worm listeners who are non-zero)
-not enough aux cable for every computer :/

Reading and re-enacting the interview from Femke Snelting's essay was really nice. It added depth to the show, giving the listeners a context and material to complement the auditory experience.

Afternoon
Steve Reich's Clapping Music

Week 5, 2110

Week 5 Radio board

Afternoon
Materials

Week 8, 1111

Week 8 Radio board
afternoon for a SI25 public moment program meeting(Lost in Narrative) + general meeting

Week 10, 2511

Radio debrief
CD! Week 10 Radio


reference:
Cyberhotels & Other Tales of Forgotten Virtual Worlds, Kendal Beynon
↑Virtual Garden

Afternoon