User:Kiara/Personal Reader: Difference between revisions

Latest revision as of 10:49, 11 April 2025

Resources from the classes

Methods Sessions

SI25 - Protocols for Collective Performance

All Problems of Notation Will be Solved by the Masses: Free Open Form Performance, Free/Libre Open Source Software, and Distributive Practice, Simon Yuill, 2008 (11/09/2024)
The Tyranny of Structurelessness, Jo Freeman, 1970-72 (09/10/2024)
The Tyranny of Tyranny, Cathy Levine, 1979 (16/10/2024)
Mainframe Experimentalism, Hannah B. Higgins & Douglas Kahn, 2012 (21/10/2024)
Die Maschine, Georges Perec, 1972 (21/10/2024)
The Truth of Fact, the Truth of Feeling, Ted Chiang, 2013 (05/11/2024)

SI26 - Declarations

Tactical Design, Nolwenn Maudet, 2022 (15/01/2025)

Handmade Web, J.R. Carpenter, 2015 (05/02/2025)

Indie Web | Nostalgia

Summary: This talk/text is Carpenter's spell upon the webuser/webmakers to EVOKE HANDMADE WEB. She casts this spell by redefining web as a medium from her own experience and perspective.; She explains web as a medium has unique properties of archiving, publishing and customization. Drifting through years of changes of web, the design and handmade properties keep getting lost in earlier versions. This is her suggestion for calling them back. She doesn't necessarily draw a strict line, but instead she makes us remember there was a way, and it is still out there for us to use. Opposite to Jo Freeman stating "this is the only way" she offers options to raise awareness rather than imposing her own way of thinking.; She criticizes social web platforms or web-builders as a de-personalized version of previously colourful ("bright, rich, personal, slow and under construction") nature of the web.; She creates a cookbook of body-presence breathed back into web design. She mentions appropriation and the links between physical and virtual (body, print) which are also topics addressed by (cyber)witches projects, which is why we use the word "spell" to refer to this text. It also has a magical structure → "I evoke the term 'handmade web' in order to..." as if she's calling an entity or a spirit of the web.
Importance: The text is tied to hand-coding websites. It takes a stance against delegation as a form of automation and AI, without even mentioning the topics. It is a good reference for everything tied to small web, indie web and the growing regain of interest for personal websites as a means of fighting the Big Tech. Even if I don't agree with everything and in my opinion it could dig deeper into the mentioned themes, it acts as a good starting point and reference for talking about those matters.
Notes: The part about physical body: I wish it to dig deeper into the metaphor, the examples she gives are interesting but seem like they could be more developed or questioned. Some projects go in this direction like cyberwitches, to reunite body and virtual. It was written in 2015, the cyberpunk and dystopian tech future stories were there, even in the 1990s actually so why not address the subject more???; The correlation between print and DIY web culture: "when people got to the end they stopped reading because that’s the way books work"; Connection to SI26: OWN YOUR WEB PRESENCE – be aware of the tools you use, the communities you're a part of, what you show (display) and how (position)

To read

Basic HTML Competency is the New Punk-Folk Explosion, Zach Mandeville, 2016
My Website is a Shifting House Next to a River of Knowledge. What could yours be?, Laurel Schwust, 2018
A Vernacular Web, Olia Lialina, 2005
A Dao of Web Design, John Allsopp, 2000

Recommendations

Lídia

The Situationist Times, overview
The Situationist Times, Issues to read

Manetta

Post-Print, N. Katherine Hayles

Research & Learning

Texts

Programming & Websites: Making

Accessibility

Building the most inaccessible site possible with a perfect lighthouse score, Manuel Matuzović, 2019

To read

Subtitles, Closed Captions, and Open Captions: What's the Difference?, Ben Myers, 2024
Not so short note on aria-label usage – Big Table Edition, stevef, 2024
Accessible <section> in HTML
Accessibility essentials, Martijn Hols
Formations et ressources en accessibilité web et numérique, Timothée Goguely

Handmade Website Making

To read

How to make a website, Henry Desroches, 2024
Backing up websites
How to make a damn website

CSS

Old CSS, New CSS, eevee (Evelyn Woods), 2024

To read

How to use SASS with CSS, Adalbert Pungu, 2022
Relearn CSS Layout
CSS Layout (Grid/Flex)
Organizing with CSS cascade layers

Programming & Websites: Research

(re)Building the web

To read

Fighting for our web, Molly White, 2024
We need to rewild the Internet, Maria Farrell and Robin Berjon, 2024
Cognition et design : Quand tout est biais, plus rien n'est biais, Baptiste Roullin, 2024
Reading Writing Interfaces: From the Digital to the Bookbound, Lori Emerson, 2014
Ruined by design
The revolution will be decentralized
Folk interfaces, Maggie Appleton

About Code

Video Media

PixelPalooza 2024

For-Profit (creative) Software, EndVertex, 16-03-2025 (watched: 28-03-2025)

Creative Software | Business | Big Tech | Tools

Summary: EndVertex is a 3D artist making videos on YouTube (I didn't know them before this video).; In this +1 hour video, they describe and detail their journey and struggles around 3D-creation software. The video is about monopolies, the switch to subscription-based plans and the importance to find the right tool and support it however you can/want to. The video is quite pessimistic but a good overview of the state of the design tool marketplace...
Importance: Subscriptions are annoying, Free/Libre Open Source Software are a good alternative, we should donate them the money we don't put in subscriptions to keep them alive
Notes: How different websites looked in the 90s, "the problem with uniqueness is it can confuse people" so now we have design "rules", like templates and everything looks the same – design patterns (23:03)

Talks

What it Means to be Open, Lu Wilson, 10-10-2024 (listened: 03-2025)

Programming | Open Source | Workflow | Community

Summary: Lu Wilson works at tl;draw and gave a talk at Clojure in 2024 about their journey into programming and open licensing. In this 40mn talk, they explain how they got into programming and their adventure with the forums and open source community. They emphasize the need to cut the self-censoring because yes, there will always be someone out there to code-shame you (as in "your code is shit you should be ashamed") but it shouldn't prevent you from finding a job and creating a community of your own.
Importance: The way Lu built a whole community by publishing their work daily, then weekly on social media is very inspiring. Being open is above all being open minded and self-caring. This community building was not even intended, the first intention was to push themselves to create, experiment and keep a habit to work and go further in learning and skills. In the end it drew people towards their work and people starting interacting and adding to it. Everything they create is open source.
Notes: 404 NOT FOUND

Outside Bibliography

Texts

A wiki list of books I (am) read(ing)

Résister à la culpabilisation, Mona Chollet, 2024
House of Leaves, Mark Z. Danielewski, 2001
Give it to me!, La Rata, 2024

To read

The house without windows, Barbara Newhall Follett
The seven dials mystery, Agatha Christie
A mirror for witches, Esther Forbes

Video Media

Videos

Why can't we make simple software? by Peter van Hardenberg
The neww HTML API that allows to trigger events without JavaScript
Internet Exploreuses S02E04, Lucie Ronfaut

TV Shows

The Office, 2005
Daria, 1997
Gotham, 2015
Mr. Robot, 2015
Pose, 2018
Queen's Gambit, 2020
Charmed, 1998
The I.T. Crowd, 2006
Las Chicas del Cable, 2017
The Haunting, 2018
Sherlock, 2010
Six Feet Under, 2001
The X-Files, 1993
Sense8, 2015
Dexter, 2006
Murder, she Wrote
And then there were none, 2015

To watch

The reboot of Pretty Little Liars (nostalgia hitting here)

Movies

Woman of the Hour, 2024
Respect, 2021
L'amour Ouf, 2024
Suspiria, 1977
Enola Holmes, 2020
Pretty much anything from the Alice in Wonderland universe
Nosferatu, 1922
The Guilty, 2021
Snowden, 2016
All the Batman movies with Michael Keaton, Val Kilmer, Christian Bale and Robert Pattinson
Sherlock Holmes, 2010
Asteroid City, 2023
Wonka, 2023
Da Vinci Code, 2006
Death on the Nile, 2022
Split, 2017
Suzume, 2023
Donnie Darko, 2004
Murder on the Orient Express, 2017
Constantine, 2005
The Masque of the Red Death, 1964

To watch

Scorpion
Emilia Pérez
Anora

Listen

Death of the Follower & the Future of Creativity on the Web, Jack Conte at SXSW 2024
Disenshittify or die! How hackers can seize the means of computation, Cory Doctorow at DEF CON 32, 2024
The mazy web, Stuart Langridge at State of the Browser 2024
Que peut-on institutionnaliser dans la langue française ?, France Culture, 21-11-2024
CSS est un langage graphique, Graphic Matter & Julie Blanc

Other

A stereo extractor, Yann van der Cruyssen, 2024
The Pervasive Labor Union, Lídia Pereira, 2015

Some leads on research topics?

The way art schools teach only proprietary software –even in WdKA, while hosting XPUB and so many DIY workshops– (idea brought by this mastodon post)
On social media -- Is wikipedia a social media? is it the only one still alive through the earthquakes of internet? brought by the discussion here
FLOSS, getting away from GAFAM and proprietary software, active participation to ethical design circles → building and maintaining a server on a RaspberryPi; dual-booting
Patience | Learning. Making puzzles. Coding and debugging (links to the Handmade Web text by JR Carpenter and her praising of smallness and slowness as key points of the handmade web). Designing. Writing. Reading. Relationships. Activism. Making a change. Taking part/Taking action. Maintaining. It is all around us. Zoning out. Attention deficit. Daydreaming. How they communicate, intertwine, fail. Automation. Tricks. Hacks. Getting around the issues?
About slowness - discussion on Executing Micro-Temporality: if the throbber appears I'm just closing the page, I'm not going to wait for that! and our relationship towards instantaneity against patience/taking the time
About documenting, sharing as a practice and way of working / Building community around practices -- Linking back to Lu Wilson's talk "What it means to be open" and the T2 Assessment feedback | Practices shape community shape practices (ref to Doriane's sticker)
The same issue is raised at every PPP meeting: the publishing workflow is hard to change to turn it into single-source publishing because of habits. Nobody has an answer to get that to work. Snippets of conversation at PPPirates (04-2025):
"We need more examples, toolkits and projects to show those people the benefits of it" (Timothée)
"The question about power and who holds it in a project" (Quentin)
"It is a really present issue and we need to talk about it, what are the tools to talk about it? Do we need to write together about it? Medor manages for years now, the tools we have are so ready, we can set up workflows but it needs a change of tools but also of thinking. Maybe we need to publish about it? How can we be in solidarity with each other?" (Manetta)
"The people are aware of the tools they use but they're used to it and it can be violent to tell them they're working the wrong way. Another approach is using InDesign with the pandoc plugin then you can control the output and make websites, e-pubs or whatever you want" (Yann)
"But the people using this InDd workflow also work physically together and share the same habits about layout and design practices so that's why it works!" (Quentin)A day with Pippin Barr & Jaret VaderaQuestions to answer

How do you currently document your design/artistic practice? Could you bring or describe a specific example in class? How do you feel about the way you do it right now logistically?
I don't really document per se, I do have my own website and try to write in this wiki as much as I can but most of the time I don't think about doing it or am a bit lazy of doing it. So I tend to take a few hours a month to implement new content. I feel like I should document more actively but at the same time it's not much of a reflex or rooted practice for me... So I also don't have any precise example besides the website and wiki :)
What is your approach to reflecting on your design/artistic practice? Could you bring an example of how you have made a specific design decision?"
...?
Ideas and concepts

Use git's version control for writing → a nice way of tracking progress and having a clear overview
Write in Markdown which can also allow for online publication via a static site generator like hugo :)
Branching as trials and errors → learn more how to use it
Does documentation need to be very plain and to the point or is it relevant to include emotions in it? In the end, it is part of the process...

@@ Line 1: / Line 1: @@
-==Texts from Methods Sessions==
+==Resources from the classes==
-;''All Problems of Notation Will be Solved by the Masses: Free Open Form Performance, Free/Libre Open Source Software, and Distributive Practice'', Simon Yuill, 2008 (11/09/2024)
+===Methods Sessions===
-;''The Tyranny of Structurelessness'', Jo Freeman, 1970-72 (09/10/2024)
+====SI25 - Protocols for Collective Performance====
-;''The Tyranny of Tyranny'', Cathy Levine, 1979 (16/10/2024)
+:; ''All Problems of Notation Will be Solved by the Masses: Free Open Form Performance, Free/Libre Open Source Software, and Distributive Practice'', Simon Yuill, 2008 (11/09/2024)
-;''Mainframe Experimentalism'', Hannah B. Higgins & Douglas Kahn, 2012 (21/10/2024)
+:; ''The Tyranny of Structurelessness'', Jo Freeman, 1970-72 (09/10/2024)
-;''Die Maschine'', Georges Perec, 1972 (21/10/2024)
+:; ''The Tyranny of Tyranny'', Cathy Levine, 1979 (16/10/2024)
-;''The Truth of Fact, the Truth of Feeling'', Ted Chiang, 2013 (05/11/2024)
+:; ''Mainframe Experimentalism'', Hannah B. Higgins & Douglas Kahn, 2012 (21/10/2024)
+:; ''Die Maschine'', Georges Perec, 1972 (21/10/2024)
+:; ''The Truth of Fact, the Truth of Feeling'', Ted Chiang, 2013 (05/11/2024)
-==Texts I read that don't necessarily link to one another but are really nice==
+====SI26 - Declarations====
-;[https://aeon.co/essays/can-computers-think-no-they-cant-actually-do-anything ''Rage Against the Machine'', Alva Noë, 2024] <code style="font-weight: normal; background-color: transparent; border: none; font-size: 13px;">#AI #Computer #AllanTuring</code>
+:; ''Tactical Design'', Nolwenn Maudet, 2022 (15/01/2025)
-;[https://www.matuzo.at/blog/building-the-most-inaccessible-site-possible-with-a-perfect-lighthouse-score ''Building the most inaccessible site possible with a perfect lighthouse score'', Manuel Matuzovic, 2019] <code style="font-weight: normal; background-color: transparent; border: none; font-size: 13px;">#Accessibility #ProgramsFailing</code>
-==Stuff I want to read/watch/listen to/...==
+<div style="background-color: honeydew; padding: 5px;">
-====Read====
+:;<span style="font-size: 18px;">[https://luckysoap.com/statements/handmadeweb.html ''Handmade Web''], J.R. Carpenter, 2015 (05/02/2025)</span>
-;[https://ergol.org/articles/analyse_et_optimisation/ Ergo-L (disposition de clavier ergonomique)]
+:;<span style="font-family: monospace; font-size: 15px; color: #26684c;">Indie Web | Nostalgia</span>
-:by Fabien Cazenave, 2024 <code style="font-weight: normal; background-color: transparent; border: none; font-size: 13px;">#Keyboard</code>
+:::; Summary: This talk/text is Carpenter's spell upon the webuser/webmakers to EVOKE HANDMADE WEB. She casts this spell by redefining web as a medium from her own experience and perspective.
-;[https://benmyers.dev/blog/captions-and-subtitles/ Subtitles vs Captions]
+:::: She explains web as a medium has unique properties of archiving, publishing and customization. Drifting through years of changes of web, the design and handmade properties keep getting lost in earlier versions. This is her suggestion for calling them back. She doesn't necessarily draw a strict line, but instead she makes us remember there was a way, and it is still out there for us to use. Opposite to Jo Freeman stating ''"this is the only way"'' she offers options to raise awareness rather than imposing her own way of thinking.
-:by Ben Myers, 2024 <code style="font-weight: normal; background-color: transparent; border: none; font-size: 13px;">#Accessibility</code>
+:::: She criticizes social web platforms or web-builders as a de-personalized version of previously colourful ("bright, rich, personal, slow and under construction") nature of the web.
-;[https://www.citationneeded.news/fighting-for-our-web/ Fighting for our web]
+:::: She creates a cookbook of body-presence breathed back into web design. She mentions appropriation and the links between physical and virtual (body, print) which are also topics addressed by (cyber)witches projects, which is why we use the word "spell" to refer to this text. It also has a magical structure  → ''"I evoke the term 'handmade web' in order to..."'' as if she's calling an entity or a spirit of the web.
-:by Molly White, 2024 <code style="font-weight: normal; background-color: transparent; border: none; font-size: 13px;">#Web</code>
+:::; Importance: The text is tied to hand-coding websites. It takes a stance against delegation as a form of automation and AI, without even mentioning the topics. It is a good reference for everything tied to small web, indie web and the growing regain of interest for personal websites as a means of fighting the Big Tech. Even if I don't agree with everything and in my opinion it could dig deeper into the mentioned themes, it acts as a good starting point and reference for talking about those matters.
-;[https://www.noemamag.com/we-need-to-rewild-the-internet/ We need to rewild the Internet]
+:::; Notes: <u>The part about physical body</u>: I wish it to dig deeper into the metaphor, the examples she gives are interesting but seem like they could be more developed or questioned. Some projects go in this direction like cyberwitches, to reunite body and virtual. It was written in 2015, the cyberpunk and dystopian tech future stories were there, even in the 1990s actually so why not address the subject more???
-:by Maria Farrell and Robin Berjon, 2024 <code style="font-weight: normal; background-color: transparent; border: none; font-size: 13px;">#Web</code>
+:::: <u>The correlation between print and DIY web culture</u>: ''"when people got to the end they stopped reading because that’s the way books work"''
-;[https://toutcequibouge.net/blog/2024/10/cognition-et-design-quand-tout-est-biais-plus-rien-nest-biais/ Cognition et design : Quand tout est biais, plus rien n'est biais]
+:::: <u>Connection to SI26</u>: OWN YOUR WEB PRESENCE – be aware of the tools you use, the communities you're a part of, what you show (display) and how (position)
-:by Baptiste Roullin, 2024 <code style="font-weight: normal; background-color: transparent; border: none; font-size: 13px;">#WebDesign #UX #UI</code>
+</div>
-====Watch====
+=====To read=====
-*Maybe those could lead to research topics? (keywords: investigation/mystery | puzzles/riddles | tech/crafting | teaming up | (super)power | feminine)
+::; [https://coolguy.website/basic-html-competency-is-the-new-punk-folk-explosion/ ''Basic HTML Competency is the New Punk-Folk Explosion''], Zach Mandeville, 2016
-:;(Actually, rewatch) Mr Robot
+::; [https://thecreativeindependent.com/essays/laurel-schwulst-my-website-is-a-shifting-house-next-to-a-river-of-knowledge-what-could-yours-be/ ''My Website is a Shifting House Next to a River of Knowledge. What could yours be?''], Laurel Schwust, 2018
-:;(Also rewatch) Gotham
+::; [https://art.teleportacia.org/observation/vernacular/ ''A Vernacular Web''], Olia Lialina, 2005
-:;The reboot of ''Pretty Little Liars'' (nostalgia hitting here)
+::; [https://alistapart.com/article/dao/ ''A Dao of Web Design''], John Allsopp, 2000
-:;Scorpion
-:;Maxxxine
+===Recommendations===
-:;Emilia Pérez
+====Lídia====
-:;Anora
+:; [https://monoskop.org/Situationist_Times The Situationist Times, overview]
+:; [https://vandal.ist/thesituationisttimes/ The Situationist Times, Issues to read]
+====Manetta====
+:; [https://hub.xpub.nl/bootleglibrary/read/1006/pdf Post-Print], N. Katherine Hayles
+==Research & Learning==
+===Texts===
+====Programming & Websites: Making====
+=====Accessibility=====
+:; [https://www.matuzo.at/blog/building-the-most-inaccessible-site-possible-with-a-perfect-lighthouse-score ''Building the most inaccessible site possible with a perfect lighthouse score''], Manuel Matuzović, 2019
+<h6 style="font-size: 17px; font-weight: bold; margin-left: 20px;">To read</h6>
+::; [https://benmyers.dev/blog/captions-and-subtitles/ ''Subtitles, Closed Captions, and Open Captions: What's the Difference?''], Ben Myers, 2024
+::; [https://html5accessibility.com/stuff/2024/05/22/not-so-short-note-on-aria-label-usage-big-table-edition/ ''Not so short note on aria-label usage – Big Table Edition''], stevef, 2024
+::; [https://www.stefanjudis.com/today-i-learned/section-accessible-name/ Accessible <section> in HTML]
+::; [https://martijnhols.nl/blog/accessibility-essentials-every-front-end-developer-should-know ''Accessibility essentials''], Martijn Hols
+::; [https://timothee.goguely.com/blog/formations-ressources-a11y-web-numerique/ ''Formations et ressources en accessibilité web et numérique''], Timothée Goguely
+=====Handmade Website Making=====
+<h6 style="font-size: 17px; font-weight: bold; margin-left: 20px;">To read</h6>
+::; [https://henry.codes/writing/how-to-make-a-website/#style-code-or-how-i-learned-to-stop-worrying-and-love-the-cascade ''How to make a website''], Henry Desroches, 2024
+::; [https://www.selfawaresoup.com/notes/2025/02/02/backing-up-websites/ Backing up websites]
+::; [https://lmnt.me/blog/how-to-make-a-damn-website.html How to make a damn website]
+=====CSS=====
+:; [https://eev.ee/blog/2020/02/01/old-css-new-css/ ''Old CSS, New CSS''], eevee (Evelyn Woods), 2024
+<h6 style="font-size: 17px; font-weight: bold; margin-left: 20px;">To read</h6>
+::; [https://www.freecodecamp.org/news/how-to-use-sass-with-css/ ''How to use SASS with CSS''], Adalbert Pungu, 2022
+::; [https://every-layout.dev/rudiments/axioms/#designing-without-seeing Relearn CSS Layout]
+::; [https://blog.taktform.com/p/css-layout-face-off CSS Layout (Grid/Flex)]
+::; [https://css-tricks.com/organizing-design-system-component-patterns-with-css-cascade-layers/ Organizing with CSS cascade layers]
+====Programming & Websites: Research====
+=====(re)Building the web=====
+<h6 style="font-size: 17px; font-weight: bold; margin-left: 20px;">To read</h6>
+::; [https://www.citationneeded.news/fighting-for-our-web/ ''Fighting for our web''], Molly White, 2024
+::; [https://www.noemamag.com/we-need-to-rewild-the-internet/ ''We need to rewild the Internet''], Maria Farrell and Robin Berjon, 2024
+::; [https://toutcequibouge.net/blog/2024/10/cognition-et-design-quand-tout-est-biais-plus-rien-nest-biais/ ''Cognition et design : Quand tout est biais, plus rien n'est biais''], Baptiste Roullin, 2024
+::; [https://theliteraryplatform.com/news/2014/08/from-the-digital-to-the-bookbound/ ''Reading Writing Interfaces: From the Digital to the Bookbound''], Lori Emerson, 2014
+::; [https://www.ruinedby.design/ Ruined by design]
+::; [https://www.joanwestenberg.com/the-revolution-will-be-decentralized/ The revolution will be decentralized]
+::; [https://maggieappleton.com/folk-interfaces ''Folk interfaces''], Maggie Appleton
+=====About Code=====
+<h6 style="font-size: 17px; font-weight: bold; margin-left: 20px;">To read</h6>
+::; [https://criticalcode.recipes/ Critical Coding Cookbook]
+::; [https://www.wired.com/story/html-is-actually-a-programming-language-fight-me/ ''HTML is actually a programming language. Fight me''], Tim Carmody
+=====AI=====
+::; [https://framablog.org/2010/05/22/code-is-law-lessig/ ''Code is Law – On Liberty in Cyberspace''], Lawrence Lessig, 2000
+::; [https://adactio.com/articles/20290 ''Web 3 and AI''], Jeremy Keith, 2023
+::; [https://www.theverge.com/2023/6/26/23773914/ai-large-language-models-data-scraping-generation-remaking-web ''AI is killing the old web, and the new web struggles to be born''], James Vincent, 2023
+::; [https://www.vice.com/en/article/v7bdba/ai-is-tearing-wikipedia-apart ''AI is tearing Wikipedia apart''], Claire Woodcock, 2023
+::; [https://affordance.framasoft.org/2023/10/du-web-semantique-au-web-synthetique/ ''Du Web sémantique au Web synthétique''], Olivier Ertzscheid, 2023 (FR)
+::; [https://www.bortzmeyer.org/ia-generatives-colloque.html ''Penser et créer avec les IA génératives''], Stéphane Botzmeyer, 2023
+::; [https://www.bortzmeyer.org/chatgpt.html Un modeste avis sur ChatGPT''], Stéphane Bortmeyer, 2023
+::; [https://www.ladn.eu/tech-a-suivre/chatgpt-etude-bcg-harvard-qualite-travail-consultant/ ''Utiliser ChatGPT peut nous rendre plus performants, mais aussi plus idiots''], Marine Protais, 2023
+::; [https://postdigitalgraphicdesign.com/interview/15/ ''About graphic design and automation''], Tancrède Ottiger, 2021
+::; [https://modesofcriticism.org/automated-graphic-design/ ''Automated Graphic Design''], Fransisco Laranjo, 2016
+::; [https://eyeondesign.aiga.org/automation-threatens-to-make-graphic-designers-obsolete/ ''Automation threatens to make graphic designers obsolete''], Rob Peart, 2016
+::; [https://etienne.design/2022/05/16/ai/ ''Réflexions provisoires liées aux intelligences artificielles''], Étienne Mineur, 2022
+::; [https://etienne.design/2022/09/27/ai-2/ ''Intelligences artificielles et design dans les écoles en 2022''], Étienne Mineur, 2022
+::; [https://www.businessinsider.com/ai-image-generators-artists-copying-style-thousands-images-2022-10?r=US&IR=T ''Artists say AI image generators are copying their style to make thousands of new images – and it’s completely out of their control''], Beatrice Nolan, 2022
+::; [https://blogs.mediapart.fr/bertrand-rouzies/blog/051223/les-limites-de-l-ia-travaux-pratiques ''Les limites de l'IA, travaux pratiques''], Bertrand Rouzies, 2023
+<h6 style="font-size: 17px; font-weight: bold; margin-left: 20px;">To read</h6>
+::; [https://academia.hypotheses.org/58766 ''Pourquoi je n'utilise pas ChatGPT''], Florence Maraninchi
+=====Tools & Hardware=====
+:; [https://aeon.co/essays/can-computers-think-no-they-cant-actually-do-anything ''Rage Against the Machine''], Alva Noë, 2024
+<h6 style="font-size: 17px; font-weight: bold; margin-left: 20px;">To read</h6>
+::; [https://www.delyo.be/curseurs-journal-de-bord/ ''Adapter la revue Curseurs à paged.js''], Delyo/dobody
+::; [https://ergol.org/articles/analyse_et_optimisation/ ''Ergo-L''], Fabien Cazenave, 2024
+::; [https://timothee.goguely.com/blog/statut-entrepeneur-salarie-cae/ ''Le statut d'entrepreneur salarié au sein d'une CAE''], Timothée Goguely
+===Video Media===
+:; PixelPalooza 2024
+<div style="background-color: honeydew; padding: 5px;">
+:;<span style="font-size: 18px;">[https://www.youtube.com/watch?v=I4mdMMu-3fc ''For-Profit (creative) Software''], EndVertex, 16-03-2025 (watched: 28-03-2025)</span>
+:;<span style="font-family: monospace; font-size: 15px; color: #26684c;">Creative Software | Business | Big Tech | Tools</span>
+:::; Summary: EndVertex is a 3D artist making videos on YouTube (I didn't know them before this video).
+:::: In this +1 hour video, they describe and detail their journey and struggles around 3D-creation software. The video is about monopolies, the switch to subscription-based plans and the importance to find the right tool and support it however you can/want to. The video is quite pessimistic but a good overview of the state of the design tool marketplace...
+:::; Importance: Subscriptions are annoying, Free/Libre Open Source Software are a good alternative, we should donate them the money we don't put in subscriptions to keep them alive
+:::; Notes: How different websites looked in the 90s, "the problem with uniqueness is it can confuse people" so now we have design "rules", like templates and everything looks the same – design patterns ([https://youtu.be/I4mdMMu-3fc?t=1384 23:03])
+</div>
+===Talks===
+<div style="background-color: honeydew; padding: 5px;">
+:;<span style="font-size: 18px;">[https://youtu.be/MJzV0CX0q8o?si=zp3lueBfsSuc2_VJ ''What it Means to be Open''], Lu Wilson, 10-10-2024 (listened: 03-2025)</span>
+:;<span style="font-family: monospace; font-size: 15px; color: #26684c;">Programming | Open Source | Workflow | Community</span>
+:::; Summary: Lu Wilson works at [https://www.tldraw.com/ tl;draw] and gave a talk at [https://clojure.org/news/2024/02/02/conj-24 Clojure] in 2024 about their journey into programming and open licensing. In this 40mn talk, they explain how they got into programming and their adventure with the forums and open source community. They emphasize the need to cut the self-censoring because yes, there will always be someone out there to code-shame you (as in "your code is shit you should be ashamed") but it shouldn't prevent you from finding a job and creating a community of your own.
+:::; Importance: The way Lu built a whole community by publishing their work daily, then weekly on social media is very inspiring. Being open is above all being open minded and self-caring. This community building was not even intended, the first intention was to push themselves to create, experiment and keep a habit to work and go further in learning and skills. In the end it drew people towards their work and people starting interacting and adding to it. Everything they create is open source.
+:::; Notes: 404 NOT FOUND
+</div>
+==Outside Bibliography==
+===Texts===
+:;[[User:Kiara/Books | A wiki list of books I (am) read(ing)]]
+:; ''Résister à la culpabilisation'', Mona Chollet, 2024
+:; ''House of Leaves'', Mark Z. Danielewski, 2001
+:; ''Give it to me!'', La Rata, 2024
+<h6 style="font-size: 17px; font-weight: bold; margin-left: 20px;">To read</h6>
+::; [https://www.gutenberg.org/ebooks/75304 ''The house without windows''], Barbara Newhall Follett
+::; [https://www.gutenberg.org/ebooks/75288 ''The seven dials mystery''], Agatha Christie
+::; [https://www.gutenberg.org/ebooks/75212 ''A mirror for witches''], Esther Forbes
+===Video Media===
+====Videos====
+:; [https://www.youtube.com/watch?v=czzAVuVz7u4 Why can't we make simple software? by Peter van Hardenberg]
+:; [https://www.youtube.com/watch?v=Ctb9-Bb2j-Y The neww HTML API that allows to trigger events without JavaScript]
+:; [https://www.youtube.com/watch?v=Iejpi_Hk5EY&list=PLZRiqJjIUlDRdxxDZGNpj0L9PKugfrlDy&index=2 ''Internet Exploreuses S02E04'', Lucie Ronfaut]
+====TV Shows====
+:;''The Office'', 2005
+:;''Daria'', 1997
+:;''Gotham'', 2015
+:;''Mr. Robot'', 2015
+:;''Pose'', 2018
+:;''Queen's Gambit'', 2020
+:;''Charmed'', 1998
+:;''The I.T. Crowd'', 2006
+:;''Las Chicas del Cable'', 2017
+:;''The Haunting'', 2018
+:;''Sherlock'', 2010
+:;''Six Feet Under'', 2001
+:;''The X-Files'', 1993
+:;''Sense8'', 2015
+:;''Dexter'', 2006
+:;''Murder, she Wrote''
+:;''And then there were none'', 2015
+<h6 style="font-size: 17px; font-weight: bold; margin-left: 20px;">To watch</h6>
+::; The reboot of ''Pretty Little Liars'' (nostalgia hitting here)
+====Movies====
+:;''Woman of the Hour'', 2024
+:;''Respect'', 2021
+:;''L'amour Ouf'', 2024
+:;''Suspiria'', 1977
+:;''Enola Holmes'', 2020
+:;Pretty much anything from the ''Alice in Wonderland'' universe
+:;''Nosferatu'', 1922
+:;''The Guilty'', 2021
+:;''Snowden'', 2016
+:;All the ''Batman'' movies with Michael Keaton, Val Kilmer, Christian Bale and Robert Pattinson
+:;''Sherlock Holmes'', 2010
+:;''Asteroid City'', 2023
+:;''Wonka'', 2023
+:;''Da Vinci Code'', 2006
+:;''Death on the Nile'', 2022
+:;''Split'', 2017
+:;''Suzume'', 2023
+:;''Donnie Darko'', 2004
+:;''Murder on the Orient Express'', 2017
+:;''Constantine'', 2005
+:;''The Masque of the Red Death'', 1964
+<h6 style="font-size: 17px; font-weight: bold; margin-left: 20px;">To watch</h6>
+::; Scorpion
+::; Emilia Pérez
+::; Anora
 ====Listen====
-;[https://www.youtube.com/watch?v=5zUndMfMInc&t=112s Death of the Follower & the Future of Creativity on the Web]
+:; [https://www.youtube.com/watch?v=5zUndMfMInc&t=112s ''Death of the Follower & the Future of Creativity on the Web''], Jack Conte at SXSW 2024
-:by Jack Conte at SXSW 2024
+:; [https://www.youtube.com/watch?v=4EmstuO0Em8 ''Disenshittify or die! How hackers can seize the means of computation''], Cory Doctorow at DEF CON 32, 2024
-;[https://www.youtube.com/watch?v=4EmstuO0Em8 Disenshittify or die! How hackers can seize the means of computation]
+:; [https://www.kryogenix.org/code/browser/the-mazy-web/ ''The mazy web''], Stuart Langridge at State of the Browser 2024
-:by Cory Doctorow at DEF CON 32, 2024
+:; [https://www.radiofrance.fr/franceculture/podcasts/questions-du-soir-le-debat/que-peut-on-institutionnaliser-dans-la-langue-francaise-7606600 ''Que peut-on institutionnaliser dans la langue française ?''], France Culture, 21-11-2024
-;[https://www.kryogenix.org/code/browser/the-mazy-web/ The mazy web]
+:; [https://podcast.ausha.co/graphic-matter/ep-53-julie-blanc-css-est-un-langage-graphique-il-hierarchise-l-information-cree-des-regles ''CSS est un langage graphique''], Graphic Matter & Julie Blanc
-:by Stuart Langridge at State of the Browser 2024
-====Curious about====
+====Other====
-;[https://nurykabe.com/dump/tools/stereoExtractor/ A stereo extractor]
+:; [https://nurykabe.com/dump/tools/stereoExtractor/ A stereo extractor], Yann van der Cruyssen, 2024
-:by Yann van der Cruyssen (2024)
+:; [https://ilu.servus.at/ ''The Pervasive Labor Union''], Lídia Pereira, 2015
+== Some leads on research topics? ==
+<div style="width: 700px; font-family: monospace; font-size: 15px;">
+* '''The way art schools teach only proprietary software''' –even in WdKA, while hosting XPUB and so many DIY workshops– (idea brought by [https://post.lurk.org/@rlafuente/112411938506147486 this mastodon post])
+* '''On social media -- Is wikipedia a social media? is it the only one still alive through the earthquakes of internet?''' brought by the discussion [https://pad.xpub.nl/p/190225_Methods here]
+* '''FLOSS, getting away from GAFAM and proprietary software, active participation to ethical design circles''' → building and maintaining a server on a RaspberryPi; dual-booting
+* '''Patience''' | Learning. Making puzzles. Coding and debugging (links to the Handmade Web text by JR Carpenter and her praising of smallness and slowness as key points of the handmade web). Designing. Writing. Reading. Relationships. Activism. Making a change. Taking part/Taking action. Maintaining. ''It is all around us.'' Zoning out. Attention deficit. Daydreaming. ''How they communicate, intertwine, fail.'' Automation. Tricks. Hacks. ''Getting around the issues?''
+** About slowness - discussion on Executing Micro-Temporality: ''if the throbber appears I'm just closing the page, I'm not going to wait for that!'' and our relationship towards instantaneity against patience/taking the time
+* '''About documenting, sharing as a practice and way of working / Building community around practices''' -- Linking back to Lu Wilson's talk "What it means to be open" and the T2 Assessment feedback | Practices shape community shape practices (ref to Doriane's sticker)
+** '''The same issue is raised at every PPP meeting: the publishing workflow is hard to change to turn it into single-source publishing because of habits. Nobody has an answer to get that to work. Snippets of conversation at PPPirates (04-2025):
+:::"We need more examples, toolkits and projects to show those people the benefits of it" (Timothée)
+:::"The question about power and who holds it in a project" (Quentin)
+:::"It is a really present issue and we need to talk about it, what are the tools to talk about it? Do we need to write together about it? Medor manages for years now, the tools we have are so ready, we can set up workflows but it needs a change of tools but also of thinking. Maybe we need to publish about it? How can we be in '''solidarity''' with each other?" (Manetta)
+:::"The people are aware of the tools they use but they're used to it and it can be violent to tell them they're working ''the wrong way''. Another approach is using InDesign with the pandoc plugin then you can control the output and make websites, e-pubs or whatever you want" (Yann)
+:::"But the people using this InDd workflow also work physically together and share the same habits about layout and design practices so that's why it works!" (Quentin)
+----
+===A day with Pippin Barr & Jaret Vadera===
+''Questions to answer''<br>
+* '''How do you currently document your design/artistic practice? Could you bring or describe a specific example in class? How do you feel about the way you do it right now logistically?'''
+** I don't really document per se, I do have my own website and try to write in this wiki as much as I can but most of the time I don't think about doing it or am a bit lazy of doing it. So I tend to take a few hours a month to implement new content. I feel like I should document more actively but at the same time it's not much of a reflex or rooted practice for me... So I also don't have any precise example besides the website and wiki :)
+* '''What is your approach to reflecting on your design/artistic practice? Could you bring an example of how you have made a specific design decision?"'''
+** ...?
+''Ideas and concepts''<br>
+* Use git's version control for writing → a nice way of tracking progress and having a clear overview
+** Write in Markdown which can also allow for online publication via a static site generator like hugo :)
+** Branching as trials and errors → learn more how to use it
+* Does documentation need to be very plain and to the point or is it relevant to include emotions in it? In the end, it '''is''' part of the process...
+</div>