User:Zuhui/Accidently yours: Difference between revisions
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=Ownership of lyrics= | |||
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copyright law can be enforced particularly strictly on lyrics compared to other elements of a song. This is because lyrics are often considered to be more akin to literary works, which generally receive strong protection.<br> | copyright law can be enforced particularly strictly on lyrics compared to other elements of a song. This is because lyrics are often considered to be more akin to literary works, which generally receive strong protection.<br> | ||
Lyrics are treated similarly to poetry or literary content and are protected as such. Because they’re typically written first and then set to music, they are often viewed as an independent, original work. | Lyrics are treated similarly to poetry or literary content and are protected as such. Because they’re typically written first and then set to music, they are often viewed as an independent, original work. | ||
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==it's Britney, bitch== | |||
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=Ownership of identity= | |||
===Britney Jean Spears | ==Laurence Rassel’s perspective: connection between copyright and patriarchal structures== | ||
<blockquote> | |||
...With this program's emphasis on issues of authorship, and particularly a kind of feminist approach toward the way in which authorship relates to a kind of patriarchal authoring of our bodies, Laurence and I have been struggling with how to really bring a notion of the body into this program. In particular, Laurence as a woman, and myself as a transgendered person - how do we invoke our bodies in a kind of physical but non-essentialist way?<br> | |||
-The Laurence Rassel Show | |||
</blockquote> | |||
===Ownership and hierarchical structures=== | |||
===Sharing creative resources=== | |||
===The creator's role and patriarchal expectations=== | |||
===Suppression of non-commercial creativity=== | |||
==Britney Jean Spears== | |||
Latest revision as of 10:06, 6 November 2024
Ownership of lyrics
copyright law can be enforced particularly strictly on lyrics compared to other elements of a song. This is because lyrics are often considered to be more akin to literary works, which generally receive strong protection.
Lyrics are treated similarly to poetry or literary content and are protected as such. Because they’re typically written first and then set to music, they are often viewed as an independent, original work.
it's Britney, bitch
It's Britney, bitch het is Britney teef si Britney kurva Britney kaltak mı Britney ma qaniin baa? Ua ura anei o Britney? Huet d'Britney rout ginn? 布蘭妮臉紅了嗎？ (Bù lán nī liǎnhóngle ma?) Britney rougit-elle ? Wird Britney rot? ブリトニーは赤面しますか？ (Buritonī wa sekimen shimasu ka?) क्या ब्रिटनी शरमाती है? (kya britanee sharamaatee hai?) Er Britney sjenert? Брітні сором'язлива? (Britni sorom'yazlyva?) བྲི་ཊི་ནི་ངོ་ཚ་ཅན་རེད་དམ། (bri Ti ni ngo tsha can red dam) Britney è timida? Britney có nhút nhát không? 브리트니는 부끄러워하나요? (beuliteunineun bukkeuleowohanayo?) Бритни ичимхий байна уу? (Britni ichimkhii baina uu?) Er Britney feimin? Is britney shy? |
It's Britney, bitch het is Britney teef este cățea Britney bu Britney kaltağı waa qaniinyada Britney o Britney ïa et ass Britney Bitch 這是布蘭妮婊子 (Zhè shì bù lán nī biǎo zi) c'est Britney, salope Es ist eine Britney-Schlampe それはブリトニービッチです (Sore wa buritonībitchidesu) यह ब्रिटनी कुतिया है (yah britanee kutiya hai) det er Britney tispe це сука Брітні (tse suka Britni) འདི་ནི་བྷི་རི་ཊི་ནི་ཡི་བུ་མོ། (di ni bhi ri Ti ni yi bu mo) è Britney, stronza đó là con khốn Britney 브리트니야 개년아 (beuliteuniya gaenyeon-a) Энэ бол Бритни гичий (Ene bol Britni gichii) það er Britney tík |
Ownership of identity
Laurence Rassel’s perspective: connection between copyright and patriarchal structures
...With this program's emphasis on issues of authorship, and particularly a kind of feminist approach toward the way in which authorship relates to a kind of patriarchal authoring of our bodies, Laurence and I have been struggling with how to really bring a notion of the body into this program. In particular, Laurence as a woman, and myself as a transgendered person - how do we invoke our bodies in a kind of physical but non-essentialist way?
-The Laurence Rassel Show