Methods (messy notes): Difference between revisions
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*Be open to what happens. | *Be open to what happens. | ||
*Difference in 'cover': one 'product' moving and the rest being interpreted differently. | *Difference in 'cover': one 'product' moving and the rest being interpreted differently. | ||
'''Protocols''' | '''Protocols''' | ||
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1. Generative | 1. Generative | ||
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2. Rehearsal | 2. Rehearsal | ||
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3.Groups | 3. Groups | ||
*Field recording as material. | |||
*Rehearsal: How to make a 'longform' - think about duration (our orientation for Monday). | |||
Latest revision as of 17:59, 26 September 2024
Week 2 - 18/09/2024
- Protocols for improvisation
- the post-script umanthology
- Rod Dickinson
- wiki page - protocols for improvisation directory
- Anthony Braxton notation notes
- Sun Ra - came from the 'magic city'. Re-translating real political problems into the transcendental.
- Scratch directory - also called rapid prototyping. Examples: Nature study notes.
- Treatise: Cornelius Cardew
- Protocols are blurring the difference between artist and professional musician, allowing for a lot of threshold of skill.
Exercise performed in class
- Write a series of protocols
- Perform
- Cover at least one
- Scratch orchestra - the need to 'professionalise' such methods.
Protocols
- Generative
- We are not aware/ we do not propose - it generates itself.
- Be open to what happens.
- Difference in 'cover': one 'product' moving and the rest being interpreted differently.
Protocols
1. Generative
2. Rehearsal
3. Groups
- Field recording as material.
- Rehearsal: How to make a 'longform' - think about duration (our orientation for Monday).