User:Ssstephen/notreading: Difference between revisions
(Created page with "these books are on the floor so that i dont accidentally read them {| class="wikitable" |- !Title !Author |- |The critique of everyday life |Henri Lefebvre |- |Making and Using from Types of Technology |Carl Mitcham |[http://www.compilerpress.ca/Competitiveness/Anno/Anno%20Mitcham%20Types%20of%20Tech%201978.htm#E%E2%80%99.%20Making%20and%20using here] |}") |
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|Carl Mitcham | |Carl Mitcham | ||
|[http://www.compilerpress.ca/Competitiveness/Anno/Anno%20Mitcham%20Types%20of%20Tech%201978.htm#E%E2%80%99.%20Making%20and%20using here] | |[http://www.compilerpress.ca/Competitiveness/Anno/Anno%20Mitcham%20Types%20of%20Tech%201978.htm#E%E2%80%99.%20Making%20and%20using here] | ||
|- | |||
|Creative Computing | |||
| | |||
|[https://archive.org/details/creativecomputing this] | |||
|- | |||
|Free Verse | |||
|Charles O Hartman | |||
|[https://hub.xpub.nl/bootleglibrary/read/120/pdf read] | |||
|- | |||
|What is Free Software? | |||
|gnu.org | |||
|[https://www.gnu.org/philosophy/free-sw.html.en free] | |||
|- | |||
|The GNU Manifesto | |||
| | |||
|[https://www.gnu.org/gnu/manifesto.en.html gnu.org] | |||
|- | |||
|Dictionary of the Khazars: A Lexicon Novel, | |||
|Milorad Pavic | |||
| | |||
|- | |||
|Always Coming Home, | |||
|Ursula LeGuin | |||
| | |||
|- | |||
|High Tension, | |||
|Paul Zimmerman | |||
| | |||
|- | |||
|Cybertext: Perspectives on Ergodic Literature | |||
|Espen Aarseth | |||
| | |||
|- | |||
|Cent Mille Milliards | |||
|Raymond Queneau | |||
| | |||
|- | |||
|Afternoon, a story | |||
|Michael Joyce | |||
| | |||
|- | |||
|“Literary Data Processing,” IBM Journal of Research and Development 1, no. 3 1957 | |||
|Paul Tasman | |||
| | |||
|- | |||
|Distant Reading | |||
|Franco Moretti, | |||
| | |||
|- | |||
|“Surface Reading: An Introduction,” Representations 108, no. 1 (November 1, 2009): 1– 21 | |||
|Steven Best and Sharon Marcus | |||
| | |||
|- | |||
|“Close but Not Deep: Literary Ethics and the Descriptive Turn,” New Literary History 41, no. 2 (Spring 2010): 371– 91 | |||
|Heather Love | |||
| | |||
|- | |||
|New Ways of Reading | |||
| | |||
|[https://wolfhumanities.upenn.edu/events/new-ways-reading here] | |||
|- | |||
|“The Database as Symbolic Form,” Convergence5, no. 2 (June 1999): 80– 99 | |||
|Lev Manovich | |||
| | |||
|- | |||
|Memory Practices in the Sciences (Cam-bridge, MA: MIT Press, 2005) | |||
|Geoffrey C. Bowker, | |||
| | |||
|- | |||
|An Universal History from the Earliest Account of Time to the Present | |||
| | |||
|[https://books.google.nl/books?id=d_VSAAAAcAAJ here] | |||
|- | |||
|Historical note: The start of a stop list at biological abstracts | |||
|Barbara Flood | |||
|[https://www.proquest.com/openview/40b13e20671a15a2303770df567ff9c7/1 ici] | |||
|- | |||
|Biological Abstracts’ Subject in Context (BASIC) 1961 | |||
| | |||
| | |||
|- | |||
|BASIC (Beginners' All-purpose Symbolic Instruction Code) 1964 | |||
| | |||
| | |||
|- | |||
|Women, History, and Theory: The Essays of Joan Kelly | |||
| | |||
| | |||
|- | |||
|The Death of Nature | |||
|Carolyn Merchant | |||
| | |||
|- | |||
|LArcano della Riproduzione | |||
|Leopoldina Fortunati | |||
| | |||
|- | |||
|The moon, the sun and the witches | |||
|Irene Silverblatt | |||
| | |||
|- | |||
|Natural Rebels | |||
|Hilary Beckles | |||
| | |||
|- | |||
|Patriarchy and Accumulation on a world scale | |||
|Maria Mies | |||
| | |||
|- | |||
|The Rings of Saturn | |||
|W. G. Sebald | |||
| | |||
|- | |||
|The Golden Bough | |||
|James George Frazer | |||
| | |||
|- | |||
|Man, Play, and Games | |||
|Roger Caillois | |||
| | |||
|- | |||
|Report on the Construction of Situations | |||
|Guy Debord | |||
|[http://www.bopsecrets.org/SI/report.htm guy] | |||
|- | |||
|GAM3R 7H30RY 1.1 | |||
|McKenzie Wark | |||
|[https://hub.xpub.nl/bootleglibrary/book/816 game] | |||
|- | |||
|Algebraic Expressions in Handwoven Textiles, 1949 | |||
|Ada Dietz | |||
| | |||
|- | |||
|A Game of War (Le Jeu de la Guerre, 1987 | |||
|Guy Debord | |||
| | |||
|- | |||
|Three sided football | |||
|Asger Jorn | |||
| | |||
|- | |||
|Gaming, Essays on Algorithmic Culture | |||
|Alexander Galloway | |||
| | |||
|- | |||
|Interactive Fiction | |||
|Anthony Niesz and Norman Holland, 1984 | |||
| | |||
|- | |||
|'A critical evaluation of the commodification thesis', in The Sociological Review | |||
|Williams, C (2002) | |||
|[https://www.arasite.org/kcnoncommod.html this] | |||
|- | |||
|la chamanisme et las techniques archaiques de l'extase | |||
|mircea eliade | |||
| | |||
|- | |||
|alchemy | |||
|ej holmyard | |||
| | |||
|- | |||
| | |||
|fulcanelli | |||
| | |||
|- | |||
| | |||
|eugene canseliet | |||
| | |||
|- | |||
| | |||
|j. evola | |||
| | |||
|- | |||
| | |||
|alexander von bernus | |||
| | |||
|- | |||
| | |||
|rené alleau | |||
| | |||
|- | |||
|The Sociology of Religion | |||
|Max Weber | |||
| | |||
|- | |||
|Institutional Ecology, ‘‘Translations’’, and Boundary Objects: Amateurs and Professionals in Berkeley’s Museum of Vertebrate Zoology | |||
|Star, S. L. and J. R. Griesemer | |||
| | |||
|- | |||
|Passions of the Soul | |||
|Descartes | |||
| | |||
|- | |||
|man without qualities | |||
|Musil | |||
| | |||
|- | |||
|"Elements pour l'histoire des nomenclatures socio-professionnelles" in Pour un Histoire de la Statistique, Le Livre des Ruses la stratégie politique des arabes | |||
|Alain Desrosiere | |||
| | |||
|- | |||
|Ellyn Kaschak | |||
|Sight Unseen: Gender and Race through Blind Eyes | |||
| | |||
|- | |||
|a grammar of the multitude | |||
|Paulo Virno | |||
| | |||
|- | |||
|the culture industry | |||
|Theodore Adorno | |||
| | |||
|- | |||
|the social function of science. | |||
|JD Bernal | |||
| | |||
|- | |||
|Defense of crappy print | |||
|Clara Balaguer and Florian Cramer and Marc van Elburg | |||
| | |||
|- | |||
|Glass Bead Game | |||
|Hermann Hesse | |||
| | |||
|- | |||
|Reading Guide to: Bourdieu, P (1977) Outline of a Theory of Practice, Cambridge: Cambridge University Press. | |||
|Dave Harris | |||
|[https://arasite.org/bdieuprc.htm here] | |||
|- | |||
|Reading Guide to: Lyotard, J - F (1986) The Post - Modern Condition: A Report on Knowledge | |||
|Dave Harris | |||
|[https://arasite.org/lyotard1.htm here] | |||
|- | |||
| | |||
|Edsger Dijkstra | |||
| | |||
|- | |||
| | |||
|Dieter Döpfers | |||
|[https://doepfer.de/home_e.htm doepfer.de] | |||
|- | |||
|The complete guide to synthesisers | |||
|Devarahi | |||
|[http://thesnowfields.com/manuals/devarahi%20'the%20complete%20guide%20to%20synthesizers'.pdf here] | |||
|- | |||
|Awkward gestures: designing with Free Software | |||
|Femke Snelting | |||
|[https://freeze.sh/_/2008/awkward/# here] | |||
|- | |||
|What is Critical Making?’, Current, 18 April 2016 | |||
|Garnet Hertz | |||
|[https://current.ecuad.ca/what-is-critical-making Available] | |||
|- | |||
|‘A schoolman’s guide to Marshall McLuhan’, The Saturday Review, 18 March 1967, pp. 51-53, 70-72. | |||
|Culkin, J. (1967) | |||
| | |||
|- | |||
|‘Hacking & Designing: Paradoxes of Collaborative Practice’, in Bogers, L. And Chiappini, L. (eds.) The Critical Makers Reader: (Un)learning Technology. Amsterdam: Institute of Network Cultures, pp. 237-244. | |||
|Groten, A. (2019) | |||
| | |||
|- | |||
|‘What is Critical Making?’, Current, 18 April 2016. | |||
|Hertz, G. (2016) | |||
|[https://current.ecuad.ca/what-is-critical-making here] | |||
|- | |||
|The Screenless Office. | |||
|Howell, B. and Pogorzhelskiy, M. (no date) | |||
|[http://screenl.es screenl.es] | |||
|- | |||
|‘criticality’, in Wesseling, J. and Cramer, F. (eds.) Making Matters. A Vocabulary for Collective Arts. Amsterdam: Valiz, pp. 105-112. | |||
|Korsten, F.-W. (2022) | |||
| | |||
|- | |||
|‘Software is the Message’, Software Studies Initiative | |||
|Manovich, L. | |||
|[http://lab.softwarestudies.com/2013/12/software-is-message-new-mini-article.html here] | |||
|- | |||
|Software Takes Command. New York: Bloomsbury Academic. | |||
|Manovich, L. | |||
| | |||
|- | |||
|Understanding Media: The Extensions of Man. 1st edn. New York: McGraw-Hill. | |||
|McLuhan, M | |||
| | |||
|- | |||
|‘Tools’, Open Source Publishing | |||
|Open Source Publishing | |||
|[http://osp.kitchen/tools/ osp.kitchen/tools/] | |||
|- | |||
|TOOLS SHAPE PRACTICE SHAPES TOOLS | |||
|De Heij, G. | |||
|[https://www.burg-halle.de/design/kommunikationsdesign/kommunikationsdesign/lehrangebote/l/toolsshapes-practice-shapes-tools/ missing] | |||
|- | |||
|Iaspis forum on design and critical practice: the reader, Ericson M et al. 2009. | |||
|James Goggin | |||
| | |||
|- | |||
|Research and Destroy | |||
|Daniel Van Der Velden | |||
| | |||
|- | |||
| | |||
| | |||
|https://miokojima.com/ | |||
|- | |||
|Graphic Design in the Post-Digital Age | |||
| | |||
|[https://postdigitalgraphicdesign.com/ here] | |||
|- | |||
|new perspectives critical histories of graphic design | |||
|Andrew Satake Blauvelt | |||
|[https://docplayer.net/120498543-New-perspectives-critical-histories-of-graphic-design.html here] | |||
|- | |||
|making matters | |||
|wesseling and cramer | |||
| | |||
|- | |||
|figuring things out together | |||
|Anja Groten | |||
| | |||
|- | |||
|Cyberfeminist index | |||
|mindy seu | |||
| | |||
|- | |||
|who can afford to be critical | |||
|alfonso matos | |||
| | |||
|- | |||
|glossary of undisciplined design | |||
|anja kaiser and rebecca stephany | |||
| | |||
|- | |||
|Discours, Figure | |||
|Lyotard | |||
| | |||
|- | |||
|The postmodern condition | |||
|Lyotard | |||
| | |||
|- | |||
|Readings in Infancy | |||
|Lyotard | |||
| | |||
|- | |||
|Libidinal Economy | |||
|Lyotard | |||
| | |||
|- | |||
|Swarmachines | |||
|Ccru | |||
| | |||
|- | |||
|Abstract culture | |||
|Ccru | |||
|- | |||
|Fuck Content | |||
|Michael Rock | |||
|[https://2x4.org/ideas/2009/fuck-content/ fuck] | |||
|- | |||
|Designer as Author | |||
|Michael Rock | |||
| | |||
|- | |||
|Design thinking a useful myth | |||
|Don norman | |||
|[https://www.core77.com/posts/16790/design-thinking-a-useful-myth-16790 beep] | |||
|- | |||
|Grid systems | |||
|Joseph miller brockman | |||
|[https://monoskop.org/images/a/a4/Mueller-Brockmann_Josef_Grid_Systems_in_Graphic_Design_Raster_Systeme_fuer_die_Visuele_Gestaltung_English_German_no_OCR.pdf pdf] | |||
|- | |||
|Chokepoint Capitalism | |||
|Cory Doctorow and Rebecca Giblin | |||
| | |||
|- | |||
|Fabulous Loop de Loop | |||
|Steve Rushton | |||
| | |||
|- | |||
|Against Pretty Print | |||
|Clara Balaguer and Florian Cramer | |||
| | |||
|- | |||
|Caps Lock | |||
|Ruben Pater | |||
| | |||
|- | |||
|Cars and Girls | |||
|Femke Snelting | |||
| | |||
|- | |||
|Misunderstanding the Internet | |||
|Curran, Freedman, Fenton | |||
| | |||
|- | |||
|Drawing Curved | |||
|OSP | |||
| | |||
|- | |||
|Garden of Pomegranates | |||
|Israel Regardie | |||
| | |||
|- | |||
|Network Imaginaries | |||
|Anja Groten and Juliette Lizotte | |||
| | |||
|- | |||
| | |||
| | |||
| | |||
|- | |||
| | |||
| | |||
| | |||
|- | |||
| | |||
| | |||
| | |||
|- | |||
| | |||
| | |||
| | |||
|} | |} |
Latest revision as of 16:09, 18 January 2024
these books are on the floor so that i dont accidentally read them
Title | Author | |
---|---|---|
The critique of everyday life | Henri Lefebvre | |
Making and Using from Types of Technology | Carl Mitcham | here |
Creative Computing | this | |
Free Verse | Charles O Hartman | read |
What is Free Software? | gnu.org | free |
The GNU Manifesto | gnu.org | |
Dictionary of the Khazars: A Lexicon Novel, | Milorad Pavic | |
Always Coming Home, | Ursula LeGuin | |
High Tension, | Paul Zimmerman | |
Cybertext: Perspectives on Ergodic Literature | Espen Aarseth | |
Cent Mille Milliards | Raymond Queneau | |
Afternoon, a story | Michael Joyce | |
“Literary Data Processing,” IBM Journal of Research and Development 1, no. 3 1957 | Paul Tasman | |
Distant Reading | Franco Moretti, | |
“Surface Reading: An Introduction,” Representations 108, no. 1 (November 1, 2009): 1– 21 | Steven Best and Sharon Marcus | |
“Close but Not Deep: Literary Ethics and the Descriptive Turn,” New Literary History 41, no. 2 (Spring 2010): 371– 91 | Heather Love | |
New Ways of Reading | here | |
“The Database as Symbolic Form,” Convergence5, no. 2 (June 1999): 80– 99 | Lev Manovich | |
Memory Practices in the Sciences (Cam-bridge, MA: MIT Press, 2005) | Geoffrey C. Bowker, | |
An Universal History from the Earliest Account of Time to the Present | here | |
Historical note: The start of a stop list at biological abstracts | Barbara Flood | ici |
Biological Abstracts’ Subject in Context (BASIC) 1961 | ||
BASIC (Beginners' All-purpose Symbolic Instruction Code) 1964 | ||
Women, History, and Theory: The Essays of Joan Kelly | ||
The Death of Nature | Carolyn Merchant | |
LArcano della Riproduzione | Leopoldina Fortunati | |
The moon, the sun and the witches | Irene Silverblatt | |
Natural Rebels | Hilary Beckles | |
Patriarchy and Accumulation on a world scale | Maria Mies | |
The Rings of Saturn | W. G. Sebald | |
The Golden Bough | James George Frazer | |
Man, Play, and Games | Roger Caillois | |
Report on the Construction of Situations | Guy Debord | guy |
GAM3R 7H30RY 1.1 | McKenzie Wark | game |
Algebraic Expressions in Handwoven Textiles, 1949 | Ada Dietz | |
A Game of War (Le Jeu de la Guerre, 1987 | Guy Debord | |
Three sided football | Asger Jorn | |
Gaming, Essays on Algorithmic Culture | Alexander Galloway | |
Interactive Fiction | Anthony Niesz and Norman Holland, 1984 | |
'A critical evaluation of the commodification thesis', in The Sociological Review | Williams, C (2002) | this |
la chamanisme et las techniques archaiques de l'extase | mircea eliade | |
alchemy | ej holmyard | |
fulcanelli | ||
eugene canseliet | ||
j. evola | ||
alexander von bernus | ||
rené alleau | ||
The Sociology of Religion | Max Weber | |
Institutional Ecology, ‘‘Translations’’, and Boundary Objects: Amateurs and Professionals in Berkeley’s Museum of Vertebrate Zoology | Star, S. L. and J. R. Griesemer | |
Passions of the Soul | Descartes | |
man without qualities | Musil | |
"Elements pour l'histoire des nomenclatures socio-professionnelles" in Pour un Histoire de la Statistique, Le Livre des Ruses la stratégie politique des arabes | Alain Desrosiere | |
Ellyn Kaschak | Sight Unseen: Gender and Race through Blind Eyes | |
a grammar of the multitude | Paulo Virno | |
the culture industry | Theodore Adorno | |
the social function of science. | JD Bernal | |
Defense of crappy print | Clara Balaguer and Florian Cramer and Marc van Elburg | |
Glass Bead Game | Hermann Hesse | |
Reading Guide to: Bourdieu, P (1977) Outline of a Theory of Practice, Cambridge: Cambridge University Press. | Dave Harris | here |
Reading Guide to: Lyotard, J - F (1986) The Post - Modern Condition: A Report on Knowledge | Dave Harris | here |
Edsger Dijkstra | ||
Dieter Döpfers | doepfer.de | |
The complete guide to synthesisers | Devarahi | here |
Awkward gestures: designing with Free Software | Femke Snelting | here |
What is Critical Making?’, Current, 18 April 2016 | Garnet Hertz | Available |
‘A schoolman’s guide to Marshall McLuhan’, The Saturday Review, 18 March 1967, pp. 51-53, 70-72. | Culkin, J. (1967) | |
‘Hacking & Designing: Paradoxes of Collaborative Practice’, in Bogers, L. And Chiappini, L. (eds.) The Critical Makers Reader: (Un)learning Technology. Amsterdam: Institute of Network Cultures, pp. 237-244. | Groten, A. (2019) | |
‘What is Critical Making?’, Current, 18 April 2016. | Hertz, G. (2016) | here |
The Screenless Office. | Howell, B. and Pogorzhelskiy, M. (no date) | screenl.es |
‘criticality’, in Wesseling, J. and Cramer, F. (eds.) Making Matters. A Vocabulary for Collective Arts. Amsterdam: Valiz, pp. 105-112. | Korsten, F.-W. (2022) | |
‘Software is the Message’, Software Studies Initiative | Manovich, L. | here |
Software Takes Command. New York: Bloomsbury Academic. | Manovich, L. | |
Understanding Media: The Extensions of Man. 1st edn. New York: McGraw-Hill. | McLuhan, M | |
‘Tools’, Open Source Publishing | Open Source Publishing | osp.kitchen/tools/ |
TOOLS SHAPE PRACTICE SHAPES TOOLS | De Heij, G. | missing |
Iaspis forum on design and critical practice: the reader, Ericson M et al. 2009. | James Goggin | |
Research and Destroy | Daniel Van Der Velden | |
https://miokojima.com/ | ||
Graphic Design in the Post-Digital Age | here | |
new perspectives critical histories of graphic design | Andrew Satake Blauvelt | here |
making matters | wesseling and cramer | |
figuring things out together | Anja Groten | |
Cyberfeminist index | mindy seu | |
who can afford to be critical | alfonso matos | |
glossary of undisciplined design | anja kaiser and rebecca stephany | |
Discours, Figure | Lyotard | |
The postmodern condition | Lyotard | |
Readings in Infancy | Lyotard | |
Libidinal Economy | Lyotard | |
Swarmachines | Ccru | |
Abstract culture | Ccru | |
Fuck Content | Michael Rock | fuck |
Designer as Author | Michael Rock | |
Design thinking a useful myth | Don norman | beep |
Grid systems | Joseph miller brockman | |
Chokepoint Capitalism | Cory Doctorow and Rebecca Giblin | |
Fabulous Loop de Loop | Steve Rushton | |
Against Pretty Print | Clara Balaguer and Florian Cramer | |
Caps Lock | Ruben Pater | |
Cars and Girls | Femke Snelting | |
Misunderstanding the Internet | Curran, Freedman, Fenton | |
Drawing Curved | OSP | |
Garden of Pomegranates | Israel Regardie | |
Network Imaginaries | Anja Groten and Juliette Lizotte | |